Russia Accursed

The Russian Revolution and Civil War - as never seen before! Packed with jaw-dropping, at times blood-curdling images, Russia Accursed! showcases the reaction of Ivan Vladmirov (1869-1947) to the human suffering and Bolshevik barbarity he observed as an artist-reporter during the years 1917-25. Some of his paintings and watercolours appeared in magazines and periodicals, including London weekly The Graphic (Vladimirov's mother was English). But other scenes - featuring point-blank executions, passers-by cutting chunks of meat from a dead horse or dogs gnawing at a human corpse - were deemed too shocking for publication and had to be secretly exported from the USSR by American relief workers. Selected from private collections, Russian museums and the Hoover Library at Stanford University, California, most of the 160 Vladimirov images in this majestic 324-page volume are published here for the first time. Placed in their historic context by scholarly essays, contemporary photographs and eye-witness quotes, they revolutionize our understanding of the beginnings of the Soviet Union.

Outsiders view Russia as an aggressor, but Russians see themselves as surrounded by enemies, defensively fighting off invader after invader, or called upon by history to be the savior of Europe, or Christianity, or civilization itself, often at immense cost. As Gregory Carleton shows, war is the unifying thread of Russia’s national epic.

Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the 'Evil Empire' of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugee and that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia and the West during, and after, communism. The book's structure reflects both sides of this fascinating dialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue in a theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.

The ideas of the Cosmists have in recent decades been rediscovered and embraced by many Russian intellectuals. Here, Young offers a dynamic and wide-ranging examination of the lives and ideas of the Russian Cosmists.

John Fennell's history of thirteenth-century Russia is the only detailed study in English of the period, and is based on close investigation of the primary sources. His account concentrates on the turbulent politics of northern Russia, which was ultimately to become the tsardom of Muscovy, but he also gives detailed attention to the vast southern empire of Kiev before its eclipse under the Tatars. The resulting study is a major addition to medieval historiography: an essential acquisition for students of Russia itself, and a book which decisively fills a vast blank on the map of the European Middle Ages for medievalists generally.

In this thought-provoking book, an internationally acclaimed scholar writes about the passion for ideology among nineteenth- and twentieth-century Russian intellectuals and about the development of sophisticated critiques of ideology by a continuing minority of Russian thinkers inspired by libertarian humanism. Aileen Kelly sets the conflict between utopian and anti-utopian traditions in Russian thought within the context of the shift in European thought away from faith in universal systems and "grand narratives" of progress toward an acceptance of the role of chance and contingency in nature and history. In the current age, as we face the dilemma of how to prevent the erosion of faith in absolutes and final solutions from ending in moral nihilism, we have much to learn from the struggles, failures, and insights of Russian thinkers, Kelly says. Her essays--some of them tours de force that have appeared before as well as substantial new studies of Turgenev, Herzen, and the Signposts debate--illuminate the insights of Russian intellectuals into the social and political consequences of ideas of such seminal Western thinkers as Schopenhauer, Nietzsche, and Darwin. Russian Literature and Thought Series

In the wake of Vladimir Lenin’s death in 1924, various protagonists grappled to become his successor, but it was not until 1928 that Joseph Stalin emerged as leader of the Russian Marxists’ Bolshevik wing. Surrounded by an increasingly hostile capitalist world, Stalin reasoned that Soviet Russia had to industrialize in order to survive and prosper. But domestic capital was scarce, so the country’s minerals, timber, and grain were sold abroad for hard currency for funding the development of heavy industry. Claiming total control of agricultural management and production, Stalin implemented the collectivization of farming, consolidating small peasant holdings into large collective farms and controlling their output. The program was economically successful, but it came at a high social cost as the state encountered intense resistance, and between 1928 and 1934 collectivization led to the deaths of at least ten million people from starvation and associated diseases. Hungry and Starving elicits the voices of both the culprits and the victims at the centre of this horrific process. Through primary accounts of collectivization as well as the eyewitness observations of ambassadors, reporters, tourists, fellow travellers, Russian emigrés, tsarist officials, aristocrats, scientists, and technical specialists, James Gibson engages the crucial notions and actors in the academic discourse of the period. He finds that the famine lasted longer than is commonly supposed, that it took place on a national rather than a regional scale, and that while the famine was entirely man-made – the result of the ruthless manner in which collectivization was executed and enforced – it was neither deliberate nor ethnically motivated, given that it was not in the Soviet state’s economic or political interest to engage in genocide. Highlighting the experiences of life and death under Stalin’s ruthless regime, Hungry and Starving offers a broader understanding of the Great Soviet Famine.