Romance And Rights

Romance and Rights: The Politics of Interracial Intimacy, 1945-1954 by Alex Lubin. Romance and Rights: The Politics of Interracial Intimacy, 1945-1954 is a major study of the meaning of interracial romance, love, and sex in the ten years after World War II. How was interracial romance treated in popular culture by African American civil rights leaders, soldiers, and white segregationists? Previous studies focus on the period beginning in 1967 when the Supreme Court overturned the last state antimiscegenation law (Loving v. Virginia). Alex Lubin's study, however, suggests that we cannot fully understand contemporary debates about "hybridity," or mixed-race identity, without first comprehending how WWII changed the terrain. The book focuses on the years immediately after the war, when ideologies of race, gender, and sexuality were being reformulated and solidified in both the academy and the public. Lubin shows that interracial romance, particularly between blacks and whites, was a testing ground for both the general American public and the American government. The government wanted interracial relationships to be treated primarily as private affairs to keep attention off contradictions between its outward aura of cultural freedom and the realities of Jim Crow politics and antimiscegenation laws. Activists, however, wanted interracial intimacy treated as a public act, one that could be used symbolically to promote equal rights and expanded opportunities. These contradictory impulses helped shape our current perceptions about interracial romances and their broader significance in American culture. Because Lubin is interested in this era of ideological shift among both whites and blacks, Romance and Rights ends in 1954, the year of the Brown v. Board of Education decision, before the civil rights movement became well organized. By closely examining postwar popular culture, African American literature, NAACP manuscripts, miscegenation laws, and segregationist protest letters, among other resources, the author analyzes postwar attitudes towards interracial romance, showing how complex and often contradictory those attitudes could be. Alex Lubin is a professor of American studies at the University of New Mexico.

Romance and Rights: The Politics of Interracial Intimacy, 1945–1954 studies the meaning of interracial romance, love, and sex in the ten years after World War II. How was interracial romance treated in popular culture by civil rights leaders, African American soldiers, and white segregationists? Previous studies focus on the period beginning in 1967 when the Supreme Court overturned the last state anti-miscegenation law (Loving v. Virginia). Lubin's study, however, suggests that we cannot fully understand contemporary debates about “hybridity,” or mixed-race identity, without first comprehending how WWII changed the terrain. The book focuses on the years immediately after the war, when ideologies of race, gender, and sexuality were being reformulated and solidified in both the academy and the public. Lubin shows that interracial romance, particularly between blacks and whites, was a testing ground for both the general American public and the American government. The government wanted interracial relationships to be treated primarily as private affairs to keep attention off contradictions between its outward aura of cultural freedom and the realities of Jim Crow politics and anti-miscegenation laws. Activists, however, wanted interracial intimacy treated as a public act, one that could be used symbolically to promote equal rights and expanded opportunities. These contradictory impulses helped shape our current perceptions about interracial romances and their broader significance in American culture. Romance and Rights ends in 1954, the year of the Brown v. Board of Education decision, before the civil rights movement became well organized. By closely examining postwar popular culture, African American literature, NAACP manuscripts, miscegenation laws, and segregationist protest letters, among other resources, the author analyzes postwar attitudes towards interracial romance, showing how complex and often contradictory those attitudes could be.

In this book, Emily Griffiths Jones examines the intersections of romance, religion, and politics in England between 1588 and 1688 to show how writers during this politically turbulent time used the genre of romance to construct diverse ideological communities for themselves. Right Romance argues for a recontextualized understanding of romance as a multigeneric narrative structure or strategy rather than a prose genre and rejects the common assumption that romance was a short-lived mode most commonly associated with royalist politics. Puritan republicans likewise found in romance strength, solace, and grounds for political resistance. Two key works that profoundly influenced seventeenth-century approaches to romance are Philip Sidney’s New Arcadia and Edmund Spenser’s The Faerie Queene, which grappled with romance’s civic potential and its limits for a newly Protestant state. Jones examines how these works influenced writings by royalists and republicans during and after the English Civil War. Remaining chapters pair writers from both sides of the war in order to illuminate the ongoing ideological struggles over romance. John Milton is analyzed alongside Margaret Cavendish and Percy Herbert, and Lucy Hutchinson alongside John Dryden. In the final chapter, Jones studies texts by John Bunyan and Aphra Behn that are known for their resistance to generic categorization in an attempt to rethink romance’s relationship to election, community, gender, and generic form. Original and persuasive, Right Romance advances theoretical discussion about romance, pushing beyond the limits of the genre to discover its impact on constructions of national, communal, and personal identity.

Crossing disciplinary lines, Moran looks in depth at interracial intimacy in America from colonial times to the present. She traces the evolution of bans on intermarriage and explains why blacks and Asians faced harsh penalties while Native Americans and Latinos did not. She provides fresh insight into how these laws served complex purposes, why they remained on the books for so long, and what led to their eventual demise. As Moran demonstrates, the United States Supreme Court could not declare statutes barring intermarriage unconstitutional until the civil rights movement, coupled with the sexual revolution, had transformed prevailing views about race, sex, and marriage.

From sadomasochistic rituals in Greenwich Village to revivalist Christian ceremonies in the heartland, this book, written by one of the most provocative and controversial reporters in America, examines this country's obsession with body and soul.

The moment everything changed didn't happen in that cliche rockets-red-glare kind of way, it happened in the form of a waking nightmare. I caught my husband, my high-school sweetheart, the father of my children, balls deep in a sordid affair. That was when I gave up on men and love. I didn't count on the NHL's golden boy, the beautiful, arrogant Cooper Stone turning my life and my hockey rink upside down. My kids are why I wake up in the morning. Hockey is what Cooper breathes for. We're from different worlds and places in our lives but when our hearts collided something so wrong and different turned into something so right."

Since the Ukrainian crisis in 2014, Russia’s support to the European far right—and to a variety of populist leaders more globally—has become a cornerstone of the West’s perception of Moscow as a “spoiler” on the international scene. The fact that Russia’s most fervent supporters are now to be found on the right of the ideological spectrum should not be a surprise. The European far right has always had Russophile tendencies, but these were obscured during the Cold War, when rightist politics were most of all anti-Communist. Entangled Far Rights traces the “intellectual romance” that existed between European far right groups and their Russian-Soviet counterparts during the twentieth century and accounts for their recent re-emergence.

The late 1960s and early 1970s saw the birth of modern feminism, the sexual revolution, and strong growth in the mass-market publishing industry. Women made up a large part of the book market, and Gothic fiction became a higher popular staple. Victoria Holt, Mary Stewart and Phyllis Whitney emerged as prominent authors, while the standardized paperback Gothic sold in the millions. Pitched at middle-class women of all ages, Gothics paved the way for contemporary fiction categories such as urban fantasy, paranormal romance and vampire erotica. Though not as popular today as they once were, Gothic paperbacks retain a cult following--and the books themselves have become collectors' items. They were also the first popular novels to present strong heroines as agents of liberation and transformation. This work offers the missing chapters of the Gothic story, from the imaginative creations of Ann Radcliffe and the Bronte sisters to the bestseller 50 Shades of Grey.