Rimbaud

Presents a new translation and a revised chronology along with a sketch of the poet's life.

Rimbaud was the original enfant terrible. A poetic genius, he destroyed all those who attempted to befriend him, most notoriously wrecking the marriage and sanity of the poet Verlaine. Having conquered the literary world of Paris, he abandoned France and in the dogdays of August 1880 he disembarked in Aden, on the coast of Yemen, a lean twenty-five-year-old Frenchman carrying only a brown suitcase fastened with four leather straps and a touch of fever. The subsequent period, 'the lost years', is the subject of this biographical quest.Charles Nicholl pieces together the shadowy story of Rimbaud's life as a trader, explorer, and gun-runner. We catch his trail in Somalia, in the alleys of Djibouti, up in the highlands of Ethiopia, in the souks of Cairo with twenty pounds of gold strapped around his waist, and escorting a camel-train of Remington rifles across the Danakil desert.

Enduring icon of creativity, authenticity, and rebellion, and the subject of numerous new biographies, Arthur Rimbaud is one of the most repeatedly scrutinized literary figures of the last half-century. Yet almost thirty years have elapsed without a major new translation of his writings. Remedying this state of affairs is Rimbaud Complete, the first and only truly complete edition of Rimbaud’s work in English, translated, edited, and introduced by Wyatt Mason. Mason draws on a century of Rimbaud scholarship to choreograph a superbly clear-eyed presentation of the poet’s works. He arranges Rimbaud’s writing chronologically, based on the latest manuscript evidence, so readers can experience the famously teenaged poet’s rapid evolution, from the lyricism of “Sensation” to the groundbreaking early modernism of A Season in Hell. In fifty pages of previously untranslated material, including award-winning early verses, all the fragmentary poems, a fascinating early draft of A Season in Hell, a school notebook, and multiple manuscript versions of the important poem “O saisons, ô chateaux,” Rimbaud Complete displays facets of the poet unknown to American readers. And in his Introduction, Mason revisits the Rimbaud myth, addresses the state of disarray in which the poet left his work, and illuminates the intricacies of the translator’s art. Mason has harnessed the precision and power of the poet’s rapidly changing voice: from the delicate music of a poem such as “Crows” to the mature dissonance of the Illuminations, Rimbaud Complete unveils this essential poet for a new generation of readers.

Poet and prodigy Arthur Rimbaud (1854-1891) died young but his extraordinary poetry continues to influence and inspire - fans include Dylan, Jim Morrison, Patti Smith. His long poem Un Saison en Enferand his collection Illuminations are central to the modern canon. Having sworn off writing at the age of twenty-one, Rimbaud drifted around the world from scheme to scheme, ultimately dying from an infection contracted while gun-running in Africa. He was thirty-seven. Distinguished biographer, novelist, and memoirist Edmund White brilliantly explores the young poet's relationships with his family and his teachers, as well as his notorious affair with the older and more established poet Paul Verlaine. He reveals the longing for a utopian life of the future and the sexual taboos that haunt Rimbaud's works, offering incisive interpretations of the poems and his own artful translations to bring us closer to this great and mercurial poet.

The classic influential poems by Rimbaud, in a bilingual en face edition featuring acclaimed translations by Louise Varése.

This uncompleted suite of poems by French poet Arthur Rimbaud was first published serially in the Paris literary review magazine "La Vogue." The magazine published part of "Illuminations" from May to June 1886. Paul Verlaine, Rimbaud's lover, suggested the publication of these poems, written between 1873 and 1875, in book form. All forty-two of the poems generally considered as part of "Illuminations" are collected together here in this edition. Of these forty-two poems almost all are in a prose poem format, the two exceptions are "Seapiece" and "Motion," which are vers libre. There is no universally defined order to the poems in "Illuminations," while many scholars believe the order of the poems to be irrelevant, this edition begins traditionally with "Après Le Deluge" or "After the Flood." Albert Camus hailed Rimbaud as "the poet of revolt, and the greatest." The worth of this praise for Rimbaud can be seen in "Illuminations," one of the most exemplary works of his poetic talent.

Arthur Rimbaud is remembered as much for his volatile personality and tumultuous life as he is for his writings, most of which he produced before the age of eighteen. This book brings together his poetry, prose, and letters, including "The Drunken Boat," "The Orphans' New Year," "After the Flood," and "A Season in Hell," considered by many to be his. Complete Works is divided into eight "seasons"--Childhood, The Open Road, War, The Tormented Heart, The Visionary, The Damned Soul, A Few Belated Cowardices, and The Man with the Wind at His Heels--that reflect the facets of Rimbaud's life. Insightful commentary by translator and editor Paul Schmidt reveals the courage, vision, and imagination of Rimbaud's poetry and sheds light on one of the most enigmatic figures in letters.

In a new interpretation of a poet who has swayed the course of modern poetry--in France and elsewhere--James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his identity and his art. A drama emerges in Lawler's urbane and resourceful reading. The thinking, feeling, acting Drunken Boat is an early theatrical projection of the poet's self; the Inventor, the Memorialist, and the Ing nu assume distinct roles in his later verse. It is, however, in Illuminations and Une Saison en enfer that Rimbaud enacts most powerfully his grandiose dreams. Here the poet becomes Self Creator, Self-Critic, Self-Ironist; he takes the parts of Floodmaker, Oriental Storyteller, Dreamer, Lover; and he recounts his descent into Hell in the guise of a Confessor. In delineating and exploring the poet's "theatre of the self" Lawler shows us the tragic lucidity and the dramatic coherence of Rimbaud's work.