Royal Canadian Academy Of Arts Acad Mie Royale Des Arts Du Canada Exhibitions And Members 1880 1979

First Published in 1981, This Detailed Reference Work lists, by artist, all works exhibited by the Royal Canadian Academy in its first 100 years. It contains more than 25,000 entries, embracing work in the fields of painting, sculpture, architecture, design, photography, and film, by approximately 3,000 artists. The compilation also includes concise biographical data on each artist, his or her residence at the time his or her work was exhibited, the title and nature of each piece, and its sale price, if known. It also significantly revises the biographies of over 131 artists. A total of 134 exhibitions are listed with date, place, and number of works exhibited. 'What Evelyn McMann has successfully achieved is a valuable reference resource ... The resulting book is an important working tool for Canadian art historians, dealers, gallery staff and serious collectors.' -- D.B.G. Fair, Ontario Museum Quarterly 'This work will form an essential part of Canadian reference sections for years to come.' -- Karen McKenzie, Art Gallery of Ontario

In compiling a catalogue of these exhibitions, Evelyn McMann has produced a comprehensive record of Canadian art during nine decades of tremendous development. Her work refers the reader to biographical information about the majority of the artists, and makes available for the first time information on hundreds of lesser-known artists.

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.