Rocking The State

Most readers of this book will have had at most a fleeting acquaintancewith the music of some of the groups described in this book. Groupssuch as Laibach (from Slovenia), Borghesia (Slovenia), Pankow (theGDR), and Gorky Park (USSR) have concentrated on the Western marketand have acquired followings in the United States and Western Europe.Other artists and groups, such as Boris Grebenshikov and Aquarium(USSR), Sergei Kuryokhin (USSR), Goran Bregovic and White Button(Yugoslavia), and Plastic People of the Universe (Czechoslovakia), havealso seen some Western exposure. But for the most part, the rock musicof that part of the world is terra incognita to Westerners. So too is thestory of their uneasy coexistence with communist authorities from thetime that rock first ~ppeared until the collapse of communism in 1989.This book aims to fill that vacuum.

Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that young people listened and danced to. Young people attracted to the music and subcultures of the capitalist West still shared the values and behaviors of their peers in Communist youth organizations. Despite problems providing youth with consumer goods, leaders of Soviet bloc states fostered a socialist alternative to the modernity the capitalist West promised. Underground rock musicians thus shared assumptions about culture that Communist leaders had instilled. Still, competing with influences from the capitalist West had its limits. State-sponsored rock festivals and rock bands encouraged a spirit of rebellion among young people. Official perceptions of what constituted culture limited options for accommodating rock and pop music and Western youth cultures. Youth countercultures that originated in the capitalist West, like hippies and punks, challenged the legitimacy of Communist youth organizations and their sponsors. Government media and police organs wound up creating oppositional identities among youth gangs. Failing to provide enough Western cultural goods to provincial cities helped fuel resentment over the Soviet Union’s capital, Moscow, and encourage support for breakaway nationalist movements that led to the Soviet Union’s collapse in 1991. Despite the Cold War, in both the Soviet bloc and in the capitalist West, political elites responded to perceived threats posed by youth cultures and music in similar manners. Young people participated in a global youth culture while expressing their own local views of the world.

and, indeed, rock the state. Bringing together some of the world's leading authorities on rock music under communism, this book analyzes the rise of specific rock groups throughout Eastern Europe and the Soviet Union, examining the broader social culture in which they operated and evaluating the political ramifications of their popularity.

This book considers the experience of women as children and as mothers, and feminist critiques of gender as important sources of insight into the conduct, dynamics, and motivation of a feminist peace politics, examining the history, the scope, and the current condition of women's peace movements.

The comprehensive guide to the place that brought sport climbing to North America— a full-color, thoroughly updated new edition Smith Rock State Park. It was on the impressive crags of this Oregon hideaway that American sport climbing came into its own, and to this day, some of the hardest climbs in the United States are found on these walls. Alan Watts, who has played a leading role in the development of this popular rock-climbing destination, details more than 1,700 routes at Smith Rock and the surrounding area. This new edition updates hundreds of routes, includes hundreds of new ones, and has new photos of each crag, wall, and route. No other guide is as comprehensive or thorough, and no author more respected for his intimate knowledge of one of the world's most popular climbing destinations.

Visitors to Starved Rock State Park are often struck by the grandeur of its rustic lodge. They marvel at its massive fireplace and hand-hewn logs. Yet few realize that this structure is a tangible reminder of the Civilian Conservation Corps, which in the 1930s provided work for young men left unemployed by the Great Depression. Starved Rock Lodge was one of the biggest projects of the "CCC boys" along the Illinois and Michigan Canal, but it was far from the only one. Working as a team and living in camps from Willow Springs to La Salle-Peru, they built facilities that transformed the old canal into what became the I&M Canal State Trail (1974) and the nation's first National Heritage Corridor (1984). President Franklin D. Roosevelt's nation-wide program preserved the landscape from the ravages of soil erosion, flooding, and deforestation. In the process, the young men built beautiful parks, buildings, and shelters that we use and admire today.

Starved Rock State Park is located midway between Ottawa and LaSalle. The park has more than 2,630 acres that include 18 beautiful canyons and waterfalls. One of the largest Native American encampments, the Grand Village of the Kaskaskia was located near Starved Rock. Fr. Jacques Marquette and Louis Joliet are believed to be the first white men to have set eyes upon the rock. Ren-Robert Cavelier, Sieur de La Salle, built Fort St. Louis on the rock. Legend has it that a band of Illinois Indians starved to death while seeking refuge from its enemies on the rock, hence the name Starved Rock. Starved Rock State Park has remained virtually unchanged through the years as its history is told through the authors vintage postcards.

“Capture[s] the spirit and nature of the park without showing more than footprints from the park’s 2.5 million visitors per year.” —The Times (ShawLocal.com) Nestled along the Illinois River, Starved Rock State Park is a favorite destination no matter the season. This National Historic Landmark boasts a landscape filled with tall bluffs, elegant trees, and wildflower-adorned hills, perfect for the adventurer inside us all. In Starved Rock State Park: An Illinois Treasure, photographers Lee Mandrell and DeeDee Niederhouse-Mandrell showcase the beauty and grandeur of this Illinois state park. With photos of twisting forest trails, plunging canyons, and lakes veiled in mist, they uncover this land piece by piece. Hike to take in the view at Lover’s Leap Overlook or relish the waterfalls that come roaring out from canyons with names like “Wildcat” and “St. Louis.” Come explore this park thriving with life. From hawks soaring across crisp blue skies and snakes slinking over bramble to folksy log cabins and meadows of black-eyed Susans, there is a little something for everyone. With 120 high-quality color photos and an appreciation of the finer details in life, Starved Rock State Park will transport you to a land rich with history and wonder.