Rome Is Burning

"Nero became Emperor in A.D 54. On the evening of July 18, 64 A. D., it seems that a lamp was left unextinguished in a stall still heaped with piles of combustible material. Whether this was accidental or deliberate we cannot now determine, and normally it would not have led to anything that would have attracted even local attention. But there was a gusty wind that night, and the flickering flame was fanned onto the flammable wares. The ensuing fire quickly spread. Before the onlookers could absorb what was happening one of the most catastrophic disasters ever to be endured by Rome was already underway. It was a disaster that brought death and misery to thousands. In Nero and the Great Fire of Rome, Anthony Barrett draws on new textual interpretations and the latest archaeological evidence, to tell the story of this pivotal moment in Rome's history and its lasting significance. Barrett argues that the Great Fire, which destroyed much of the city, changed the course of Roman History. The fire led to the collapse of Nero's regime, and his disorderly exit brought an end to Rome's first imperial dynasty, transforming from thereto, the way that emperors were selected. It also led to the first systematic persecution of the Christians, who were blamed for the blaze. Barrett provides the first comprehensive study of this dramatic event, which remains a fascination of the public imagination, and continues to be a persistent theme in the art and literature of popular culture today"--

In a parallel modern world, Rome and Japan stand on the brink of world war. When the Emperor falls ill, his young nephew Marcus Novius Caesar finds himself taking command of the greatest power on Earth. But behind the clash of empires, hidden forces are at work. For Marcus and his allies the price of peace will be higher than they dreamed. "A thoroughly good read...vividly imagined...elegant, lively writing" - SUNDAY TELEGRAPH

A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.

It is estimated that only a small fraction, less than 1 per cent, of ancient literature has survived to the present day. The role of Christian authorities in the active suppression and destruction of books in Late Antiquity has received surprisingly little sustained consideration by academics. In an approach that presents evidence for the role played by Christian institutions, writers and saints, this book analyses a broad range of literary and legal sources, some of which have hitherto been little studied. Paying special attention to the problem of which genres and book types were likely to be targeted, the author argues that in addition to heretical, magical, astrological and anti-Christian books, other less obviously subversive categories of literature were also vulnerable to destruction, censorship or suppression through prohibition of the copying of manuscripts. These include texts from materialistic philosophical traditions, texts which were to become the basis for modern philosophy and science. This book examines how Christian authorities, theologians and ideologues suppressed ancient texts and associated ideas at a time of fundamental transformation in the late classical world.

In 1600, the Catholic Inquisition condemned the philosopher and cosmologist Giordano Bruno for heresy, and he was then burned alive in the Campo de’ Fiori in Rome. Historians, scientists, and philosophical scholars have traditionally held that Bruno’s theological beliefs led to his execution, denying any link between his study of the nature of the universe and his trial. But in Burned Alive, Alberto A. Martínez draws on new evidence to claim that Bruno’s cosmological beliefs—that the stars are suns surrounded by planetary worlds like our own, and that the Earth moves because it has a soul—were indeed the primary factor in his condemnation. Linking Bruno’s trial to later confrontations between the Inquisition and Galileo in 1616 and 1633, Martínez shows how some of the same Inquisitors who judged Bruno challenged Galileo. In particular, one clergyman who authored the most critical reports used by the Inquisition to condemn Galileo in 1633 immediately thereafter wrote an unpublished manuscript in which he denounced Galileo and other followers of Copernicus for their beliefs about the universe: that many worlds exist and that the Earth moves because it has a soul. Challenging the accepted history of astronomy to reveal Bruno as a true innovator whose contributions to the science predate those of Galileo, this book shows that is was cosmology, not theology, that led Bruno to his death.

The Roman Empire has always exercised a considerable fascination. Among its numerous colourful personalities, no emperor, with the possible exception of Nero, has attracted more popular attention than Caligula, who has a reputation, whether deserved or not, as the quintessential mad and dangerous ruler. The first edition of this book established itself as the standard study of Caligula. It remains the only full length and detailed scholarly analysis in English of this emperor’s reign, and has been translated into a number of languages. But the study of Classical antiquity is not a static phenomenon, and scholars are engaged in a persistent quest to upgrade our knowledge and thinking about the ancient past. In the thirty years since publication of the original Caligula there have been considerable scholarly advances in what we know about this emperor specifically, and also about the general period in which he functioned, while newly discovered inscriptions and major archaeological projects have necessitated a rethinking of many of our earlier conclusions about early imperial history. This new edition constitutes a major revision and, in places, a major rewriting, of the original text. Maintaining the reader-friendly structure and organisation of its predecessor, it embodies the latest discoveries and the latest thinking, seeking to make more lucid and comprehensible those aspects of the reign that are particularly daunting to the non-specialist. Like the original, this revised Caligula is intended to satisfy the requirements of the scholarly community while appealing to a broad and general readership.