Romanesque Ireland

Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs.

This book presents a fresh perspective on eleventh- and twelfth-century Irish architecture, and a critical assessment of the value of describing it, and indeed contemporary European architecture in general, as “Romanesque”. Medieval Irish Architecture and the Concept of Romanesque is a new and original study of medieval architectural culture in Ireland. The book’s central premise is that the concept of a “Romanesque” style in eleventh- and twelfth-century architecture across Western Europe, including Ireland, is problematic, and that the analysis of building traditions of that period is not well served by the assumption that there was a common style. Detailed discussion of important buildings in Ireland, a place marginalised within the “Romanesque” model, reveals the Irish evidence to be intrinsically interesting to students of medieval European architecture, for it is evidence which illuminates how architectural traditions of the Middle Ages were shaped by balancing native and imported needs and aesthetics, often without reference to Romanitas. This book is for specialists and students in the fields of Romanesque, medieval archaeology, medieval architectural history, and medieval Irish studies.

The landscape of Ireland is rich with ancient carved stone crosses, tomb-shrines, Romanesque churches, round towers, sundials, beehive huts, Ogham stones and other monuments, many of them dating from before the 12th century. The purpose and function of these artifacts have often been the subject of much debate. Peter Harbison proposes in this book a radical hypothesis: that a great many of these relics can be explained in terms of ecclesiastical pilgrimage. He has constructed a fascination theory about the palace of pilgrimage in the early Christian period, placing it right at the center of communal life. The monuments themselves make much better sense if it looked at in this light—as having come into existence not through the practices of ascetic monks but because of the activities of pilgrims. He begins by searching the historical sources in detail for evidence of early pilgrimage sites. By examining their monuments he projects the findings to other locations where pilgrimage has not been documented. He goes on to describe monument-types of every kind and to identify pilgrims in sculpture surviving from before AD 1200. The Dingle Peninsula in Kerry proves to be a microcosm of pilgrimage monuments, enabling the author to reconstruct a tradition of maritime pilgrimage activity up and down the west coast of Ireland. Indeed, the famous medieval traveler's tale of the fabulous voyage of the St Brendan the Navigator can now be seen as the literary expression of a longstanding maritime pilgrimage along the Atlantic seaways of Ireland and Scotland, reaching Iceland, Greenland, and even North America.

The Romanesque style was a pan-European tradition of art and architecture that emerged on the Continent during the 11th century. It reached Ireland as the movement to reform the Irish Church gathered pace at the start of the 12th century. Executed under secular patronage but for the benefit of ecclesiastics and their churches, it became a metaphor for that reform. The fashion for Romanesque faltered in eastern Ireland with the arrival of the Anglo-Normans in 1169, but it survived into the 13th century west of the Shannon. This book is the first substantial analysis of Romanesque Ireland to appear in thirty years. Concentrating on architecture and sculpture, it examines how Irish artists and builders of the 12th century reconfigured the language of the international Romanesque according to their own aesthetic tastes, and it considers the meanings of their art to contemporary spectators. In a departure from earlier literature, this book also explores the concept of 'style' itself, and its value in reconstructing social identity in the past.

This book contains essays devoted to the medieval art and architecture of Limerick in the Munster province of South-West Ireland. It underpins the degree to which Irish craftsmen and builders engaged with the rest of Europe, and the nature of their relationship with English practice.

Through violent incursions by the Vikings and the spread of Christianity, medieval Ireland maintained a distinctive Gaelic identity. From the sacred site of Tara to the manuscript illuminations in the Book of Kells, Anglo-Irish relations to the Connachta dynasty, Ireland during the middle ages was a rich and vivid culture. First published in 2005, Medieval Ireland: An Encyclopedia brings together in one authoritative resource the multiple facets of life in Ireland before and after the Anglo-Norman invasion of 1169, from the sixth to sixteenth century. Multidisciplinary in coverage, this A-Z reference work provides information on historical events, economics, politics, the arts, religion, intellectual history, and many other aspects of the period. Written by the world's leading scholars on the subject, this highly accessible reference work will be of key interest to students, researchers, and general readers alike.

Medieval Ireland: An Encyclopedia brings together in one authoritative resource the multiple facets of life in Ireland before and after the Anglo-Norman invasion of 1169, from the sixth to sixteenth century. Multidisciplinary in coverage, this A–Z reference work provides information on historical events, economics, politics, the arts, religion, intellectual history, and many other aspects of the period. With over 345 essays ranging from 250 to 2,500 words, Medieval Ireland paints a lively and colorful portrait of the time. For a full list of entries, contributors, and more, visit the Routledge Encyclopedias of the Middle Ages website.

'A New History of Ireland' provides a comprehensive synthesis of modern scholarship on every aspect of Irish history and prehistory, from the earliest geological and archaeological evidence, through the Middle Ages, onwards.