Romanticism Realism And The Nineteenth Century World

Book 4: Faith, Reason, And Power In The Early Modern World - Book 5: Romanticism, Realism, And The Nineteenth-Century World--Book 6: Modernism, Globalism, And The Information Age.

This text is part of a six-volume work which offers an overview of art, music, literature, history and philosophy. Book 5 explores Romanticism, Realism and the 19th-century world. It looks at the Romantic view of the world, industry and empire and the move towards modernism. The text focuses on the Western tradition, but also includes strong coverage of other cultures, setting the arts of the West in the larger arena of world cultures including India, the East, Africa and Native America. Throughout the chronological narrative there is a focus on universal themes, integrating ideas and issues that relate to the human condition. The coverage of literature, art, music and architecture is integrated into discussions of cultural and political influences, aiming to create a logical presentation of broad subject matter.

Traces the split during the early nineteenth century between avant-garde and academic art, examines the work of Caspar David Friedrich, Thomas Bewick, and Thomas Couture, and discusses the impact of photography on art

The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.

An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.