Ruth Bidgood

This is the first full-length study of the poet Ruth Bidgood, who is best known for her long-term literary engagement with the landscape and communities of the mid-Wales region she has made her home. Considering her entire career to date, this volume provides detailed scrutiny of Bidgood’s poetry from its genesis in her formative discovery of mid-Wales in the 1960s to her 2009 prize-winning volume Time Being. Whilst acknowledging the breadth of Bidgood’s poetic work, this book argues that her most important achievement is her creation, over many years, of what has become nothing less than a mid-Wales epic.

This is the first full-length scholarly study of the prize-winning poet Ruth Bidgood, a writer who is best known for her long-term literary engagement with the landscape and communities of the mid-Wales region she has made her home.

Symbols of Plenty is the tenth collection of verse by leading Anglo-Welsh poet Ruth Bidgood. It includes her Hymn to St Ffraid (Brigid), published here in its entirety for the first time. Weaving together the complex strands of myth and legend that surround this sixth century saint, it is an insightful and articulate statement of Celtic belief.

With this publication, Bidgood's 70th birthday is celebrated. Chosen from her previous collections, many of which are now out of print, it also includes a generous selection of new work. Her continuing popularity is often attributed to her strong feeling for landscapes, the environment, and women's issues.

Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cŵn Annwn (hellhounds), dark druids and Welsh witches. Contents Prologue: ‘A Long Terror’ PART I: HAUNTED BY HISTORY 1. Cambria Gothica (1780s–1820s) 2. An Underworld of One’s Own (1830s–1900s). 3. Haunted Communities (1900s–1940s). 4. Land of the Living Dead (1940s–1997). PART II: ‘THINGS THAT GO BUMP IN THE CELTIC TWILIGHT’ 5. Witches, Druids and the Hounds of Annwn. 6. The Sin-eater Epilogue: Post-devolution Gothic Notes Select Bibliography Index

From the author of the bestselling Darwin: A Life in Poems, Ruth Padel’s new collection follows in the footsteps of one of the world’s greatest composers, Beethoven, and investigates what his life and music might mean to us today Two hundred and fifty years since Beethoven was born, Ruth Padel goes on a personal search for him, retracing his steps through war-torn Europe of the early nineteenth century, delving into his music, letters, diaries and the conversation books he used when deaf, to uncover the man behind the legend. Her quest, exploring the life of one of the most creative artists who ever lived, turns more personal than she expects, taking her into the sources of her own creativity and musicality. From a deeply musical family herself, Padel’s parents met through music, and she grew up playing chamber music on viola – Beethoven’s instrument as a child. Her father’s grandfather, a concert pianist born on the German–Danish border, studied in Leipzig with a friend of Beethoven before immigrating to the UK. The poems in this illuminating biography in verse conjure not only Beethoven’s life and personality, but her own music-making and love both of the European music-making tradition to which her father’s family belongs, and to the continent itself Europe.

This book analyses how contemporary Welsh poetry, in both Welsh and English, constructs Wales as both human and physical space, within the context of 'ecocriticism', a literary critical practice that emerges out of environmentalist concern. It is one of the most recent interdisciplinary fields to have emerged in literary and cultural studies.