Rose Of No Man S Land

THE INSPIRATION BEHIND THE BBC DRAMA THE CRIMSON FIELD 'On the face of it,' writes Lyn Macdonald, 'no one could have been less equipped for the job than these gently nurtured girls who walked straight out of Edwardian drawing rooms into the manifest horrors of the First World War ...' Yet the volunteer nurses rose magnificently to the occasion. In leaking tents and draughty huts they fought another war, a war against agony and death, as men lay suffering from the pain of unimaginable wounds or diseases we can now cure almost instantly. It was here that young doctors frantically forged new medical techniques - of blood transfusion, dentistry, psychiatry and plastic surgery - in the attempt to save soldiers shattered in body or spirit. And it was here that women achieved a quiet but permanent revolution, by proving beyond question they could do anything. All this is superbly captured in The Roses of No Man's Land, a panorama of hardship, disillusion and despair, yet also of endurance and supreme courage. 'Lyn Macdonald writes splendidly and touchingly of the work of the nurses and doctors who fought their humanitarian battle on the Western Front' Sunday Telegraph Over the past twenty years Lyn Macdonald has established a popular reputation as an author and historian of the First World War. Her books are based on the accounts of eyewitnesses and survivors, told in their own words, and cast a unique light on the First World War. Most are published by Penguin.

Fourteen-year-old Trisha Driscoll is a self-described loner whose family expects nothing from her. While her mother lies on the couch in a hypochondriac haze and her sister aspires to be on The Real World, Trisha struggles to find her own place among the neon signs, theme restaurants, and cookie-cutter chain stores of her hometown. After being hired and abruptly fired from the most popular shop at the absurd and kaleidoscopic Square One Mall, Trisha finds herself linked up with a chain-smoking, physically stunted mall rat named Rose, and her life shifts into manic overdrive. A whirlwind exploration of drugs, sex, poverty and tattoos, Rose of No Man’s Land is the world according to Trisha – a furious love story between two weirdo girls, brimming with snarky observations and soulful wonderings on the dazzle-flash emptiness of contemporary culture.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Faith in the Fight tells a story of religion, soldiering, suffering, and death in the Great War. Recovering the thoughts and experiences of American troops, nurses, and aid workers through their letters, diaries, and memoirs, Jonathan Ebel describes how religion--primarily Christianity--encouraged these young men and women to fight and die, sustained them through war's chaos, and shaped their responses to the war's aftermath. The book reveals the surprising frequency with which Americans who fought viewed the war as a religious challenge that could lead to individual and national redemption. Believing in a "Christianity of the sword," these Americans responded to the war by reasserting their religious faith and proclaiming America God-chosen and righteous in its mission. And while the war sometimes challenged these beliefs, it did not fundamentally alter them. Revising the conventional view that the war was universally disillusioning, Faith in the Fight argues that the war in fact strengthened the religious beliefs of the Americans who fought, and that it helped spark a religiously charged revival of many prewar orthodoxies during a postwar period marked by race riots, labor wars, communist witch hunts, and gender struggles. For many Americans, Ebel argues, the postwar period was actually one of "reillusionment." Demonstrating the deep connections between Christianity and Americans' experience of the First World War, Faith in the Fight encourages us to examine the religious dimensions of America's wars, past and present, and to work toward a deeper understanding of religion and violence in American history.

This Companion offers a major re-examination of the poetry of the First World War at the start of the war's centennial commemoration.