Rock N Roll Lens

Rock 'N' Roll concert photographs and stories. Music genres include: Rock, Pop, Country, Hip-Hop, Rap, Blues, Folk, Metal, Punk, Reggae, Funk, R&B, Alternative, New Wave, Soul, Gospel, Opera. Black and white photography. Celebrity stories. Subject matter includes musicians, singers, songwriters, photography, cameras, guitars, basses, drums, keyboards. Photographs include: AC/DC, Tori Amos, Fiona Apple, Chet Atkins, Garth Brooks, The Cars, Ray Charles, The Clash, Joe Cocker, Alice Cooper, DEVO, Bo Diddley, Celine Dion, Green Day, Merle Haggard, Richie Havens, Isaac Hayes, Ice-T, Billy Idol, INXS, Tom Jones, B.B. King, KISS, Jerry Lee Lewis, Ziggy Marley, Metallica, Steve Miller, Alanis Morissette, Willie Nelson, No Doubt, Jimmy Page, Robert Plant, Pavarotti, Pinetop Perkins, PiL, Iggy Pop, Bonnie Raitt, Red Hot Chili Peppers, Carols Santana, Sex Pistols, Frank Sinatra, Smashing Pumpkins, Snoop Doggy Dogg, Britney Spears, Bruce Springsteen, Ringo Starr, Sting, Van Halen, Dwight Yoakam, Neil Young. Stories by: Ronny North, Rodney Bingenheimer, Julia 'Lady J' Gerard, Del Casher, Norwood Fisher, Owen Husney, Greg Richling, Shabba-Doo, Phil Jaurigui, Jon Scott, Steve Cooke, Micah McFarlane, Elliot Mint

The life and career of Haitian American musician Jean Beauvoir, a member of the legendary New York City punk band the Plasmatics Jean Beauvoir joined the Plasmatics in 1979, playing bass and keyboards for the most notorious band to emerge out of the New York City punk scene. By 1982, he was a member of Little Steven and the Disciples of Soul, a retro-rock revival act headed by Steven Van Zandt. The Disciples of Soul videos played on MTV during the network's earliest years, making Beauvoir one of the first Black recording artists to cross the start-up music channel's "color line." Beauvoir went on to become a multi-platinum artist, producer, and songwriter. Bet My Soul on Rock 'n' Roll follows his ride through the American music industry, detailing his encounters with rock stars such as Bruce Springsteen, Paul Stanley, Gene Simmons, and Lita Ford, as well as the actor Sylvester Stallone, the billionaire executive Richard Branson, and even Donald Trump. Beauvoir also considers the manner in which his Haitian heritage has shaped his public image, his music, and his role as an activist for the dispossessed and the poor. Beauvoir's collaborations—and stories—span genres, including work with KISS, Debbie Harry, Lionel Richie, and the Ramones

Now updated with two new chapters and an extraordinary collection of photographs, this second edition of Paul Friedlander's Rock and Roll: A Social History is a smash hit. The social force of rock and roll music leaps off the page as Paul Friedlander provides impressive insights based on hits from Johnny B. Goode to Smells Like Teen Spirit and beyond. In this musical journey, Friedlander offers the melodious strains and hard-edged riffs of Elvis, the Beatles, The Who, Dylan, Clapton, Hendrix, Motown, the San Francisco Beat, Punk, New Wave, rap, metal, 90s grunge, plus file sharing, and much more. The book is written in a refreshing, captivating style that pulls the reader in, offering no less than a complete social and cultural history of rock and roll for students and general audiences alike. Friedlander writes, 'This book chronicles the first forty years of rock/pop music history. Picture the various musical styles as locations on a giant unfolding road map. As you open the map, you travel from place to place, stopping at each chapter to sample the artistry. Don't forget to dress your imagination appropriately for this trip, because each genre is affected by the societal topography and climate that surround it. Enjoy your trip. We promise it will be a good one!'

The story of rock lives in Lynn Goldsmith’s photographs. After coming of age in the Midwest in the tumultuous 1960s, she crashed the music scene in New York and emerged as one of its leading image-makers. She chronicled Bruce Springsteen’s passage to glory, the Rolling Stones’ legendary stadium tours, Michael Jackson’s staggering ascent, U2’s arrival in New York, and the brooding force of Bob Marley. Culture heroes like Bob Dylan and Patti Smith became frequent subjects for her lens. The range of her work is staggering. In Rock and Roll Stories, she shares the best of this work. Her commentary takes the reader into the studio, the tour bus, the concert hall, and the streets where the pictures were made, offering revealing perspectives on her subjects and herself. A greatly expanded and newly designed edition of her very successful book PhotoDiary (1995), this volume captures the story of a generation’s loyalty to rock and roll.

Over the past thirty years, queer women have been coming out of the media closet to enter the mainstream consciousness. This book explores the rise of lesbian visibility since the 1990s with in-depth historical analyses of representation in sports, music, photography, comics, television and cinema. Each chapter is complemented by an interview: soccer player and coach Saskia Webber, singer-songwriter Gretchen Phillips, photographer Lola Flash, cartoonist Alison Bechdel and filmmakers Jamie Babbit and Anna Margarita Albelo discuss the societal transformations that shaped their careers. From the "riot grrrl" movement of the early 1990s punk scene to screen representations of queer culture (The L Word, Orange Is the New Black), this book discusses how lesbian presence successfully infiltrated several patriarchal strongholds, and was transformed in return.

Rob Shanahan is one of the world's most published photographers in the music industry. He is Ringo Starr's personal photographer and has been working closely with him since 2004, photographing and designing his tour books, DVDs, and records "Y-Not" and "Ringo 2012." In 2008 he accompanied Ringo to Liverpool to document his return home and a string of performances in the "Liverpool -- 2008 City of Culture" festivities. Volume 1, his first published collection of music photographs, was released in December of 2011. With the foreword by Ringo Starr, and quotes from rockers such as drummer Neil Peart of RUSH, Edgar Winter, Billy Squier, Tommy Lee and Joe Walsh, this 224 page hardcover photo book is getting rave reviews and will please photography and music fans alike.

How the creative use of pop music in film—think Saturday Night Fever or Apocalypse Now—has shaped and shifted music history since the 1960s Quick: What movie do you think of when you hear “The Sounds of Silence”? Better yet, what song comes to mind when you think of The Graduate? The link between film and song endures as more than a memory, Nate Patrin suggests with this wide-ranging and energetic book. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture. Rock ’n’ roll, reggae, R&B, jazz, techno, and hip-hop: each had its moment—or many—as music deployed in movies emerged as a form of interpretive commentary, making way for the legitimization of pop and rock music as art forms worthy of serious consideration. These commentaries run the gamut from comedic irony to cheap-thrills excitement to deeply felt drama, all of which Patrin examines in pairings such as American Graffiti and “Do You Want to Dance?”; Saturday Night Fever and “Disco Inferno”; Apocalypse Now and “The End”; Wayne’s World and “Bohemian Rhapsody”; and Jackie Brown and “Didn't I Blow Your Mind This Time?”. What gives power to these individual moments, and how have they shaped and shifted music history, recasting source material or even stirring wider interest in previously niche pop genres? As Patrin surveys the scene—musical and cinematic—across the decades, expanding into the deeper origins, wider connections, and echoed histories that come into play, The Needle and the Lens offers a new way of seeing, and hearing, these iconic soundtrack moments.