Ruin S Promise

To prove herself to the other Keepers, Ru must close three portals to Hell…. Ruin Roberts is just coming to grips with the idea that she is actually a Keeper, a half-angel charged with keeping Grim Reapers from claiming unmarked souls, when she is tasked with closing the remaining portals to Hell. She’s made a promise to her friend Cutter that she’ll complete her mission, no matter the cost. Luckily, she has a team of experienced Keepers to help her. If she can find her missing mother, who may hold the map to the portals, in time, Ru may be able to complete her task before Thanatos hunts her down. Will Ru find her mom and the portals before Thanatos finds her, or will Ru lose everything to the half-demons stalking the citizens of Reaper’s Hollow?

Most scholars who write on social contract and classical natural law perceive an irreconcilable tension between them. Social contract theory is widely considered the political-theoretic concomitant of modern philosophy. Against the regnant view, The Social Contract in the Ruins, argues that all attempts to ground political authority and obligation in agreement alone are logically self-defeating. Political authority and obligation require an antecedent moral ground. But this moral ground cannot be constructed by human agreement or created by sheer will—human or divine. All accounts of morality as constructed or made collapse into self-referential incoherence. Only an uncreated, real good can coherently ground political authority and obligation or the proposition that rightful government depends on the consent of the governed. Government by consent requires classical natural law for its very coherence.

“Ruins to Resurgence” describes not only the building of the broken walls but also portrays building broken lives. The timeless principles enunciated in this book to deal with economic, social, and spiritual problems help people of all ages live a fruitful Christian life. The leadership qualities of Nehemiah to achieve these twin objectives are highlighted in this book. This book results from the Bible studies conducted at Rehoboth Church, Hyderabad, in the year 1999.

Tracing the roots of the modern American University in German philosophy and in the work of British thinkers such as Newman and Arnold, Bill Readings argues that the integrity of the modern University has been linked to the nation-state, which it has served by promoting and protecting the idea of a national culture. But now the nation-state is in decline, and national culture no longer needs to be either promoted or protected.

The Ruins of Urban Modernity examines Thomas Pynchon's 2006 novel Against the Day through the critical lens of urban spatiality. Navigating the textual landscapes of New York, Venice, London, Los Angeles and the 1893 Chicago World's Fair, Against the Day reimagines urban modernity at the turn of the 20th century. As the complex novel collapses and rebuilds anew the spatial imaginaries underlying the popular fictions of urban modernity, Utku Mogultay explores how such creative disfiguration throws light on the contemporary urban world. Through critical spatial readings, he considers how Pynchon historicizes issues ranging from the commodification of the urban landscape to the politics of place-making. In Mogultay's reading, Against the Day is shown to offer an oblique negotiation of postmodern urban spaces, thus directing our attention to the ongoing erosion of sociospatial diversity in North American cities and elsewhere.

DAPHNE DU MAURIER AWARD NOMINEE "A riveting period puzzler, filled with history, mystery, and romance." —Susan Elia MacNeal, New York Times bestselling author of the Maggie Hope series Book 2 in the enthralling Dr. Genevieve Summerford mystery series. As Dr. Genevieve Summerford watches from the docks, the body of a young Italian woman is pulled from the East River, dampening the city's Independence Day festivities. Although the police suspect random violence, when Genevieve is asked to help find another young Italian woman who's gone missing, she wonders if something more sinister might be afoot. Desperate to find the missing woman before she too meets a grisly end, Genevieve must rely on all of her skills as a psychiatrist—both to understand the mind of a cunning predator, and to help the victims he's left behind. But none of her training can prepare her for what happens when she herself is captured, bringing the case much closer to home than she'd ever anticipated.

Winner of the British Association of Film, Television and Screen Studies (BAFTSS) 2023 Award for Best First Monograph. Winner of the Association of Moving Image Researchers (AIM) 2022 Award for Best Monograph. Guilherme Carréra's compelling book examines imagery of ruins in contemporary Brazilian cinema and considers these representations in the context of Brazilian society. Carréra analyses three groups of unconventional documentaries focused on distinct geographies: Brasília - The Age of Stone (2013) and White Out, Black In (2014); Rio de Janeiro - ExPerimetral (2016), The Harbour (2013), Tropical Curse (2016) and HU Enigma (2011); and indigenous territories - Corumbiara: They Shoot Indians, Don't They? (2009), Tava, The House of Stone (2012), Two Villages, One Path (2008) and Guarani Exile (2011). In portraying ruinscapes in different ways, these powerful films articulate critiques of the notions of progress and (under) development in the Brazilian nation. Carréra invites the reader to walk amid the debris and reflect upon the strategies of spatial representation employed by the filmmakers. He addresses this body of films in relation to the legacies of Cinema Novo, Tropicália and Cinema Marginal, asking how these presentday films dialogue with or depart from previous traditions. Through this dialogue, he argues, the selected films challenge not only documentary-making conventions but also the country's official narrative.