Romeo S Fight A Mike Romeo Thriller

Mike Romeo finds her in the fog, on the beach, staggering around like a drunk. But it's not alcohol that's in her - it's poison. After getting this mysterious woman to the hospital, Romeo figures that's the end of the matter. But it's only the beginning. When the woman goes missing, Romeo is hired by her father to find her. But the trail grows cold, the circumstances strange. The people involved with her are a mix of L.A. odd and downright dangerous. There's a washed-up Hollywood star hoping for a comeback; hired muscle willing to break bones just for the workout; a fight manager with underworld connections; and a strange cult predicting the return of angels to the earth. And some very bad people who want Romeo dead. From the posh beaches of Malibu to the dark corners of L.A.'s fight game, Romeo's Hammer takes you on another thrill ride in the series that New York Times bestselling author Meg Gardiner calls "sharp as a switchblade." -- website.

An ex-cage fighter living off the grid has a firm set of rules for living and staying alive.

Former cage fighter living low in L.A. Mike Romeo doesn't have to look for trouble: it comes after him! A woman he saved from poisoning disappears and Romeo is hired by her father to find her. He discovers the people in her life were a mix of L.A. weird and downright dangerous: and some people want him dead.

They tried to kill Romeo, but didn't finish the job. Now his rage is about to rain down... Mike Romeo is helping a reformed gang member protect a girl rescued from a sex trafficking ring. When the girl is kidnapped, Romeo sets out to find her-and plunges into a heart of darkness unlike anything he's fought before. The layers of this evil run deep in L.A., stretching from Skid Row to Malibu, from Little Guatemala to Beverly Hills. When the cops tell Romeo to back off, he only goes further in. Because Romeo has rules, the most important being: Always protect the children. Now he is a man alone against all the forces of power, money, and influence in the city, forces able to kill anyone who gets in the way. Until they meet Romeo. Another pulse-pounding thriller in the hit series that is "sharp as a switchblade." (Meg Gardiner)

This essay collection addresses the paradox that something may at once “be” and “not be” Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may detect Shakespeare where the author disclaims him or have difficulty finding him where he is named. Douglas Lanier’s “Shakespearean rhizome,” which co-opts Deleuze and Guattari’s concept of artistic relations as rhizomes (a spreading, growing network that sprawls horizontally to defy hierarchies of origin and influence) is fundamental to this exploration. Essays discuss the fine line between “Shakespeare” and “not Shakespeare” through a number of critical lenses—networks and pastiches, memes and echoes, texts and paratexts, celebrities and afterlives, accidents and intertexts—and include a wide range of examples: canonical plays by Shakespeare, historical figures, celebrities, television performances and adaptations, comics, anime appropriations, science fiction novels, blockbuster films, gangster films, Shakesploitation and teen films, foreign language films, and non-Shakespearean classic films.

The Lloyd’s Register of Yachts was first issued in 1878, and was issued annually until 1980, except during the years 1916-18 and 1940-46. Two supplements containing additions and corrections were also issued annually. The Register contains the names, details and characters of Yachts classed by the Society, together with the particulars of other Yachts which are considered to be of interest, illustrates plates of the Flags of Yacht and Sailing Clubs, together with a List of Club Officers, an illustrated List of the Distinguishing Flags of Yachtsmen, a List of the Names and Addresses of Yacht Owners, and much other information. For more information on the Lloyd’s Register of Yachts, please click here: https://hec.lrfoundation.org.uk/archive-library/lloyds-register-of-yachts-online

Mr. Mikey's Video Views started as a response to the three-line reviews found in most review guides, and the "self-serving" and exceedingly picky reviews written by most "popular critics." Mr. Mikey is a movie lover, and has fun and enjoys virtually every movie he sees. His reviews reflect this love of movies.

With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett (1899--1995) lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille. The fruitful partnership began after Hitchcock adapted Bennett's play Blackmail (1929) as the first British sound film. Their partnership produced six thrillers: The Man Who Knew Too Much (1934), The 39 Steps (1935), Sabotage (1936), Secret Agent (1936), Young and Innocent (1937), and Foreign Correspondent (1940). In this witty and intriguing book, Bennett discusses how their collaboration created such famous motifs as the "wrong man accused" device and the MacGuffin. He also takes readers behind the scenes with the Master of Suspense, offering his thoughts on the director's work, sense of humor, and personal life. Featuring an introduction and additional biographical material from Bennett's son, editor John Charles Bennett, Hitchcock's Partner in Suspense is a richly detailed narrative of a remarkable yet often-overlooked figure in film history.