Russian Conservatism

Paul Robinson's Russian Conservatism examines the history of Russian conservative thought from the beginning of the nineteenth century to the present. As he shows, conservatism has made an underappreciated contribution to Russian national identity, to the ideology of Russian statehood, and to Russia's social-economic development. Robinson charts the contributions made by philosophers, politicians, and others during the Imperial, Soviet, and post-Soviet periods. Looking at cultural, political, and social-economic conservatism in Russia, he discusses ideas and issues of more than historical interest. Indeed, what Russian Conservatism demonstrates is that such ideas are helpful in interpreting Russia's present as well as its past and will be influential in shaping Russia's future, for better or for worse, in the years to come. For the past two centuries Russian conservatives have sought to adapt to the pressures of modernization and westernization and, more recently, globalization, while preserving national identity and political and social stability. Through Robinson's research we can now understand how Russian conservatives have continually proposed forms of cultural, political, and economic development seen as building on existing traditions, identity, forms of government, and economic and social life, rather than being imposed on the basis of abstract theory and foreign models.

This volume is the first comprehensive study of the “conservative turn” in Russia under Putin. Its fifteen chapters, written by renowned specialists in the field, provide a focused examination of what Russian conservatism is and how it works. The book features in-depth discussions of the historical dimensions of conservatism, the contemporary international context, the theoretical conceptualization of conservatism, and empirical case studies. Among various issues covered by the volume are the geopolitical and religious dimensions of conservatism and the conservative perspective on Russian history and the politics of memory. The authors show that conservative ideology condenses and reworks a number of discussions about Russia’s identity and its place in the world. Contributors include: Katharina Bluhm, Per-Arne Bodin, Alicja Curanović, Ekaterina Grishaeva, Caroline Hill, Irina Karlsohn, Marlene Laruelle, Mikhail N. Lukianov, Kåre Johan Mjør, Alexander Pavlov, Susanna Rabow-Edling, Andrey Shishkov, Victor Shnirelman, Mikhail Suslov, and Dmitry Uzlaner

Why have Russians chosen unlimited autocracy throughout their history? Why is democracy unable to flourish in Russia?

Russian conservatism is making a forceful return after a century of experimenting with socialism and liberalism. Conservatism is about managing change by ensuring that modernization evolves organically by building on the past. Conservatism has a natural attraction for Russia as its thousand-year long history is largely characterized by revolutionary change - the destructive process of uprooting the past to give way to modernity. Navigating towards gradual and organic modernization has been a key struggle ever since the Mongols invaded in the early 13th century and decoupled Russia from Europe and the arteries of international trade. Russian history has consisted of avoiding revolutions that are either caused by falling behind on modernization or making great leaps forward that disrupts socio-economic and political traditions. Russian conservatives are now tasked with harmonizing the conservative ideas of the 19th century with the revolutionary changes that shaped Russia in the 20th century. The rise of Asia now provides new opportunities as it enables Russia to overcome its fixation on the West and develop a unique Russian path towards modernization that harmonizes its Eurasian geography and history.

This book discusses the diverse practices and discourses of memory politics in Russia and Eastern Europe. It argues that currently prevailing conservativism has a long tradition, which continued even in Communist times, and is different to conservatism in the West, which can accommodate other viewpoints within liberal democratic systems. It considers how important history is for conservatism, and how history is reconstituted according to changing circumstances. It goes on to examine in detail values which are key to conservatism, such as patriotism, Christianity and religious life, and the traditional model of the family, the importance of the sovereign national state within globalization, and the emphasis on a strong paternal state, featuring hierarchy, authority and political continuity. The book concludes by analysing how far states in the region are experiencing a common trend and whether different countries’ conservative narratives are reinforcing each other or are colliding.

This book explores the emergence, and in Poland, Hungary, and Russia the coming to power, of politicians and political parties rejecting the consensus around market reforms, democratization, and rule of law that has characterized moves toward an "open society" from the 1990s. It discusses how over the last decade these political actors, together with various think tanks, intellectual circles, and religious actors, have increasingly presented themselves as "conservatives," and outlines how these actors are developing a new local brand of conservatism as a full-fledged ideology that counters the perceived liberal overemphasis on individual rights and freedom, and differs from the ideology of the established, present-day conservative parties of Western Europe. Overall, the book argues that the "renaissance of conservatism" in these countries represents variations on a new, illiberal conservatism that aims to re-establish a strong state sovereignty defining and pursuing a national path of development.

This volume examines the elements of formalism and decisionism in Russian legal thinking and, also, the impact of conservatism on the interplay of these elements. This combination leads to internal contradictions in theorizing about law and rights in Russian legal culture.

This book explores how artistic strategies of resistance have survived under the conservative-authoritarian regime which has been in place in Russia since 2012. It discusses the conditions under which artists work as the state spells out a new state cultural policy, aesthetics change and the state attempts to define what constitutes good taste. It examines the approaches artists are adopting to resist state oppression and to question the present system and attitudes to art. The book addresses a wide range of issues related to these themes, considers the work of individual artists and includes besides its focus on the visual arts also some discussion of contemporary theatre. The book is interdisciplinary: its authors include artists, art historians, theatre critics, historians, linguists, sociologists and political scientists from Russia, Europe and the United States.