Russia S Unreal Estate

Russia’s country estates were fulcrums of culture, learning and socio-administration under the imperial state. Only a fraction of the original numbers of these structures survives today, and yet even today several of the most famous of these buildings have uncertain futures. At risk is the survival of this fascinating remnant of Russia’s cultural history. This matter is especially salient as post-Soviet Russia has participated in a struggle over means of its own self-representation. Historic landmarks enter the political arena during periods of drastic change. The struggle over monuments reveals notable adjustments and continuities over a nation’s historical narrative; the study of the treatment of certain monuments provides insight to the language, symbols and memory of a people in transition. This book examines links between two seemingly divergent spheres of human interaction, those of politics and culture. The aim of this book is not to analyse the artistic and architectural merits of Russia’s country estates, as a plethora of works already address this subject. Rather, the objective is to look at the underlying attitudes and circumstances which affect the survival of this integral feature of Russia’s pre-revolutionary secular past. A variety of factors come into play in estate preservation, such as: privatization, restitution, taxation, legislation, actions of governmental and non-government organizations, tourism, and others. This book analyzes Russia’s institutions and actors that continually compete for shifting and scarce resources in the sphere of culture, often to the detriment of physical cultural artefacts themselves. More than just Russia’s estates are subject to these forces although estates serve as an excellent lens with which to view these destructive processes at work.

Billington describes the contentious discussion occurring all over Russia and across the political spectrum. He finds conflicts raging among individuals as much as between organized groups and finds a deep underlying tension between the Russians' attempts to legitimize their new, nominally democratic identity, and their efforts to craft a new version of their old authoritarian tradition. After showing how the problem of Russian identity was framed in the past, Billington asks whether Russians will now look more to the West for a place in the common European home, or to the East for a new, Eurasian identity.

A history of lucrative real estate in Los Angeles shares the lesser-known contributions of a range of figures from Douglas Fairbanks and Marilyn Monroe to Howard Hughes and Ronald Reagan. By the best-selling author of Rogues' Gallery.

Russia’s Dangerous Texts examines the ways that writers and their works unnerved and irritated Russia’s authoritarian rulers both before and after the Revolution. Kathleen F. Parthé identifies ten historically powerful beliefs about literature and politics in Russia, which include a view of the artistic text as national territory, and the belief that writers must avoid all contact with the state. Parthé offers a compelling analysis of the power of Russian literature to shape national identity despite sustained efforts to silence authors deemed subversive. No amount of repression could prevent the production, distribution, and discussion of texts outside official channels. Along with tragic stories of lost manuscripts and persecuted writers, there is ample evidence of an unbroken thread of political discourse through art. The book concludes with a consideration of the impact of two centuries of dangerous texts on post-Soviet Russia.

Through the lens of James Billington and the institution he led as Librarian of Congress during a key period of US-Russian relations, The Geopolitics of Culture examines culture as a neglected area of US foreign policy. Billington advised presidents and members of Congress and mobilized the resources of the Library of Congress to promote reform in Russia. He believed that rather than preaching to the Russians, the United States should expose the rising generation of Russian leaders to what was best in America and encourage them to rediscover positive elements in pre-Bolshevik Russian culture. The Geopolitics of Culture is the first book to chronicle Billington's influence on US engagement with Russia as it transitioned from communism to democracy under Gorbachev and Yeltsin and back to authoritarianism under Yeltsin and Putin. Drawing on published and archival sources (including recently released papers) and interviews with current and retired Library of Congress staff members, John Van Oudenaren casts new light on this era. Billington's efforts led to a remarkable degree of cooperation between the Library of Congress and Russian cultural and political institutions. Yet these efforts ultimately failed as Putin turned back toward authoritarianism. The experience of the Library of Congress during this period nonetheless holds important lessons for today. Billington believed that a transition to democracy in Russia was essential if the United States was to head off the geopolitical nightmare of a Eurasia dominated by an alliance of hostile authoritarian powers. The "geopolitics of culture" thus remains a challenge for US foreign policy.

In After Newspeak, Michael S. Gorham presents a cultural history of the politics of Russian language from Gorbachev and glasnost to Putin and the emergence of new generations of Web technologies. Gorham begins from the premise that periods of rapid and radical change both shape and are shaped by language. He documents the role and fate of the Russian language in the collapse of the USSR and the decades of reform and national reconstruction that have followed. Gorham demonstrates the inextricable linkage of language and politics in everything from dictionaries of profanity to the flood of publications on linguistic self-help, the speech patterns of the country's leaders, the blogs of its bureaucrats, and the official programs promoting the use of Russian in the so-called "near abroad."Gorham explains why glasnost figured as such a critical rhetorical battleground in the political strife that led to the Soviet Union’s collapse and shows why Russians came to deride the newfound freedom of speech of the 1990s as little more than the right to swear in public. He assesses the impact of Medvedev’s role as Blogger-in-Chief and the role Putin’s vulgar speech practices played in the restoration of national pride. And he investigates whether Internet communication and new media technologies have helped to consolidate a more vibrant democracy and civil society or if they serve as an additional resource for the political technologies manipulated by the Kremlin.

James McCawley (1938-1999) was one of the most significant linguists of the latter half of the twentieth century. His legacy to a generation of linguists encompasses not only his work in phonology, syntax, semantics, pragmatics, and the philosophy of language but also his emphasis on bridging research in linguistics with that in other disciplines, from anthropology and psychology to physics and biology. This book, written by his former students—all now scholars in their own right—pays tribute to McCawley by pursuing questions about language that engaged him during his career. The variety of perspectives in these essays reflects McCawley's eclecticism as well his belief that what is important in scholarly work is not the analytic framework used but the insights reached. The book considers topics in phonology; syntax, with several essays on Indic languages (in which McCawley had a special interest) as well as one on African-American English; tense, aspect, and mood; semantics and pragmatics, with essays in these areas grouped together to reflect the intertwining of McCawley's work on these subjects; knowledge of language; and the treatment of language, with its implicit colonial biases, in the 11th edition of Encyclopedia Britannica.