Roland In Moonlight

As everyone knows, the bond between homo sapiens sapiens and canis lupus familiaris has traversed the ages. But few could have anticipated the remarkable exchange here recounted between David Bentley Hart and a noble beast named Roland. Roland in Moonlight breaks new ground within Hart's already astonishingly wide-ranging body of work. Eschewing the rigidity of the human either/or, Roland's diagonal approach offers secret illuminations and hidden affinities, as all and sundry come into his purview: paganism, dreams, language, myth, politics, American Christianity, Indian metaphysics, Japanese aesthetics... But perhaps most of all, the book is a kaleidoscopic exploration of the nature of mind and consciousness. Woven through all this is a candid memoir, a story of loss and recovery, of personal trials and tribulations, with Roland "leading the way through the darkened rooms and the sporadic shafts of icy moonlight, his mottled coat a constantly fluctuating counterpoint of shadow and light"-a strange and sure balm for the soul. Roland in Moonlight is a wholly unforgettable reading experience-a journey into the possible upon the wings of a heavenly discourse between man and beast, and the singular-indeed, blessed-rapport that guides their lives. It is impossible not to be swept along as Roland takes flight.

How new is atheism? In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean to recover the stories of those who first refused the divinities. Long before the Enlightenment sowed the seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public debate in the Greek world. But history is written by those who prevail, and the Age of Faith mostly suppressed the lively free-thinking voices of antiquity. Tim Whitmarsh brings to life the fascinating ideas of Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; and Epicurus and his followers. He shows how the early Christians came to define themselves against atheism, and so suppress the philosophy of disbelief. Battling the Gods is the first book on the origins of the secular values at the heart of the modern state. Authoritative and bold, provocative and humane, it reveals how atheism and doubt, far from being modern phenomena, have intrigued the human imagination for thousands of years.

Curry shop owner Gabriel Solo enjoys dating and romance, but has no intention of falling in love. Especially since he's living under a curse—every night he turns into a black cat, thanks to the peculiar curse placed on him by an Indian feline goddess. Turning into a cat has ruined Gabriel's love life—how can he go out if he becomes short and furry once the sun goes down? And, unluckily for Gabriel, he's not the only shape-shifter in town!

As news reports of the horrific December 2004 tsunami in Asia reached the rest of the world, commentators were quick to seize upon the disaster as proof of either God s power or God s nonexistence, asking over and over, How could a good and loving God if such exists allow such suffering? In The Doors of the Sea David Bentley Hart speaks at once to those skeptical of Christian faith and to those who use their Christian faith to rationalize senseless human suffering. He calls both to recognize in the worst catastrophes not the providential will of God but rather the ongoing struggle between the rebellious powers that enslave the world and the God who loves it wholly.

“An extraordinary work of intellectual history as well as a scholarly tour de force, a bracing polemic, and a work of Christian prophecy...McCarraher challenges more than 200 years of post-Enlightenment assumptions about the way we live and work.” —The Observer At least since Max Weber, capitalism has been understood as part of the “disenchantment” of the world, stripping material objects and social relations of their mystery and magic. In this magisterial work, Eugene McCarraher challenges this conventional view. Capitalism, he argues, is full of sacrament, whether one is prepared to acknowledge it or not. First flowering in the fields and factories of England and brought to America by Puritans and evangelicals, whose doctrine made ample room for industry and profit, capitalism has become so thoroughly enmeshed in the fabric of our society that our faith in “the market” has become sacrosanct. Informed by cultural history and theology as well as management theory, The Enchantments of Mammon looks to nineteenth-century Romantics, whose vision of labor combined reason, creativity, and mutual aid, for salvation. In this impassioned challenge to some of our most firmly held assumptions, McCarraher argues that capitalism has hijacked our intrinsic longing for divinity—and urges us to break its hold on our souls. “A majestic achievement...It is a work of great moral and spiritual intelligence, and one that invites contemplation about things we can’t afford not to care about deeply.” —Commonweal “More brilliant, more capacious, and more entertaining, page by page, than his most ardent fans dared hope. The magnitude of his accomplishment—an account of American capitalism as a religion...will stun even skeptical readers.” —Christian Century

Brilliant scholar and wordsmith David Bentley Hart turns his mind and imagination to narrative fiction in this volume, The Devil and Pierre Gernet, a thought-provoking collection of four short stories and one novella. Anticipating questions about his shift in genre, Hart writes that "God is no more likely (and probably a good deal less likely) to be found in theology than in poetry and fiction." These stories -- "The Devil and Pierre Gernet," "The House of Apollo," "A Voice from the Emerald World," "The Ivory Gate," and "The Other" -- beguile and entrance the reader through Hart's engrossing, opulent writing style and the complex characters he evokes and explores. Often bedazzling, sometimes heartbreaking, and ultimately mesmerizing, Hart's wide-ranging stories are united by a common thread of haunting religious and philosophical questions about this life and the next. Here is fiction to fully engage both the mind and the heart.

Publishers Weekly Best Book in Religion 2020 Foreword Review's INDIES Book of the Year Award, Religion In Theological Territories, David Bentley Hart, one of America's most eminent contemporary writers on religion, reflects on the state of theology "at the borders" of other fields of discourse—metaphysics, philosophy of mind, science, the arts, ethics, and biblical hermeneutics in particular. The book advances many of Hart's larger theological projects, developing and deepening numerous dimensions of his previous work. Theological Territories constitutes something of a manifesto regarding the manner in which theology should engage other fields of concern and scholarship. The essays are divided into five sections on the nature of theology, the relations between theology and science, the connections between gospel and culture, literary representations of and engagements with transcendence, and the New Testament. Hart responds to influential books, theologians, philosophers, and poets, including Rowan Williams, Jean-Luc Marion, Tomáš Halík, Sergei Bulgakov, Jennifer Newsome Martin, and David Jones, among others. The twenty-six chapters are drawn from live addresses delivered in various settings. Most of the material has never been printed before, and those parts that have appear here in expanded form. Throughout, these essays show how Hart's mind works with the academic veneer of more formal pieces stripped away. The book will appeal to both academic and non-academic readers interested in the place of theology in the modern world.

The "genre" of the modern Gnostic novel encompasses an especially eclectic range of works. With this book-a fantasy by turns dark, absurd, comic, frantic, and lyrical-David Bentley Hart joins a company that includes figures as diverse as Georges Bernanos, Anatole France, David Lindsay, Philip K. Dick, Patrick White, Umberto Eco, William Gaddis, Harold Bloom, Jorge Luis Borges, Vladimir Nabokov, John Crowley, and Philip Pullman. In Kenogaia, a clockwork universe, an oppressive global society of ever-present surveillance, and the coming of age of its protagonist, Michael Ambrosius, are all disrupted by the arrival of a mysterious child from beyond the stars. Modeled on the Gnostic Hymn of the Pearl, Hart's tale is an imaginative exploration of the relation between good and evil, the difference between reality and illusion, the struggle to live life in truth, and the nature of spiritual existence. In these pages, Hart emerges as a master of mythopoesis even while spinning out a rollicking full-on adventure about friendship, loyalty, and the rescue of true goodness from a universe darkened by delusion.