Roaring Metropolis

Debates about poverty and inequality in the United States frequently invoke the early twentieth century as a time when new social legislation helped moderate corporate power. But as historian Daniel Amsterdam shows, the relationship between business interests and the development of American government was hardly so simple. Roaring Metropolis reconstructs the ideas and activism of urban capitalists roughly a century ago. Far from antigovernment stalwarts, business leaders in cities across the country often advocated extensive government spending on an array of social programs. They championed public schooling, public health, the construction of libraries, museums, parks, and playgrounds, and decentralized cities filled with freestanding homes—a set of initiatives that they believed would foster political stability and economic growth during an era of explosive, often chaotic, urban expansion. The efforts of businessmen on this front had deep historical roots but bore the most fruit during the 1920s, an era often misconstrued as an antigovernment moment. As Daniel Amsterdam illustrates, public spending soared across urban America during the decade due in part to businessmen's political activism. With a focus on three different cities—Detroit, Philadelphia, and Atlanta—and a host of political groups—organized labor, machine politicians, African American and immigrant activists, middle-class women's groups, and the Ku Klux Klan—Roaring Metropolis traces businessmen's quest to build cities and nurture an urban citizenry friendly to capitalism and the will of urban capitalists.

Historian Elizabeth Tandy Shermer examines how Barry Goldwater and elite Phoenix businessmen used policy and federal funds to fashion a postwar "business climate," setting off an interstate competition for investment that transformed American politics.

This remarkable novel, the basis for the world's greatest science-fiction movie, has long been a rare but ardently sought-after collector's item. It is an unforgettable vision of the 21st century and the awe-inspiring city of the future. Metropolis has been compared to such classics as George Orwell's 1984, H. G. Wells's The Time Machine, Samuel Butler's Erewhon, and Karel Capek's R.U.R. Science fiction writer and editor Forrest J Ackerman called it "a work of genius," noting, "The language of the novel is sometimes as thesauric as Shiel, as kaliedoscopic as Merritt, as bone-spare as Bradbury, as poetic as Poe, as macabre as Machen. . . . You will have an experience in reading that will last you all the rest of your life."

Examines city politics and policy, federalism, and democracy in the United States. After decades of being defined by crisis and limitations, cities are popular again—as destinations for people and businesses, and as subjects of scholarly study. Urban Citizenship and American Democracy contributes to this new scholarship by exploring the origins and dynamics of urban citizenship in the United States. Written by both urban and nonurban scholars using a variety of methodological approaches, the book examines urban citizenship within particular historical, social, and policy contexts, including issues of political participation, public school engagement, and crime policy development. Contributors focus on enduring questions about urban political power, local government, and civic engagement to offer fresh theoretical and empirical accounts of city politics and policy, federalism, and American democracy. Amy Bridges is Professor of Political Science at the University of California, San Diego and the author of Democratic Beginnings: Founding the Western States; Morning Glories: Municipal Reform in the Southwest; and A City in the Republic: Antebellum New York and the Origins of Machine Politics. Michael Javen Fortner is Assistant Professor and Academic Director of Urban Studies at the CUNY School of Professional Studies, Murphy Institute. He is the author of Black Silent Majority: The Rockefeller Drug Laws and the Politics of Punishment.

Patrick F. McManus's gently comic stories about outdoor life have earned him millions of fans worldwide. With Kerplunk!, McManus delivers a collection of folksy, wonderfully wise depictions of country life worthy of Mark Twain. In these tall tales, McManus and his buddies learn how not to net a fish, why you should never get your hair cut by someone who's mad at you, what to do when a deer wanders into camp but your sleeping bag has frozen shut, and how to avoid bird-dog flatulence. Traveling the highways and byways of the Pacific Northwest, the delightful backcountry characters of Kerplunk! understand how a life of hunting and fishing -- and its inherent potential for misadventure -- can resonate with larger meaning. McManus's characters know exactly why it costs $500 to make a fly lure that retails for $2; why installing a boat trailer hookup can lead to divorce; and, most important, why you should always listen for the sound of your fishing line hitting the water -- because in life as it is in fishing, you don't know you're in the water until you hear the kerplunk! These wry, curmudgeonly tales appeal to real outdoorsmen and the armchair variety alike. Often nostalgic, occasionally philosophical, and always funny, the stories in Kerplunk! reaffirm Patrick F. McManus's reputation as an American classic.

Ever since the rise of mass culture, the idea of The City has played a central role in the nation's imagined landscape. While some writers depict the city as a site of pleasure and enjoyment, the thrills provided there are still generally of an illicit nature, and it is this darker strain of urban fiction-one that illuminates many of the larger fears and anxieties of America at large-that this book addresses. From The Wire's Baltimore to Martin Scorsese's New York, from the Newark of Philip Roth and The Sopranos, to Jeffrey Eugenides's Detroit, The City is everywhere, and everywhere proclaiming on the rise and Around 1900, writers for Harper's, Century, and other magazines took middle-class Americans on safari through Little Italy and the Jewish Lower East Side. Later, at the dawn of the talkies, one of the most popular genres was the gangster film, through which the city was often portrayed as a powerful force that sent poor souls to their doom. With the urban disturbances of the 1960s, popular culture took another look at the city and decided that from Detroit to Watts to Harlem, the problem had a different face. Blaxploitation classics such as Shaft and Fort Apache the Bronx, as well as police and crime films of the '60s and '70s, offered a cinematic exclamation point to the famous Daily News headline: Ford to New York: Drop Dead! Later filmmakers offered a more nuanced view of the city, with Scorsese and Coppola paying homage to an old neighborhood of wise guys and goodfellas, and Woody Allen offering the city as a home of urban aesthetes. Meanwhile, on television, crime shows (from The Streets of San Francisco to NYPD Blue, Cops, and all the CSI programs) have for decades rooted their separate identities in the crime-ridden city itself. Yesterday's foreign threat to the body politic is today's jaded suburbanite, and this work also considers the current development of the cyber-city where urban exiles use their computers to re-imagine the cities of their youth as safe, warm places where we never locked our doors. The City continues to thrill and repulse, and even the Internet once again reduces the mean streets to a titillating story arc.

Metropolis is set in 2026 in a technologically advanced city, which is sustained by the existence of an exploited class of laborers who live underground, far away from the gleaming surface world. Freder, the son of one of the city’s founders, falls in love with Maria, a girl from the underground. The two worlds are destined to clash and upheaval is inevitable. Can the two lovers survive the coming turmoil. Metropolis the novel was written along side the script for the movie. The two works intertwine to give a complete experience, much like the film and book versions of 2001: A Space Odyssey, one supports the other by bringing clarity and understanding to what the visual virtuosity of the other was meant to convey. This book is not of today or of the future. It tells of no place. It serves no cause, party or class. It has a moral which grows on the pillar of understanding: “The mediator between brain and muscle must be the Heart. —Thea Von Harbou

Recent events—the Citizens United Supreme Court decision, the Occupy Wall Street movement, and efforts to increase the minimum wage, among others—have driven a tremendous surge of interest in the political power of business. Capital Gains collects some of the most innovative new work in the field. The chapters explore the influence of business on American politics in the twentieth century at the federal, state, and municipal levels. From corporate spending on city governments in the 1920s to business support for public universities in the postwar period, and from business opposition to the Vietnam War to the corporate embrace of civil rights, the contributors reveal an often surprising portrait of the nation's economic elite. Contrary to popular mythology, business leaders have not always been libertarian or rigidly devoted to market fundamentalism. Before, during, and after the New Deal, important parts of the business world sought instead to try to shape what the state could accomplish and to make sure that government grew in ways that were favorable to them. Appealing to historians working in the fields of business history, political history, and the history of capitalism, these essays highlight the causes, character, and consequences of business activism and underscore the centrality of business to any full understanding of the politics of the twentieth century—and today. Contributors: Daniel Amsterdam, Brent Cebul, Jennifer Delton, Tami Friedman, Eric Hintz, Richard R. John, Pamela Walker Laird, Kim Phillips-Fein, Laura Phillips Sawyer, Elizabeth Tandy Shermer, Eric Smith, Jason Scott Smith, Mark R. Wilson.