Romeo And Juliet Adaptation And The Arts

Romeo and Juliet is the most produced, translated and re-mixed of all of Shakespeare's plays. This volume takes up the iconographic, linguistic and performance layers already at work within it and tracks the play's dispersal into neighbouring art forms – including ballet, opera, television and architecture – and geographical locations, including Italy, Ireland, France, India and Korea. Chapters trace Shakespeare's own acts of adaptation and appropriation of sources and the play's subsequent migrations into other media. Part One considers reworkings of Romeo and Juliet in Hector Berlioz's 1839 choral symphony and ballets choreographed by Sir Kenneth MacMillan and John Neumeier. Part Two explores the afterlives of Shakespeare's lovers in the narrative forms of fiction, film and serial television, including works by James Joyce, Samuel Beckett and HBO's series Westworld. Part Three examines dramatic adaptations of the play into other languages, dialects and cultural contexts. Authors consider Hindi translations and the complex and changing status of Shakespeare's work in India, as well as productions of the play in Korea set against its evolving history. The volume ends with a first-person account of staging Romeo and Juliet at an HBCU (historically Black college/university), documenting the tensions between the notion of Shakespeare as a universal author and the lived experiences of marginalized communities as they engage with his plays.

Romeo and Juliet is the most produced, translated and re-mixed of all of Shakespeare's plays. This volume takes up the iconographic, linguistic and performance layers already at work within it and tracks the play's dispersal into neighbouring art forms – including ballet, opera, television and architecture – and geographical locations, including Italy, Ireland, France, India and Korea. Chapters trace Shakespeare's own acts of adaptation and appropriation of sources and the play's subsequent migrations into other media. Part One considers reworkings of Romeo and Juliet in Hector Berlioz's 1839 choral symphony and ballets choreographed by Sir Kenneth MacMillan and John Neumeier. Part Two explores the afterlives of Shakespeare's lovers in the narrative forms of fiction, film and serial television, including works by James Joyce, Samuel Beckett and HBO's series Westworld. Part Three examines dramatic adaptations of the play into other languages, dialects and cultural contexts. Authors consider Hindi translations and the complex and changing status of Shakespeare's work in India, as well as productions of the play in Korea set against its evolving history. The volume ends with a first-person account of staging Romeo and Juliet at an HBCU (historically Black college/university), documenting the tensions between the notion of Shakespeare as a universal author and the lived experiences of marginalized communities as they engage with his plays.

A refreshing contemporary adaptation of Shakespeare's tragedy In an exclusive boys' boarding school, where students are forbidden to read Romeo & Juliet, four students put on a secret production of the play which brings violence, betrayal, lust, love and mortality into their own lives. "This is a thrilling piece of work, both study aid and gripping theatre" John Peter, The Sunday Times "I'd forgotten the play could be so good. I seemed to hear the words for the first time" Jeremy Kingston, The Times "Prepare for a bracing and brilliant shock to the system...;an inspired new theatrical take on this early masterpiece" Paul Taylor, IndependentThis award-winning play, which ran for a year in New York, is published to tie in with the Arts Theatre, London run in early September 2003

Exploring a selection of anime adaptations of famous works of both Eastern and Western provenance, this book is concerned with appreciating their significance and appeal as independent texts. The author evaluates three aspects of anime adaptation—how anime adaptations develop their original sources in stylistic, aesthetic, and psychological terms; how specific features of the anime medium impact alchemically on the original sources to bring into being imaginative works of an autonomous nature; and which qualities render an adaptation in anime form a distinctly unique artistic creation.

The Screen Adaptations series provides an in-depth look at how classic pieces of literature have been adapted for screen. It assesses the ways in which alternative screen interpretations offer up different readings of the original text as well as the methodologies and approaches of filmmakers. Each title in the series collects together a vast array of study material, critical insight and thought-provoking comparisons - from literary context to the afterlife of the screen versions. Shakespeare on Film is a huge area of study and Romeo and Juliet is one of his most popular plays with many teachers using film versions as a way of approaching the text. Focussing in the main on West Side Story and Baz Lurhmann's Shakespeare's Romeo & Juliet, this is a unique and comprehensive insight into the adaptation process providing a vital study aid for students.

NEW REVISED EDITION Although writers since antiquity had recognized and recorded the experience of adolescence, none had dramatized it so comprehensively.--Jill L. Levenson Shakespeare Made in Canada is a series of editions of Shakespeare's plays with a national focus. A testament to the University of Guelph's commitment to the dissemination of research on the arts in Canada, and in particular to the Canadian Adaptations of Shakespeare Project run since 2004 by Guelph professor Daniel Fischlin, the series aims to celebrate "Canadians doing Shakespeare for over 150 years" ... and to provide teaching texts for Canadian undergraduate students. Romeo and Juliet and The Tempest, the first editions in the series, advance these commemorative and pedagogical aims imaginatively.... [E]ach includes a preface by a Canadian playwright involved with an adaptation of the play as well as an introduction by a leading Canadian scholar. In addition to a play-text complete with original new annotation for students, each edition contains a plethora of pedagogical aids that are sure to make this series popular among undergraduates in particular.... In her introduction to Romeo and Juliet in this series, Jill L. Levenson argues that adaptations of Romeo and Juliet since the Restoration have often deconstructed the story that Shakespeare dramatized.... Levenson's statements about Canadian adaptations of Romeo and Juliet supply fresh insight into the nation's ongoing culture conflicts. -Joel Benabu, Shakespeare Bulletin The Shakespeare Made in Canada volumes are inexpensive paperbacks featuring new editions of the play-texts.... [C]lear and comprehensive act and scene summaries narrate the action and highlight thematic hotspots.... In his preface to Romeo and Juliet, theatre artist extraordinaire Sky Gilbert ... finds the play to be absolutely relevant today: "The concerns in The Tragedy of Romeo and Juliet are also our concerns." -Susan Knutson, Literary Review of Canada Overpowering adolescent passion at odds with a troubled adult world: this ancient tale was never more grippingly told than Shakespeare's Romeo and Juliet, where two youths come together in a love that is both transformative and death-marked. The society around them lacks flexibility, failing to govern this destabilizing energy. Shakespeare scholar Jill L. Levenson-whose work on this play has opened new readings of Romeo and Juliet internationally-shows how the play's treatment of gender, class, sexuality, and political fragmentation has found rich resonance in Canada. There are a variety of surprisingly creative adaptations not just in French and English but also, for example, in French and Attikamek. From ballet to Ann-Marie MacDonald's award-winning play Goodnight Desdemona (Good Morning Juliet), Romeo and Juliet remains a compelling exploration of passion and violence.

The tragedy of Romeo and juliet - the greatest love story ever.

Since the 1990s, the expropriation of canonical works of cinema has been a fundamental dimension of art-film exploration. Rainer Werner Fassbinder provides an early model of open adaptation of film classics, followed ever more boldly by the Coen Brothers, Chantal Akerman, Alex Carax, Todd Haynes, Florian Henckel von Donnersmarck, Baz Luhrmann, and Olivier Assayas. This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane (1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern société du spectacle. In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, in film art and in society.