Rupert Wong And The Ends Of The Earth

It's not unusual to work two jobs in this day and age, but sorcerer and former triad soldier Rupert Wong's life is more complicated than most. By day, he makes human hors d'oeuvres for a dynasty of ghouls; by night, he pushes pencils for the Ten Chinese Hells. Of course, it never seems to be enough to buy him a new car—or his restless, flesh-eating-ghost girlfriend passage from the reincarnation cycle—until opportunity comes smashing through his window. In Kuala Lumpur, where deities from a handful of major faiths tip-toe around each other and damned souls number in the millions, it's important to tread carefully. Now the Dragon King of the South wants to throw Rupert right in it. The ocean god's daughter and her once-mortal husband have been murdered, leaving a single clue: bloodied feathers from the Greek furies. It's a clue that could start a war between pantheons, and Rupert's stuck in the middle. Success promises wealth, power and freedom, and failure... doesn't.

GODS. GORE. GOOD FOOD. By day, Rupert Wong—sorcerer, chef, former triad—prepares delicious meals of human flesh for a dynasty of ghouls in Kuala Lumpur; by night, he’s an administrator for the Ten Chinese Hells. It’s a living, of sorts. When the Dragon of the South demands that Rupert investigate the murders of his daughter and her mortal husband, Rupert is caught in a war between gods that’s as bewildering as it is bloody. If he’s going to survive, he’ll need to stay sharp, stay lucky, and always read the fine print… This volume collects the novellas Rupert Wong, Cannibal Chef and Rupert Wong and the Ends of the Earth.

A washed up TV reporter stumbles onto a corruption scandal in Western China. Pursued through the desert by a psychotic spin-doctor and a world-weary cop, he discovers the real China: illegal metal mines, a fashion-crazed gang of girl bikers, a whole commune of Tiananmen Square survivors and the up-market sleaze-joints of Beijing. En route, he clashes with a stellar cast of people-traffickers, prostitutes and TV execs. But then the unquiet dead begin to intervene: ghosts from his own past and the past of Chinese Communism; the 'spirits that hover three feet above our heads' of Chinese folklore.

Our world is bathed in ongoing biological, political, cultural, climate, and spiritual crises that seem endless. If anything, these disruptions appear to be spiraling into ever larger threat fronts that challenge our survival as a species. Carl Gustav Jung, renowned Swiss psychiatrist, avowed in his archetypal psychology that there is a portal of transforming possibility if we have the courage to enter that doorway. That threshold entering demands that we embrace our individual and collective sufferings and then seek the path of meaning and destiny that is always resident deeply at the core of such trauma. This book narrates how this destiny is found and lived forward for both each individual life and for our varied human cultures. It affirms and gives examples of the deep-soul dimension of life that lies under the often chaotic surface—the liminal realm of animate and guiding dream, vision, myth, and spirituality where the gods meet us so that we all can find our mutual way Home. This liminal world is navigated through the metaphoric and literalness of pilgrimage, performance, and political processes in our personal and cultural lives. What might be your path of destiny?

Poor Jack Wong is a clueless cadet at the Unified Space Academy when his pod is stranded on a planet of disgusting aliens. All he wants to do, other than escape, is to fulfill his proud duty to advance Earth Culture's Primary Heuristic: "Wherever possible, find the weak spot in an alien civilization and interfere as much as possible for the benefit of humanity." It's the Human's Burden! But everything comes unstuck, made worse by his irritating Machiavellian AI. And that's just the start of Jack's troubles in space and time....

An emerging interest in a British East and Southeast Asian identity after decades of political and social exclusion has coincided with periods of economic and political challenges in the UK. In Migration and Identity in British East and Southeast Asian Cinema, Leung Wing-Fai argues that this explosive context has created rich and diverse forms of storytelling and an accented cinematic language. By offering close readings of key contemporary films and positioning them in a wider slate of releases by British East and Southeast Asian filmmakers alongside Anglophone film histories in the Global North, this book sheds light on a developing field and engenders new ways of understanding British cinema and society. The author explores changing representational politics in contemporary cinema and argues for the cinematic visibility of a hitherto silenced community. Drawing on theoretical frames from sociological, film and cultural studies to critically engage with the textual and visual language of the case studies, Leung claims the place of British East and Southeast Asian Cinema as a film and cultural movement. Highlighting diversity among the British East and Southeast Asian community, pushing boundaries in its intersectional approach to ethnicity, race, gender and sexuality, and proposing a critical framework for academic studies on diasporic film-making in the UK, this nuanced and innovative study will interest researchers, teachers and students in a range of Humanities and Liberal Arts subjects, including Film and Media Studies, Regional/Area Studies (Asia), and arts, cultural and creative productions from the East and Southeast Asian diaspora.