Rock And Roll Cage Match

Music defines us. To return the favor, we’ll stick up with zealous passion for the performers and bands that we love . . . and heap aspersions and ridicule upon people who dare to place their allegiances above our own. In Rock and Roll Cage Match, today’ s leading cultural critics, humorists, music journalists, and musicians themselves take sides in thirty of the all-time juiciest “who’s better” musical disputes. Marc Spitz on the Smiths vs. the Cure: “If the Smiths are its James Dean, the Cure are the Marlon Brando of modern rock.” Mick Stingley on Van Halen vs. Van Hagar: “Eddie Van Halen single-handedly (sometimes quite literally) conjured rapturous sounds, and reinvented the idea of what could be done with a guitar with his sleight of hand. . . . As for the lyrics . . . Where Roth had been nuanced and clever, relying on double entendres and sexual innuendo, Sammy was ham-fisted and cloying and just downright embarrassing. Gideon Yago on Nirvana vs. Metallica: “Here is why Nirvana will always be a better band than Metallica. It’s not because they hit harder (they do). It’s not because they are tighter (they’re definitely not). . . . It’s because Metallica is fundamentally about respecting rules—of metal, of production, of technicality—and Nirvana is about breaking those rules down in the pursuit of innovation. Metallica was metal. Nirvana was something else.” Touré on Michael Jackson vs. Prince: “[Prince] was the wild son of Jimi, the younger brother of Rick James and Richard Pryor, the ultrasexual black Casanova who told you up front that he had a dirty mind . . . Michael held the opposite appeal. His music was often about escaping through dance or being hopeful about the world.” Russ Meneve on Bruce Springsteen vs. Bon Jovi: “I really, truly mean it when I say, Mr. Springsteen, no disrespect . . . you are a legend. But in the Battle a da Jerz, when that thick chemical-waste smoke clears and the overly sprayed mall hair parts, the Jov man is the last man rockin’.” Whitney Pastorek on Whitney Houston vs. Mariah Carey: “Frankly, dry recitations of figures are just too easily negated by simple things like, say, bringing up someone’s horrible taste in choosing movie roles. Watch, I’ll do it right now: Yes, Mariah has seventeen number one singles, and Whitney only eleven. But Whitney made The Bodyguard, which is basically a classic, and Mariah starred in Glitter, a colossal suckfest of crapitude that should disqualify her on the spot.”

There have been many anthologies devoted to our national pastime's greatest players, but here, at last, is one dedicated to those, for reasons far more personal than statsbased, we call our favorites. In Top of the Order twentyfive of today's premier sports journalists, cultural critics, novelists, and humorists (as well as a couple of former major leaguers) deliver memorable, neverbeforepublished odes to their favorite players, past or present. By turns uplifting, woeful, and hilarious, these essays define what it means to be beset by that strange, incurable condition known as baseball fandom. Featuring original essays by; Roger Kahn on Jackie Robinson, Buzz Bissinger on Albert Pujols, Jonathan Eig on Lou Gehrig, Neal Pollack on Greg Maddux, Laura Lippman on Brooks Robinson, Jeff Pearlman on Garry Templeton, Jim Bouton on Steve Dembowski, Pat Jordan on Tom Seaver, Michael Ian Black on Mookie Wilson, Matt Taibbi on Jim Rice, Steve Almond on Rickey Henderson, and many more.

Richard Hell may best be known as a punk icon, a founding member of seminal bands Television, the Heartbreakers, and The Voidoids, but for decades he’s been a prominent voice in American letters. Through his novels Go Now and Godlike, and his critically acclaimed autobiography, I Dreamed I Was a Very Clean Tramp, Hell has proven himself as a talented and insightful writer across many genres, in many forms. But one might argue that Richard’s true genius lies in shorter form as a writer on culture. "Love comes in spurts," Hell once sang, and that could well describe the intensity of his penetrating and wickedly droll criticism. Massive Pissed Love is a collection of Hell’s ruminations on art, literature, and music, among other things, that’s like a candy box of reading treats, a bag of shiny marbles, a cabinet of mementos and uncanny fetishes. However one thinks of it, it’s a joy to read from start to finish and a deeply necessary addition to the oeuvre of one of the sharpest minds and sensibilities at work today.

Lovers of the printed book, arise! Thirty of today’s top writers are here to tell you you’re not alone. In Bound to Last,an amazing array of authors comes to the passionate defense of the printed book with spirited, never-before-published essays celebrating the hardcover or paperback they hold most dear—not necessarily because of its contents, but because of its significance as a one-of-a-kind, irreplaceable object. Whether focusing on the circumstances behind how a particular book was acquired, or how it has become forever “bound up” with a specific person, time, or place, each piece collected here confirms—poignantly, delightfully, irrefutably—that every book tells a story far beyond the one found within its pages. In addition to a foreword by Ray Bradbury, Bound to Last features original contributions by:Chris Abani, Rabih Alameddine, Anthony Doerr, Louis Ferrante, Nick Flynn, Karen Joy Fowler, Julia Glass, Karen Green, David Hajdu, Terrence Holt, Jim Knipfel, Shahriar Mandanipour, Sarah Manguso, Sean Manning, Joyce Maynard, Philipp Meyer, Jonathan Miles, Sigrid Nunez, Ed Park, Victoria Patterson, Francine Prose, Michael Ruhlman, Elissa Schappell, Christine Schutt, Jim Shepard, Susan Straight, J. Courtney Sullivan, Anthony Swofford, Danielle Trussoni, and Xu Xiaobin

The cottage industry of Beatles publications is more prolific now than it ever was. As the band recedes into the mystic fog of 20th century history we get more and more documentation about their music, their love lives, their personalities, and their finances. I wanted to try to make sense of it by reviewing the best and the worst of the Beatles tomes as they stand side by side in bookstores everywhere. I spent 40 years reading about them knowing that one day I would share my accumulated knowledge with the fans in Pepperland. Having read the book, I'd love to turn you on.

Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

An invaluable resource for any wrestling fan of the era. The sixth in the series from www.historyofwrestling.co.uk this is the complete guide to every WWE DVD release from May 2002 to December 2004, with full in-depth reviews and analysis of every disc (and extras), awards, match ratings, and much, much more. Read all about the start of the Ruthless Aggression Era, with debuts of future main event mainstays John Cena, Randy Orton and Batista all taking place in the time period covered. Learn about the Brand Extension, The Death of Al Wilson, Katie Vick, Evolution, the return of the WWE Hall of Fame, RAW's tenth anniversary spectacular, the rise of Brock Lesnar, and so much more. As usual the book is a monster, with over 300,000 words crammed in covering every pay per view, DVD release and special.

Fifty–three of today's most esteemed writers answer the question, "What makes this bar better than all other bars?" "A reminder that no matter where you are in the world there is always a place nearby that feels like home."" —The Paris Review A neighborhood bar can become as comfortable as a second home or a memory best avoided—a wild evening half remembered and better forgotten. But what makes a particular bar special, better than the one just down the street? The answers vary considerably as writers share personal stories of drinking establishments both local and exotic. Come Here Often is an intoxicating world tour from Antarctica to New York City, Kiribati to Minnesota, to the places that have inspired—and distracted— some of our favorite contemporary writers over many years and many more drinks. Funny, smart, and poignant, this anthology is a rare opportunity to do some serious armchair drinking with Andrew W.K., Rosie Schaap, Jack Hitt, Jim Shepard, Alissa Nutting, Duff McKagan, Laura Lippman, Craig Finn, Elissa Schappell, and many more.