Romanesque Renaissance

In the renaissance also architecture from c. 800–1200 was regarded as a useful source of inspiration for contemporary building, sometimes by misinterpreting these medieval architecture as roman structures, sometimes because that era was also regarded as a glorious ‘ancient’ past.

Twenty-seven authors approach the diverse areas of the cultural, religious, and social life of the twelfth century. These essays form a basic resource for all interested in this pivotal century. A reprint of the first edition first published in 1982.

Contains the transactions of various engineering societies.

A Philosophical Anthropology Drawn from Simone Weil’s Life & Writings situates Weil’s thought in the time between the two world wars through which she lived, and traces Weil’s consistent conception of a mind-body dualism in the Cartesian sense to a dualism that places the mind within a carnal part of the soul and establishes an eternal part of the soul as the essence of human beings. Helen Cullen argues that in Weil’s early conception of human nature, her Cartesian conception of perception already shows a glimpse of the eternal. Weil’s dualistic conception also forms the basis of her political analysis of the left of her time, and through working in factories and in the fields, she develops a conception of labour as a theory of “action” and “work with a method.” Weil was influenced by leading thinkers of her time, prompting her to do an analysis of current scientific theories. Cullen argues that Weil’s analysis of Christianity, already present in Greek philosophy, shows us a theory of “identical thought” inherited from the East (India and China) and brought forth by peoples around Israel. This theory leads to Weil’s analysis, developed in The Need for Roots, of how we’ve been uprooted through colonization and how we can grow roots in a free local society (both rural and urban).

George Grant's mystique as a public philosopher is due in part to the seemingly contradictory political stances he took through the years. His opposition to the Vietnam war and his linking of liberalism with technological progress and imperialism brought him favour among the political left during the 1960s. Then, in the following decade, his opposition to abortion earned him allies on the political right, despite his rejection of limitless capitalist growth and free trade with the US. This collection of original essays reveals the complex philosophic, artistic, and religious sources underlying Grant's public positions of nationalism, pacifism, and conservatism. The collection begins with Grant's previously unpublished writing on Céline. This is a bold and vigorous Grant, writing on a topic about which he is passionate and deeply informed. Grant's own work is followed by two pieces that explore his devotion to Céline, Nietzsche, Heidegger, Weil, and Strauss also receive special attention here. Many of the essays draw on manuscripts and notes left unpublished by Grant, thus contributing new perspectives to the ongoing discussion of his work. The focus of this book is the unknown George Grant, namely, the philosophic, religious, and artistic inspiration behind his well-known public positions. Here we discover the great modern thinkers who animated Grant, and whose writings occupied him for much of his life.