Roughing It In The Bush

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Catharine Parr Traill and Susanna Moodie are icons of the Canadian imagination. Yet most of what we know of these two English gentlewomen who spent their adult lives struggling in Britain’s harsh and vigorous colony comes from their own self-consciously crafted writings and from other writers’ sometimes fanciful depictions of them. But what were the women behind the authorial voices really like? In Sisters in the Wilderness, award-winning author Charlotte Gray breathes life into two remarkable and fascinating characters and brings us a vivid picture of life in the backwoods of Upper Canada.

A key work of Canadian literature, this unsentimental account of immigrant life remains a major influence on the country's writers.

Life in the Backwoods in Susanna Moodie’s follow-up to her first memoir, Roughing It in the Bush. She and her family leave the home they’ve carved out in the bush for new opportunities in Canada’s frontier. Once again she chronicles their struggles, sorrows, and joys as they try to build a life for themselves in a place that can be equal parts bounteous and unforgiving. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics. Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves. Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.