Rockabilly The Twang Heard Round The World

It was the twang heard 'round the world: Rockabilly was born out of country, bluegrass, jazz, and the blues in the 1950s, becoming rock ’n’ roll and ruling the world. Here’s the story of Elvis Presley’s first Sun records that inspired all. And here’s Carl Perkins, Gene Vincent, Eddie Cochran, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and many more rockabillies from the golden years of 1955–1959, in a book chock full of photos, collectible memorabilia, movie posters, rare records, fashion, and rebel lifestyle. Includes contributions from noted music journalists Greil Marcus, Peter Guralnick, Luc Sante, Robert Gordon, and more. The story continues today, with a rockabilly revival that began with stars, such as the Stray Cats and Robert Gordon, spreading around the globe from Europe to Japan. Today, rockabilly is better than ever, with bands like Rev. Horton Heat and others playing the music and living the life from Memphis to Helsinki to Tokyo. There’s still good rockin’ tonight!

It was the twang heard ’round the world: Rockabilly was born out of country, bluegrass, jazz, and the blues in the 1950s, becoming rock ‘n’ roll and ruling the world. Here’s the story of Elvis Presley’s first Sun records that inspired all. And here’s Carl Perkins, Gene Vincent, Eddie Cochran, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and many more rockabillies from the golden years of 1955—1959, in a book chock full of photos, collectible memorabilia, movie posters, rare records, fashion, and rebel lifestyle. The story continues today, with a rockabilly revival that began with stars, such as the Stray Cats and Robert Gordon, spreading around the globe from Europe to Japan. Today, rockabilly is better than ever, with bands like Rev. Horton Heat and others playing the music and living the life from Memphis to Helsinki to Tokyo. There’s still good rockin’ tonight!

A comprehensive resource that will prove invaluable to fashion historians, this book presents a detailed exploration of the breadth of visually arresting, consumer-driven styles that have emerged in America since the 20th century. What are the origins of highly specific denim fashions, such as bell bottoms, skinny jeans, and ripped jeans? How do mass media and popular culture influence today's street fashion? When did American fashion sensibilities shift from conformity as an ideal to youth-oriented standards where clothing could boldly express independence and self-expression? Street Style in America: An Exploration addresses questions like these and many others related to the historical and sociocultural context of street style, supplying both A–Z entries that document specific American street styles and illustrations with accompanying commentary. This book provides a detailed analysis of American street and subcultural styles, from the earliest example reaching back to the early 20th century to contemporary times. It reviews all aspects of dress that were part of a look, considering variations over time and connecting these innovations to fashionable dress practices that emerged in the wakes of these sartorial rebellions. The text presents detailed examinations of specific dress styles and also interrogates the manifold meanings of dress practices that break from the mainstream. This book is a comprehensive resource that will prove invaluable to fashion historians and provide fascinating reading for students and general audiences.

Rock and roll pioneer and Newport native Sonny Burgess is a member of the Rockabilly Hall of Fame. In this book full of personal interviews and remembrances, Burgess and his band tell of their original recordings for Sun Records in the 1950s; their shows with greats such as Elvis Presley, Johnny Cash, and Jerry Lee Lewis; and their success in the contemporary rockabilly revival. This also is the history of a once prominent and spirited Delta community of extensive agricultural wealth. Newport was home to numerous music clubs that hosted national artists as well as illicit backroom gambling. Burgess is a product of this history, and his vivacious music is shaped by his hometown and the dramatic transformation of southern rural life it witnessed.

Performance Anxiety in Media Culture explores the culture of performance anxiety in the media-saturated contemporary world. It uses comparative case studies including film, social media, and popular music to examine the ways that personal concern regarding self-presentation becomes transformed into shared cultural expressions through the use of media technologies. Three initial chapters are dedicated to exploring the work of Erving Goffman, Jacques Lacan, and Jean Baudrillard as critical for a thorough understanding of how implications of a range of recent transformations in the methods for staging social performances are staged and in the ways that they are experienced and interpreted by others. Three subsequent chapters explore diverse case studies in the culture of performance anxiety: the representation of such anxieties in recent French cinema, the appearance of them in the world of fashion-based 'outfit of the day' blogs, and the attempt to refine a more fixed social persona in the nostalgic culture of rockabilly music.

In 1956, a fresh-faced Sanford Clark recorded “The Fool” with guitarist Al Casey at Floyd Ramsey’s small Phoenix recording studio. Written by local deejay Lee Hazlewood, the song became a top-ten Billboard hit nationwide and launched a new trailblazing era of Arizona music. Their success paved the way for other Phoenix acts and producers to chart national hits. Grammy-winning audio engineer Jack Miller started out in Ramsey’s studio, and Hazlewood produced rock hall of famer Duane Eddy’s debut album, Have ‘Twangy’ Guitar, Will Travel. These early artists pioneered a sound that inspired Arizona’s best musicians from Waylon Jennings and Buck Owens to Stevie Nicks and Linda Ronstadt. Join former radio and broadcast personality Jim West for the story and soundtrack to the early days of music in the Valley of the Sun.

This book seeks to trace the rise of popular music, identify its key figures and track the origins and development of its multiple genres and styles, all the while seeking to establish historical context. It is, fundamentally, a ready reference guide to the broad field of popular music over the past two centuries. It has become a truism that popular music, so pervasive in the modern world, constitutes a soundtrack to our lives – a constant though changing presence as we cross thresholds and grow from children to teenagers to adults. But it has become more than a soundtrack; it has become a narrative. Not just an accompaniment to our daily lives but incorporating our lives, our sense of identity, our lived experiences, into it. We have become part of the music just as the music has become part of us. The Historical Dictionary of Popular Music contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on major figures across genres, definitions of genres, technical innovations and surveys of countries and regions. This book is an excellent resource for students, researchers, and anyone wanting to know more about popular music.