Royal Mistress

From the author of A Rose for the Crown and Daughter of York comes another engrossing historical novel of the York family in the Wars of the Roses, telling the fascinating story of the rise and fall of the final and favorite mistress of Edward IV. Jane Lambert, the quick-witted and alluring daughter of a silk merchant, is twenty-two and still unmarried. When Jane’s father finally finds her a match, she’s married off to the dull, older silk merchant William Shore. Marriage doesn’t stop Jane from flirtation, however, and when the king’s chamberlain, Will Hastings, comes to her husband’s shop, Will knows King Edward will find her irresistible. Edward IV has everything: power, majestic bearing, superior military leadership, a sensual nature, and charisma. And with Jane as his mistress, he also finds true happiness. But when his hedonistic tendencies get in the way of being the strong leader England needs, his life, as well as those of Jane and Will Hastings, hangs in the balance. Jane must rely on her talents to survive as the new monarch, Richard III, bent on reforming his brother’s licentious court, ascends the throne. This dramatic tale has been an inspiration to poets and playwrights for five hundred years, and, as told through the unique perspective of a woman plucked from obscurity and thrust into a life of notoriety, Royal Mistress is sure to enthrall today’s historical fiction lovers as well.

Kings throughout medieval and early modern Europe had extraconjugal sexual partners. Only in France, however, did the royal mistress become a quasi-institutionalized political position. This study explores the emergence and development of the position of French royal mistress through detailed portraits of nine of its most significant incumbents: Agnès Sorel, Anne de Pisseleu d’Heilly, Diane de Poitiers, Gabrielle d’Estrées, Françoise Louise de La Baume Le Blanc, Françoise Athénaïs de Rochechouart de Mortemart, Françoise d’Aubigné, Jeanne-Antoinette Poisson, and Jeanne Bécu. Beginning in the fifteenth century, key structures converged to create a space at court for the royal mistress. The first was an idea of gender already in place: that while women were legally inferior to men, they were men’s equals in competence. Because of their legal subordinacy, queens were considered to be the safest regents for their husbands, and, subsequently, the royal mistress was the surest counterpoint to the royal favorite. Second, the Renaissance was a period during which people began to experience space as theatrical. This shift to a theatrical world opened up new ways of imagining political guile, which came to be positively associated with the royal mistress. Still, the role had to be activated by an intelligent, charismatic woman associated with a king who sought women as advisors. The fascinating particulars of each case are covered in the chapters of this book. Thoroughly researched and compellingly narrated, this important study explains why the tradition of a politically powerful royal mistress materialized at the French court, but nowhere else in Europe. It will appeal to anyone interested in the history of the French monarchy, women and royalty, and gender studies.

As the mistress of King Edward IV, Jane Lambert finally brings the king true happiness, but when his hedonistic tendencies get in the way of being the strong leader England needs, her life hangs in the balance. Original.

First published in 1990, Royal Mistresses provides an innovative way of looking at the development of British monarchy, and at the same time investigates the relationship between sex and power. Charles Carlton focuses not so much on the amorous activities of the mistresses of British monarchs as on their influences on those monarchs and on society at large. Ranging from the early medieval period to the late 1990s, he shows that a monarch’s illicit sexual life sheds light on his character and reign. It is no coincidence that Henry I, Charles II, and Edward VII, who were successful with their mistresses were also successful in their reigns, while the divorced John and the lovelorn Edward VIII failed Not surprisingly, the affairs of the sovereign’s heart have very often become the affairs of state. This book will be of interest to students of history and literature.

Born into poverty and raised in a brothel, Nell Gwynne sells oranges in the pit at London’s King’s Theater, newly reopened after the plague and the Great Fire devastated the city. Soon, her quick sense of humor and natural charm get her noticed by those who have the means to make her life easier. But the street-smart Nell knows a woman doesn’t get ahead by selling her body. Through talent, charm, intelligence, and sheer determination—as well as a keen understanding of how the world operates—Nell works her way out of the pit and onto the stage to become the leading comedic actress of the day. Her skills and beauty quickly win the attention of all of London—eventually even catching the eye of King Charles II. Their attraction is as real as it is unlikely, and the scrappy orange girl with the pretty face and the quick wit soon finds herself plunged into the confusing and dangerous world of the court, where she learns there are few she can trust—and many whom she cannot turn her back on. From the gritty streets of seventeenth-century London, to the backstage glamour of its theaters, to the glittering court of Charles II, The Perfect Royal Mistress is a love story for the ages, the rags-to-riches tale of a truly remarkable heroine.

Born into poverty and raised in a brothel, Nell Gwynne sells oranges in the pit at London’s King’s Theater, newly reopened after the plague and the Great Fire devastated the city. Soon, her quick sense of humor and natural charm get her noticed by those who have the means to make her life easier. But the street-smart Nell knows a woman doesn’t get ahead by selling her body. Through talent, charm, intelligence, and sheer determination—as well as a keen understanding of how the world operates—Nell works her way out of the pit and onto the stage to become the leading comedic actress of the day. Her skills and beauty quickly win the attention of all of London—eventually even catching the eye of King Charles II. Their attraction is as real as it is unlikely, and the scrappy orange girl with the pretty face and the quick wit soon finds herself plunged into the confusing and dangerous world of the court, where she learns there are few she can trust—and many whom she cannot turn her back on. From the gritty streets of seventeenth-century London, to the backstage glamour of its theaters, to the glittering court of Charles II, The Perfect Royal Mistress is a love story for the ages, the rags-to-riches tale of a truly remarkable heroine.

Few women's lives have described such an arc as that of Mary Robinson. She began her career as an actress, became a royal mistress and blackmailer, and ended it just two decades later as a Romantic poet. This biography explores Georgian England during a period of extreme political, social and cultural upheaval through the life of this woman.

This text examines the role played by the mistress, the concubine and finally commercial sex, the ready availability of which possibly protected the virginal sanctity of marriage in the years preceding today's less holy alliances.