River Boy

A new mass-market edition of this Carnegie Medal-winner. One of the classic teenage novels of the nineties, "River Boy" is an emotional, moving book which has had a profound influence on its readers. Following the story of Jess's dying grandfather, and the marathon river swim Jess becomes caught up in, it uses poetic and surreal images of water andswimming to deal with the difficult subjects of death and loss in an accessible and affecting way. * Winner of the Carnegie Medal and the Angus Book Prize * A moving poetic exploration of grief and loss. * Internationally successful - foreign rights have so far been sold to America, Denmark, Sweden, Germany, Belgium, Italy, Poland and Portugal. A film option has been agreed. * New cover treatment to match Tim Bowler's wonderful new novel, "Storm Catchers". * Author was born and brought up in Leigh-on-Sea, Essex, and now lives in Totnes, Devon.

Ste-e-e-eamboat's a-comin'!" Along the banks of the great Mississippi River, a young boy named Samuel Clemens raced to the docks whenever he heard that familiar cry. He dreamed of exploring the world beyond his river town. Little did he know that one day he would become the famous writer Mark Twain, and write about his boyhood adventures along the bustling river waterfront in the classic stories The Adventures of Huckleberry Finn and The Adventures of Tom Sawyer. Sam's exploits take him from the printing presses of the Hannibal Courier to the decks of the steamboats that travel the mighty Mississippi, and even to the Wild West. Now noted historian William Anderson tells the colorful story of Sam's life as he grows from a mischievous boy into the enterprising author. Dan Andreasen's fresh, vibrant paintings capture the spirit of the storyteller who will live on forever as one of America's literary icons.

**The number-one bestseller** The story of how an extraordinary childhood shaped an extraordinary life On the West Coast of the South Island, past deep fiords and snow-capped mountains, Chris Long grew up two days' hike from the nearest road. He was born into the country's most isolated family, his parents committed to freedom from capitalist society and connection to the natural world. In this inspiring memoir, Chris describes a childhood with nature on his doorstep - helping his father catch crayfish and his mother grow vegetables, playing with toys crafted from driftwood and jade, and learning to live in the wild - until, in his teenage years, he began to wonder: could he survive in the wider world? By the son of the authors of A Life on Gorge River and A Wife on Gorge River, The Boy from Gorge River is an enthralling account of chasing adventure while forever staying true to where you come from.

Presenting a distinct historical perspective, these intriguing stories chronicle the history and culture of a people we call the Cheyenne (the Tse Tse Stus)-from creation accounts and the introduction of horses to the present. The stories are told as seen through the eyes of Old Nam Shim (which means grandfather) and a little girl named Shadow. Written to present the true story of the Tse Tse Stus, these accounts are accompanied by discussion questions, extension activities, a vocabulary list, and a glossary of Cheyenne terms. They are ideal as a reading supplement for anyone studying Western history, Cheyenne Indian wars, or the anthropology of the Cheyenne people, this book is a valuable resource for multicultural units.

On 21st September 2001 the mutilated torso of a small child was found floating beside London’s Tower Bridge, one tide away from being swept into the North Sea. Unable to identify the victim, the Murder Squad turned to Richard Hoskins, a young professor of theology with a profound understanding of African tribal religion, whose own past was scarred by a heartbreaking tragedy. Thus began a journey into the tangled undergrowth of one of the most notorious murder cases of recent years; a journey which would reveal not only the identity of the boy they called Adam but the horrific truth that a succession of innocent children have been ritually sacrificed in our capital city. Insightful and grippingly written, The Boy in the River is an inside account of a series of extraordinary criminal investigations and a compelling personal quest into the dark heart of humanity.

Dr. Jekyll and Mr. Hyde

In the future deep space travel is a regular occurrence. After completing a mission to take supplies to Earth 2, or Genesis as the colonists call it, something goes horribly wrong with the space shuttle returning Adam Evans and his crew mates to Earth. The shuttle crashes and Adam and Jason survive, but the Earth they return to has changed greatly. When tragedy strikes, leaving Adam on his own, he finds the paradise surrounding him has an increasingly darker side. He assumes he can outsmart it, beat it. The product of a lost past, where men and speech are free, he rebels against the rules restricting him. But is he just setting himself up for failure, for pain and misery? Can he ever hope to outwit the powers that be? Then he meets River Boy, the only person in a village full of dirty, animalistic villagers with whom he connects. There is something intelligent about River Boy. Something civilized about him. Yet is Adam’s growing closeness to River Boy going to save him from himself? Or will his stubbornness, his rebelliousness, cost him more than he is able to pay?

The modern fantasy novel might hardly seem to need a defence, but its position in contemporary literature in the 1980s was still rather ambivalent. Many post-war writers had produced highly successful fantasy novels, some phenomenal publishing successes had occurred in the field, and an increasing number of universities throughout the English-speaking world now included the literary criticism of fantasy as part of their English Literature courses. None the less some critics and academics condemned the whole genre with a passion that seemed less than objectively critical. In this book, originally published in 1984, Dr Ann Swinfen presents a wide-ranging and comprehensive view of fantasy: what it is, what it tries to achieve, what fundamental differences distinguish it from mainstream realist fiction. She concentrates on the three decades from 1945, when a new generation of writers found that Tolkein had made fantasy ‘respectable’. Her approach is thematic, rather than by individual author, and she brings out the profound moral purpose that underlies much modern fantasy, in a wide range of works, both British and American, such as Russell Hoban’s The Mouse and His Child, C.S. Lewis’s Chronicles of Narnia and Ursula Le Guin’s Earthsea Trilogy.