Russian Irrationalism From Pushkin To Brodsky

Russia, once compared to a giant sphinx, is often considered in the Anglophone world an alien culture, often threatening and always enigmatic. Although recognizably European, Russian culture also has mystical features, including the idiosyncratic phenomenon of Russian irrationalism. Historically, Russian irrationalism has been viewed with caution in the West, where it is often seen as antagonistic to, and subversive of, the rational foundations of Western speculative philosophy. Some of the remarkable achievements of the Russian irrationalist approach, however, especially in the artistic sphere, have been recognized and even admired, though not sufficiently investigated. Bridging the gap between intellectual cultures, Olga Tabachnikova discusses such fundamental irrationalist themes as language and the linguistic underpinning of culture; the power of illusion in national consciousness; the changing relationship between love and morality; the cultural roots of humour, as well as the relevance of various individual writers and philosophers from Pushkin to Brodsky to the construction of Russian irrationalism.

This book offers a versatile approach to the enigmatic phenomenon of Russian irrationalism of the last two hundred years and beyond. The 23 chapters look at diverse artistic and cultural forms, including Russian philosophy, theology, literature, music and visual arts.

This handbook brings together recent and emerging research in the broad areas of women and gender studies focusing on pre-revolutionary Russia, the Soviet Union and the post-Soviet Russian Federation. For the Soviet period in particular, individual chapters extend the geographic coverage of the book beyond Russia itself to examine women and gender relations in the Soviet ‘East’ (Tatarstan), Central Asia (Kazakhstan, Tajikistan and Uzbekistan) and the Baltic States (Estonia, Latvia and Lithuania). Within the boundaries of the Russian Federation, the scope moves beyond the typically studied urban centres of Moscow and St Petersburg to examine the regions (Krasnodar, Novosibirsk), rural societies and village life. Its chapters examine the construction of gender identities and shifts in gender roles during the twentieth century, as well as the changing status and roles of women vis-a-vis men in Soviet political institutions, the workplace and society more generally. This volume draws on a broad range of disciplinary and methodological approaches currently being employed in the academic field of Russian studies. The origins of the individual contributions can be identified in a range of conventional subject disciplines – history, literature, sociology, political science, cultural studies – but the chapters also adopt a cross- and inter-disciplinary approach to the topic of study. This handbook therefore builds on and extends the foundations of Russian women’s and gender studies as it has emerged and developed in recent decades, and demonstrate the international, indeed global, reach of such research

This study spans the entire life and work of the Russian philosopher Lev Shestov (1866-1938). It offers keys to understanding his thought, while also tracing the historical itinerary of his work. Shestov’s thought is not only interesting in itself, as a “philosophy fighting against philosophy,” but also because it reveals an entire world of cultural connections in its extraordinarily keen exploration of other “souls.” The reader will find in Shestov some of the sharpest analyses of authors such as Shakespeare, Nietzsche, Tolstoi, Dostoevskii, Luther, Plotinus, Pascal, Kierkegaard and many others. This study will better determine the controversial and fascinating philosopher’s place in the history of Russian and Western thought.

Premier playwright of modern theater and trailblazer of the short story, Anton Chekhov was also a practising doctor, journalist, writer of comic sketches, philanthropist and activist. This volume provides an accessible guide to Chekhov's multifarious interests and influences, with over 30 succinct chapters covering his rich intellectual milieu and his tumultuous socio-political environment, as well as the legacy of his work in over two centuries of interdisciplinary cultures and media around the world. With a Preface by Cornel West, a chronology and Further Reading list, this collection is the essential guide to Chekhov's writing and the manifold worlds he inhabited.

In the post-Soviet period, discussions of "postmodernism" in Russian literature have proliferated. Based on close literary analysis of representative works of fiction by three post-Soviet Russian writers – Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin – this book investigates the usefulness and accuracy of the notion of "postmodernism" in the post-Soviet context. Classic Russian literature, renowned for its pursuit of aesthetic, moral and social values, and the modernism that succeeded it have often been seen as antipodes to postmodernist principles. The author wishes to dispute this polarity and proposes "post-Soviet neo-modernism" as an alternative concept. "Neo-modernism" embodies the notion that post-Soviet writers have redeemed the tendency of earlier literature to seek the meaning of human existence in a transcendent realm, as well as in the treasures of Russia's cultural past.

Throughout history, Jews have often been regarded, and treated, as “strangers.” In The Stranger in Early Modern and Modern Jewish Tradition, authors from a wide variety of disciplines discuss how the notion of “the stranger” can offer an integrative perspective on Jewish identities, on the non-Jewish perceptions of Jews, and on the relations between Jews and non-Jews in an innovative way. Contributions from history, philosophy, religion, sociology, literature, and the arts offer a new perspective on the Jewish experience in early modern and modern times: in contact and conflict, in processes of attribution and allegation, but also self-reflection and negotiation, focused on the figure of the stranger.

Cosmopolitan Spaces in Odesa: A Case Study of an Urban Context is the first book to explore Odesa’s cosmopolitan spaces in an urban context from the nineteenth to twenty-first centuries. Leading scholars shed new light on encounters between Jewish, Ukrainian, and Russian cultures. They debate different understandings of cosmopolitanism as they are reflected in Odesa’s rich multilingual culture, ranging from intellectual history and education to music, opera, and literature. The issues of language and interethnic tensions, imperialist repression, and language choice are still with us today. Moreover, the book affords a historical view of what lay behind the Odesa myth, as well as insights into the Jewish and Ukrainian cultural revivals of the early twentieth century.