Robert Fergusson

If Robert Fergusson were to tell you a story, whether from a church platform or in the confines of the seat next to you on an airplane, you would undoubtedly listen - and undeniably be changed. Stories pass on gathered wisdom, they reveal much about a person's identity, convey responsibility, instil values and uncover truth. Â There is an art to storytelling, and priceless significance gained when you discern and absorb this age-old practise. In 'Are You Getting This?', discover the story telling method that has made Robert Fergusson a sought-after teacher, memorable preacher and incessant disciple of Jesus Christ. Rediscover a love for learning and teaching, the importance of impartation and the eternal truths found in the greatest story ever told.

Originally published in 2000 by Polygon to mark the 250th anniversary of Fergusson's birth, this new edition contains all Fergusson's finest poems in both Scots and English, and features a new introductory essay, revised orthography, a substantial section of notes and a glossary. Acknowledged as a crucial influence on Burns, Robert Fergusson was a remarkable poet in his own right. All his work was produced during a few brief years, delighting readers with its vigour and power. Although he wrote much verse in the then fashionable style of Augustan English, it is his Scots verse which, in its great warmth, humanity, satire, and hilarious comedy, is his enduring legacy. His work covers the whole gamut of human emotions and experience and his subject matter ranges from drunken encounters with the notorious City Guard to quieter reflections on pastoral themes. Fergusson died in 1774 at the age of only 24.

Though Robert Fergusson published only one collection of poems during his lifetime, he was a fixture in the Scottish periodical press. Rhona Brown explores Fergusson's poetic output in its immediate periodical context, enabling a new understanding of Fergusson's contribution to poetry that also enlarges on our understanding of the Scottish periodical press. Focusing on the development of his career in Walter Ruddiman's Weekly Magazine, Brown situates Fergusson's poetry alongside contemporary events that expose Fergusson's preoccupations with the frivolities of fashion, theatrical culture, the economic status of Scottish manufacture, and politics. At the same time, Brown offers fascinating insights into the political climate of Enlightenment Scotland and shows the Weekly Magazine in relationship to the larger Scottish and British periodical milieus. She concludes by exploring reactions to Fergusson's death in the British periodical presses, arguing that contrary to critical consensus, the poet's death was ignored neither by his own country nor by the larger literary community.