Rowdy Meadow

An art-filled, Cubism-inspired house set in an extensive sculpture park Welcome to Rowdy Meadow, a visionary house that is a complete work of art--from its architecture, interior design, furnishings, and collection of contemporary art to its landscape architecture and private sculpture park. Inspired by Czech cubism, it is unlike any other house anywhere. Designed and decorated by Peter Pennoyer Architects in Hunting Valley, Ohio, it is a structure of tremendous complexity made to feel simple and calm by Pennoyer's mastery of the language of this style. Inside, Anne Walker guides the reader through the house, room by room, showcasing furnishings spanning the Arts and Crafts era through art deco, with pieces by Émile‑Jacques Ruhlmann, Josef Hoffmann, Dagobert Peche, Eileen Gray, and Gio Ponti; and fine art by Walton Ford and James Lee Byars. She then tours the Reed Hilderbrand-designed landscape and sculpture park--with works by Anish Kapoor and Andy Goldsworthy--spread throughout the 146‑acre property. Illustrated with photographs taken throughout the seasons by Eric Piasecki that capture Rowdy Meadow's unique detailing, imagination, and energy, as well as with renderings and drawings, the book itself is an extraordinary achievement.

Combining an inventive spirit with an erudite grasp of architectural history, Peter Pennoyer Architects has been designing elegant, classically based homes in both urban and country settings for two decades. Twenty of the firm's residential projects are featured in this sumptuously illustrated volume, ranging from a triplex in New York to a Spanish Colonial Revival house in San Francisco, from a farmhouse in Virginia to a ranch house in New Mexico. Guided by Peter Pennoyer and Anne Walkers illuminating text, the reader will derive great appreciation for the firm's implementation of classical traditions and skilful adaptation of timeless design to modern life.

"The ranching boom of the 1880s made the Texas Panhandle town of Tascosa 'the cowboy capital of the world.' Through it passed many people, good and bad, who made history in the West. Yet when the large ranches broke up, Tascosa disappeared as quickly as it had risen"--Provided by publisher.

Pictures of a grandpa and child spending time together.

Chosen as one of Style at Home's Top Ten Coffee Table Books.

"The inspirational story of a dream house, conceived by a creative couple, architect Peter Pennoyer and interior designer Katie Ridder"--

The first close look at an innovative architect and inventor who held that traditional styles could be successfully adapted for modern times. In the final decade of the nineteenth century and the early twentieth century, the United States experienced exponential growth and a flourishing economy, and with it, a building boom. Grosvenor Atterbury (1869–1956) produced more than one hundred major projects, including an array of grand mansions, picturesque estates, informal summer cottages, and farm groups. However, it was his role as town planner and civic leader and his work to create model tenements, hospitals, workers’ housing, and town plans for which he is most celebrated. His Forest Hills Gardens, designed in association with the Olmsted Brothers, is lauded as one of the most highly significant community planning projects of its time. As an inventor, Atterbury was responsible for one of the country’s first low-cost, prefabricated concrete construction systems, introducing beauty and inexpensive good design into the lives of the working classes. The Architecture of Grosvenor Atterbury is the first book to showcase the rich and varied repertoire of this prolific architect whose career spanned six decades and whose work affected the course of American architecture, planning, and construction. Illustrated with Jonathan Wallen’s stunning color photographs and over 250 historic drawings, plans, and photographs, it also includes a catalogue raisonné and an employee roster. It is the definitive source on an architect who made an indelible imprint on the American landscape.

Brassiere Hills, Alaska. Mollys Nipple, Utah. Outhouse Draw, Nevada. In the early twentieth century, it was common for towns and geographical features to have salacious, bawdy, and even derogatory names. In the age before political correctness, mapmakers readily accepted any local preference for place names, prizing accurate representation over standards of decorum. Thus, summits such as Squaw Tit—which towered above valleys in Arizona, New Mexico, Nevada, and California—found their way into the cartographic annals. Later, when sanctions prohibited local use of racially, ethnically, and scatalogically offensive toponyms, town names like Jap Valley, California, were erased from the national and cultural map forever. From Squaw Tit to Whorehouse Meadow probes this little-known chapter in American cartographic history by considering the intersecting efforts to computerize mapmaking, standardize geographic names, and respond to public concern over ethnically offensive appellations. Interweaving cartographic history with tales of politics and power, celebrated geographer Mark Monmonier locates his story within the past and present struggles of mapmakers to create an orderly process for naming that avoids confusion, preserves history, and serves different political aims. Anchored by a diverse selection of naming controversies—in the United States, Canada, Cyprus, Israel, Palestine, and Antarctica; on the ocean floor and the surface of the moon; and in other parts of our solar system—From Squaw Tit to Whorehouse Meadow richly reveals the map’s role as a mediated portrait of the cultural landscape. And unlike other books that consider place names, this is the first to reflect on both the real cartographic and political imbroglios they engender. From Squaw Tit to Whorehouse Meadow is Mark Monmonier at his finest: a learned analysis of a timely and controversial subject rendered accessible—and even entertaining—to the general reader.