Rioting For Representation

Toha explains why ethnic groups engage in violence during political transition, and why and how this violence eventually declines.

Drawing on insights from linguistics, multimodality and media studies, this book explores the ideological dimensions of media representation and its function in discursively constructing public understandings of, and attitudes toward, civil disorder.

Riots in Literature addresses representations of crowd disorder as manifestations of popular politics, including colonial and postcolonial contexts. The terms used to describe disorder are themselves, of course, contested. Words like “mob,” “demonstration” and “protest,” not to mention “riot’ itself, denote a particular perspective based on an elitist taxonomy for dealing with social and cultural phenomena in society. Of primary concern is the way in which the text describes and designates crowd behaviour using the language of denigration, metaphors of the primitive and animalistic, brutal images, and silences, and where the mediation of the event is expressed in terms of the binary order/disorder. The contributors to this volume are interested in the analysis of the interaction of official political culture and crowd politics as represented in literature and orature, and how such representations contribute to the discourses of authority and subversion of their period. The essays are wide-ranging and explore the phenomenon of riots in literature through studies of popular risings in Shakespeare; Carlyle and the French Revolution; the Rebecca Riots in Wales; popular ballads and the Indian War of Independence in 1857, post-partition riots in India and Pakistan in the 1960s, township violence in South African fiction post-1948, the 1965 Watts riots in Los Angeles in detective fiction and avant garde disturbances in France of the 1920s and 1930s. Throughout the book, these essays focus attention on the tension-filled relationship that is perceived between literature and discourses of power and popular resistance.

" . . . a sweeping, analytical synethsis of collective violence from the colonial experience to the present." —American Studies "Gilje has written 'the book' on rioting throughout American history." —The Historian ". . . a thorough, illuminating, and at times harrowing account of man's inhumanity to man." —William and Mary Quarterly " . . . fulfills its title's promise as an encyclopedic study . . . an impressive accomplishment and required reading for anyone interested in America's contentious past." —Journal of the Early Republic "Gilje has written a thought-provoking survey of the social context of American riots and popular disorders from the Colonial period to the late 20th century. . . . a must read for anyone interested in riots." —Choice In this wide-ranging survey of rioting in America, Paul A. Gilje argues that we cannot fully comprehend the history of the United States without an understanding of the impact of rioting. Exploring the rationale of the American mob brings to light the grievances that motivate its behavior and the historical circumstances that drive the choices it makes. Gilje's unusual lens makes for an eye-opening view of the American people and their history.

Award winning poet Joshua Clover theorises the riot as the form of the coming insurrection Baltimore. Ferguson. Tottenham. Clichy-sous-Bois. Oakland. Ours has become an “age of riots” as the struggle of people versus state and capital has taken to the streets. Award-winning poet and scholar Joshua Clover offers a new understanding of this present moment and its history. Rioting was the central form of protest in the seventeenth and eighteenth centuries, and was supplanted by the strike in the early nineteenth century. It returned to prominence in the 1970s, profoundly changed along with the coordinates of race and class. From early wage demands to recent social justice campaigns pursued through occupations and blockades, Clover connects these protests to the upheavals of a sclerotic economy in a state of moral collapse. Historical events such as the global economic crisis of 1973 and the decline of organized labor, viewed from the perspective of vast social transformations, are the proper context for understanding these eruptions of discontent. As social unrest against an unsustainable order continues to grow, this valuable history will help guide future antagonists in their struggles toward a revolutionary horizon.

Rendering Violence explores the problems and possibilities that the subject of political violence presented to American painters working between 1830 and 1890, a turbulent period during which common citizens frequently abandoned orderly forms of democratic expression to riot, strike, and protest violently. Examining a range of critical texts, this book shows for the first time that nineteenth-century American aesthetic theory defined painting as a privileged vehicle for the representation of political order and the stabilization of liberal-democratic life. Analyzing seven paintings by Thomas Cole, John Quidor, Nathaniel Jocelyn, George Henry Hall, Thomas Nast, Martin Leisser, and Robert Koehler, Ross Barrett reconstructs the strategies that American artists developed to explore the symbolic power of violence in a medium aligned ideologically with lawful democracy. He argues that American paintings of upheaval ÒrenderÓ their subjects in divergent ways. By exploring the inner conflicts that structure these painterly projects, Barrett sheds new light on the politicized pressures that shaped visual representation in the nineteenth century and on the anxieties and ambivalences that have long defined American responses to political turmoil.

The years 2008 to 2013 saw a new generation of political protestors take to the streets. Riots disrupted many Western cities and new protest movements emerged, keen to address a bleak context of economic collapse and austerity politics. In this groundbreaking new study, Winlow, Hall, Briggs and Treadwell push past the unworldly optimism of the liberal left to offer an illuminating account of the enclosure and vacuity of contemporary politics. Focusing on the English riots of 2011, the ongoing crisis in Greece, the Indignados, 15M and Podemos in Spain, the Occupy movement in New York and London and the English Defence League in northern England, this book uses original empirical data to inform a strident theoretical critique of our post-political present. It asks: what are these protest groups fighting for, and what are the chances of success? Written by leading criminological theorists and researchers, this book makes a major contribution to contemporary debates on social order, politics and cultural capitalism. It illuminates the epochal problems we face today. Riots and Political Protest is essential reading for academics and students engaged in the study of political sociology, criminological theory, political theory, sociological theory and the sociology of deviance.

Both a history of race riots and police responses in the US and a prescription for developing and maintaining a police force that is a true community partner.