Roman Power

This book explains the growth, durability and eventual shrinkage of Roman imperial power alongside the Roman state's internal power structures.

This book deals with changing power and status relations between the highest ranking representatives of Roman imperial power at the central level, in a period when the Empire came under tremendous pressure, AD 193-284. Based on epigraphic, literary and legal materials, the author deals with issues such as the third-century development of emperorship, the shift in power of the senatorial elite and the developing position of senior military officers and other high equestrians. By analyzing the various senior power-holders involved in Roman imperial administration by social rank, this book presents new insights into the diachronic development of imperial administration, appointment policies and socio-political hierarchies between the second and fourth centuries AD.

Presenting a new and revealing overview of the ruling classes of the Roman Empire, this volume explores aspects of the relations between the official state structures of Rome and local provincial elites. The central objective of the volume is to present as complex a picture as possible of the provincial leaderships and their many and varied responses to the official state structures. The perspectives from which issues are approached by the contributors are as multiple as the realities of the Roman world: from historical and epigraphic studies to research of philological and linguistic interpretations, and from architectural analyses to direct interpretations of the material culture. While some local potentates took pride in their relationship with Rome and their use of Latin, exhibiting their allegiances publicly as well as privately, others preferred to keep this display solely for public manifestation. These complex and complementary pieces of research provide an in-depth image of the power mechanisms within the Roman state. The chronological span of the volume is from Rome’s Republican conquest of Greece to the changing world of the fourth and fifth centuries AD, when a new ecclesiastical elite began to emerge.

This book focuses on the material practice of ancient literacy through a contextual examination of Roman writing equipment.

Image and Reality of Roman Imperial Power in the Third Century AD focuses on the wide range of available sources of Roman imperial power in the period AD 193-284, ranging from literary and economic texts, to coins and other artefacts. This volume examines the impact of war on the foundations of the economic, political, military, and ideological power of third-century Roman emperors, and the lasting effects of this. This detailed study offers insight into this complex and transformative period in Roman history and will be a valuable resource to any student of Roman imperial power.

"This masterful study will have its place on every ancient historian's bookshelf."—Claudia Rapp, author of Holy Bishops in Late Antiquity: The Nature of Christian Leadership in an Age of Transition

“Fresh perspectives [on] the study of the Roman amphitheater . . . providing important insights into the psychological dimensions” of gladiatorial combat (Classical World). From the center of Imperial Rome to the farthest reaches of ancient Britain, Gaul, and Spain, amphitheaters marked the landscape of the Western Roman Empire. Built to bring Roman institutions and the spectacle of Roman power to conquered peoples, many still remain as witnesses to the extent and control of the empire. In this book, Alison Futrell explores the arena as a key social and political institution for binding Rome and its provinces. She begins with the origins of the gladiatorial contest and shows how it came to play an important role in restructuring Roman authority in the later Republic. She then traces the spread of amphitheaters across the Western Empire as a means of transmitting and maintaining Roman culture and control in the provinces. Futrell also examines the larger implications of the arena as a venue for the ritualized mass slaughter of human beings, showing how the gladiatorial competition took on both religious and political overtones. This wide-ranging study, which draws insights from archaeology and anthropology, as well as Classics, broadens our understanding of the gladiatorial show and its place within the highly politicized cult practice of the Roman Empire.

Explores the dynamic interactions among Latin poets, artists, and audiences in constructing and critiquing imperial power in Augustan Rome.