Robert Wilson

1941. Klaus Felsen, forced out of his Berlin factory into the SS, arrives in a luminous Lisbon, where Nazis and Allies, refugees and entrepreneurs, dance to the strains of opportunism and despair. Felsen's assignment takes him to the bleak mountains of the north where a devious and brutal battle is being fought for an element vital to Hitler's bliztkrieg. There he meets the man who plants the first seed of greed and revenge that will grow into a thick vine in the landscape of post-war Portugal. Late 1990s. Investigating the murder of a young girl with a disturbing sexual past, Inspector Ze Coelho overturns the dark soil of history and unearths old bones from Portugal's fascist past. This small death in Lisbon is horrific compensation for an even older crime, and Coelho's stubborn pursuit of its truth reveals a tragedy that unites past and present. Robert Wilson's combination of intelligence, suspense, vivid characters, and mesmerizing storytelling richly deserves the international acclaim his novel has received.

Through 25 interviews with prominent figures in the performing and visual arts worlds, this is a complete and revelatory portrait of Robert Wilson and his inspired craft. Robert Wilson has put his original stamp on masterpieces from Mozarts The Magic Flute and Puccinis Madame Butterfly to William Shakespeares sonnets. Through his extraordinary use of light and his understanding of the significance of language in theater and the importance of movement on stage, gleaned from his experience as a dancer, Wilson has become one of the worlds most esteemed and revolutionary figures working in theater today. Wilson is well-known for pushing the boundaries of theater, and has won over sixty awards and honors for his work, including a nomination for the Pulitzer Prize for Drama, an Obie, two Guggenheim Fellowship awards and the Rockefeller Foundation Fellowship, election to the American Academy of Arts and Letters, and the National Design Award for Lifetime Achievement. A critical text features interviews with twenty-five world-renowned artists, composers, actors, writers, theater directors, costume designers, scenographers, scholars, and curators who offer their perspectives on Wilsons work and on working with Wilson. The artist and his craft are elucidated by Marina Abramovic, Pierre Bergé, Daniel Conrad, Giuseppe Frigeni, Gao Xingjian, Philip Glass, Sacha Goldman, Jonathan Harvey, Isabelle Huppert, Ivan Nagel, John Rockwell, Viktor & Rolf, Serge von Arx, Rufus Wainwright, and Robert Wilson himself. His creative development is further documented through images chosen by the artist for this publication, and a list of his complete works completes the monograph. This book celebrates the singular achievements of this unique artist, from his earliest works to his collaborations with the Berliner Ensemble to his most recent work, The Life and Death of Marina Abramovic.

Robert Wilson is an American–European director who is also a performer, installation artist, writer, designer of light and much more besides – a crossover polymath who dissolves both generic and geographical boundaries and is a precursor of globalisation in the arts. This second edition of Robert Wilson combines: an analysis of his main productions, situated in their American and European socio-cultural and political contexts a focused, detailed study of Wilson’s pathbreaking Einstein on the Beach a study of Pushkin's Fairy Tales as the foremost example of his folk-rock music theatre in the twenty-first century an exploration of his ‘visual book’, workshop and rehearsal methods, and collaborative procedures a study of his aesthetic principles and the elements of composition that distinguish his directorial approach a series of practical exercises for students and practitioners highlighting Wilson’s technique. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.

Robert W. Wilson is the greatest investor of all time, on the only criterion that counts: percentage return on capital. What you make with what you have, what you started out with. Wilson would be the first to point out that there are investors richer than himself; but on a percentage-return basis, he is unmatched, and untouched. He received $15,000 from his mother in 1958, and he ran this stake to the fabulous sum of $230 million, by 1986. With assistance he himself sought out, he then nearly quadrupled his net worth to $800 million, by the year 2000. This return, after taxes no less, is more than 50,000 to one. More than 5,000,000 percent. Wilson did it in about forty years, without partners. How? How, possibly? This book, "Killing the Market," tries to find, or at least get close to, an answer. Robert Wilson quit the investing business in 1986, because he had "lost his touch," as he said. The most productive of men, the hardest working of men, he started to move into philanthropy. Eventually he became just about the most important philanthropist in the United States. Of the $800 million he accumulated, he had given away fully $700 million of it at the time of his death, in 2013 (by his own hand). Movingly, Robert Wilson's gifts were never to things that entertained him, or to pet projects; they were always to charities trying very hard to make the world a better place for everybody.

The first comprehensive study of the leading American avant-garde theatre director Robert Wilson.

From the author of Axis and Vortex, the first Hugo Award-winning novel in the environmental apocalyptic Spin Trilogy... One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives. The effect is worldwide. The sun is now a featureless disk--a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world's artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they'd been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside--more than a hundred million years per day on Earth. At this rate, the death throes of the sun are only about forty years in our future. Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who's forged a new religion out of the fears of the masses. Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans...and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth's probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun--and report back on what they find. Life on Earth is about to get much, much stranger. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In our rapidly-changing world of "social media", everyday people are more and more able to sort themselves into social groups based on finer and finer criteria. In the near future of Robert Charles Wilson's The Affinities, this process is supercharged by new analytic technologies--genetic, brain-mapping, behavioral. To join one of the twenty-two Affinities is to change one's life. It's like family, and more than family. Your fellow members aren't just like you, and they aren't just people who are likely to like you. They're also the people with whom you can best cooperate in all areas of life--creative, interpersonal, even financial. At loose ends both professional and personal, young Adam Fisk takes the suite of tests to see if he qualifies for any of the Affinities, and finds that he's a match for one of the largest, the one called Tau. It's utopian—at first. Problems in all areas of his life begin to simply sort themselves out, as he becomes part of a global network of people dedicated to helping one another—to helping him. But as the differing Affinities put their new powers to the test, they begin to rapidly chip away at the power of governments, of global corporations, of all the institutions of the old world. Then, with dreadful inevitability, the different Affinities begin to go to war--with one another. What happens next will change Adam, and his world, forever. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.