Rock Hudson

Tall, dark and handsome, with a manufactured name and a scrupulously designed professional image, Rock Hudson represented the Hollywood ideal of American masculinity during the 1950s and 60s; an ideal that was to be questioned and ultimately undermined during the years to follow by lurid accounts of his private life and his death from AIDS related illness. This illuminating analysis of Hudson's career reassesses the perceived disparity between his public persona and his 'true' nature. Exploring his unique qualities as a performer and exposing the role of his agent, producers and directors in the construction of his image, John Mercer unpicks Hudson's stardom to reveal a more complex star identity than has hitherto been understood. Foregrounding the ways in which Hudson's career provides insights into the nature of American popular culture and attitudes towards gender and sexuality, Mercer ultimately depicts Hudson as a star who embodied a period of transition between the old Hollywood and the new.

The true story of Rock Hudson's life as told by his closest friend and lover of twenty years, this book is filled with wonderful reminiscences--some funny, some sad, all revealing--about the great stars and directors Rock Hudson worked with in his many films. 16 pages of photographs.

Henry Willson started off as a talent scout under Gone with the Wind's powerhouse mogul, David O. Selznick. The starmaker-to-be was on the lookout for promising newcomers when he received an unsolicited photograph from a movie star hopeful named Roy Fitzgerald. The photograph of the handsome young man with bad teeth not only had a career defining impact for Willson but, more importantly, it redefined Hollywood's concept of the male heartthrob. Roy Fitzgerald became Rock Hudson and, for the next twenty-five years, Henry Willson became the man behind movie "beefcake." The Man Who Invented Rock Hudson delves into Willson's life in explicit, unsparing detail. Variety reporter Robert Hofler deftly chronicles Willson's maneuvers to sidestep the FBI's investigation into Hudson's sex life; the agent's use of off-duty L.A.P.D. cops and Mob ties to scare off Hudson's blackmailers; Hudson's "arranged" marriage to Willson's secretary, Phyllis Gates; as well as Hudson's affair with a Universal Pictures vice-president to help secure starring roles. Additionally, the book discusses Willson's other star clients, including Robert Wagner, Troy Donahue, Tab Hunter, John Derek, James Darren, Chad Everett, Mike Connors, and many others.

A larger-than-life narrative of the making of the classic film, marking the rise of America as a superpower, the ascent of Hollywood celebrity, and the flowering of Texas culture as mythology. Featuring James Dean, Rock Hudson, and Elizabeth Taylor, Giant is an epic film of fame and materialism, based around the discovery of oil at Spindletop and the establishment of the King Ranch of south Texas. Isolating his star cast in the wilds of West Texas, director George Stevens brought together a volatile mix of egos, insecurities, sexual proclivities, and talent. Stevens knew he was overwhelmed with Hudson’s promiscuity, Taylor’s high diva-dom, and Dean’s egotistical eccentricity. Yet he coaxed performances out of them that made cinematic history, winning Stevens the Academy Award for Best Director and garnering nine other nominations, including a nomination for Best Actor for James Dean, who died before the film was finished. In this compelling and impeccably researched narrative history of the making of the film, Don Graham chronicles the stories of Stevens, whose trauma in World War II intensified his ambition to make films that would tell the story of America; Edna Ferber, a considerable literary celebrity, who meets her match in the imposing Robert Kleberg, proprietor of the vast King Ranch; and Glenn McCarthy, an American oil tycoon; and Errol Flynn lookalike with a taste for Hollywood. Drawing on archival sources Graham’s Giant is a comprehensive depiction of the film’s production showing readers how reality became fiction and fiction became cinema.

'Illuminating, witty and written with a wide open mind' Sunday Times The idea of the seductive sex robot is the stuff of myth, legend and science fiction. From the myth of Laodamia in Ancient Greece to twenty-first century shows such as Westworld, robots in human form have captured our imagination, our hopes and our fears. But beyond the fantasies there are real and fundamental questions about our relationship with technology as it moves into the realm of robotics. Turned On explores how the emerging and future development of sexual companion robots might affect us and the society in which we live. It explores the social changes arising from emerging technologies, and our relationships with the machines that someday may care for us and about us. Sex robots are here, and here to stay, and more are coming. Computer scientist and sex-robot expert Kate Devlin is our guide as we seek to understand how this technology is developing. From robots in Greek myth and the fantastical automata of the Middle Ages through to the sentient machines of the future that embody the prominent AI debate, she explores the 'modern' robot versus the robot servants we were promised by twentieth century sci-fi, and delves into the psychological effects of the technology, and issues raised around gender politics, diversity, surveillance and violence. This book answers all the questions you've ever had about sex robots, as well as all the ones you haven't yet thought of.

This book is about the first fear of AIDS case tried in America. It tells the untold story of the trial that the general public heard nothing about. By telling the true story from the perspective of the lawyer who actually represented the Estate of Rock Hudson it is hoped the reader, acting as the 13th juror, will see the gross injustice done to the late actor by Christian and Rocks alleged friend, Mark Miller, as well as the court, the jury, and the press, all of which were blinded from the truth by this newly discovered disease called AIDS. Marc Christian claimed he was given a death sentence because Rock didnt tell him of his AIDS diagnosis and continued to have high risk sex with him. 25 years later Christian died not from HIV or AIDS. He was never HIV positive. How could this be if he was telling the truth that he continued having anal sex with Hudson 3 to 5 times a week for 8 months after Rock was first told he had full blown AIDS? Christian was either superhuman and they should clone his blood as a cure for AIDS, or he simply didnt tell the truth at trial, where Rock Hudson could not defend himself because Christian waited until Rock died, and found out he wasnt in his Will, before bringing his lawsuit.

Long-listed for the 2018 Man Booker Prize Short-listed for the 2018 Gordon Burn Prize Short-listed for the 2018 Goldsmiths Prize Inspired by the real-life murder of a British army soldier by religious fanatics, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation. While Selvon, Ardan, and Yusuf organize their lives around soccer, girls, and grime, Caroline and Nelson struggle to overcome pasts that haunt them. Each voice is uniquely insightful, impassioned, and unforgettable, and when stitched together, they trace a brutal and vibrant tapestry of today’s London. In a forty-eight-hour surge of extremism and violence, their lives are inexorably drawn together in the lead-up to an explosive, tragic climax. In Our Mad and Furious City documents the stark disparities and bubbling fury coursing beneath the prosperous surface of a city uniquely on the brink. Written in the distinctive vernaculars of contemporary London, the novel challenges the ways in which we coexist now—and, more important, the ways in which we often fail to do so.