Rock And Roll And The Beat Goes On

In 2001 the Guinness Book of Records declared Liverpool the “City of Pop” for producing more hit records than any other city. The Beat Goes On is a historical account of popular music in Liverpool that explores the contextual, creative, and geographical factors that have contributed to the city’s status as a major center of musical creativity. With contributions from experts in popular music history, cultural geography, ethnography, and musicology, alongside essays and interviews with Liverpool musicians and rare archival images, this volume offers an interdisciplinary exploration of the city’s unique place in the realm of popular music.

Rock & Roll is here to stay--so get back to the roots of this exciting, explosive music with the man who saw it all happen: legendary radio personality Cousin Brucie! The artists presented here played vital roles in the earth-shattering changes that unfolded over the decades, from the time rock started to roll in the 50s. Elvis swiveled his hips to the screams of teens--and the horror of their parents. Then came the attack of the Union Jack, with the madness of Beatlemania quickly followed by The Dave Clark Five, The Rolling Stones, The Who, and countless others. Petula Clark and Dusty Springfield belted it out with newly emerging girl power. Teens across America went "Surfing USA" to the sounds of The Beach Boys, while Detroit Soul had kids dancing in the streets. Hippies flew high on Jefferson Airplane--and Woodstock galvanized a nation. Records like Sergeant Pepper's Lonely Hearts Club Band and Pet Sounds changed the way music was produced forever. Cousin Brucie puts the music in its historical context. The songs unfold against a backdrop of social upheaval, from JFK, Martin Luther King, Jr., civil rights, and anti-war movements to the first Earth Day, Batman, Women's Lib, and Watergate. The book teems with archival photographs, posters, album covers, record labels, newspaper articles, magazine covers, poems, quotes, and more.

When the singing is over and the talking starts, that’s when the true, unvarnished wisdom of rock ‘n’ roll comes out. Built on first-hand experience, the gorgeous, illustrated Little Book of Rock ‘n’ Roll Wisdom offers the wise words of stars past and present on a variety of topics like love, breakups, rebellion, success, feeling good, being down-and-out, and even death to offer the big-picture view of rock ‘n’ roll. Rock stars can be outrageous, funny, in your face, and sometimes even oddly humanitarian. This collection includes wisdom from such icons as Elvis, Bowie, Jimi, Dylan, Bruce, Mick, Keith, Prince, Lennon, Ozzy, Clapton, Bono, Janis, and more.

The music world exploded into Technicolor on February 9, 1964, when the Beatles appeared on the Ed Sullivan Show and ignited the music phenomenon dubbed “The British Invasion”. In the weeks and months to come, hundreds, perhaps thousands, of Ottawa teenagers put away their hockey sticks and picked up guitars, starting up bands in basements and garages, with visions of screaming girls and stardom dancing in their heads. For some, that dream came true, in packed High School Gymnasiums, Church basements, bowling alleys and every other venue they could find. Groups were working three or four nights a week on both sides of the Ottawa River. The Esquires, The Staccatos, The Townsmen, Don Norman and the Other Four and many others cut records that were as good as anything coming out of Britain or the States. DJ's Gord Atkinson, Nelson Davis and Al "Pussycat" Pascal make them stars by playing their records. Sandy Gardiner followed their exploits in his weekly "teen" column in the Ottawa Journal, and we checked out the weekly "Swing Set" to get the lowdown on the newest groups. From the day Elvis Presley came to town in 1957, to the release of The Five Man Electrical Band’s mega-hit “Signs”, we relive those memories with the bands, the clubs, the concerts and the colorful cast of characters who made it happen. Pull back the curtain on the magic of "Ottawa’s Golden Age of Rock and Roll”,

"A one-volume survey of American popular music from the post-Civil War era to today. Intended for an introductory course on American popular music, it proceeds chronologically, taking a listening approach to the material." P. [4] of cover.

In Working Class Heroes, David Simonelli explores the influence of rock and roll on British society in the 1960s and '70s. At a time when social distinctions were becoming harder to measure, rock musicians appeared to embody the mythical qualities of the idealized working class by perpetuating the image of rebellious, irreverent, and authentic musicians.