Sacred Circles

From Jewish to Christian, Mormon and Pagan, women's sacred circles are sprouting up everywhere, in astonishing variety providing a haven where essential female values can be discussed and embraced.This much-needed guide celebrates the rich diversity of women's spiritual lives and offers practical, step-by-step advice for those who want to create and sustain a spirituality group of their own. Sacred Circle shows us how we can use a group to explore our relationship to the sacred, and honor the divine in everyday life. The authors, drawing from their own group experiences as well as those of many diverse groups around the country, share the model they've developed, while offering wise advise on how and why groups work. They propose circle basics, such as listening without an agenda and rotating leadership, and also offer reflections on the power of personal storytelling and thoughts on reclaiming and reinventing ritual. Women longing for a powerful and supportive feminine community in which to thrive spiritually will find vital wisdom here.

This study of the religious landscape of Indianapolis -- the summative volume of the Lilly Endowment's Project on Religion and Urban Culture conducted by the Polis Center at IUPUI -- aims to understand religion's changing role in public life. The book examines the shaping of religious traditions by the changing city. It sheds light on issues such as social capital and faith-based welfare reform and explores the countervailing pressures of "decentering" -- the creation of multiple (sub)urban centers -- and civil religion's role in binding these centers into one metropolis. Polis Center Series on Religion and Urban Culture -- David J. Bodenhamer and Arthur E. Farnsley II, editors

This community men's ministry should provide community protection, accountability and competency development. The local men's ministries underlying message should be a rite of passage for youth. This is to prepare young boys to become responsible young men.

Within Sacred Circles follows on the success of Towner-Larsen's first book, With Sacred Threads: Quilting and the Spiritual Life. From around the world and throughout the ages, circular symbols have been an integral part of centering one's spirit and expressing wholeness. Mandalas are a sacred expression of this universal need for circular symbols, and quilted mandalas combine the spiritual energy and meditative practices of two artistic, timeless worlds--the world of mandalas and the world of quilts. It is the author's hope that this book will connect the traditions, uses, and symbolism of mandalas with the spirituality of quilters and the stories of their mandalas. Each chapter is based on a theme common to mandalas and to the spiritual life. Along with each theme reflection is a picture of a quilted mandala, the story of the quilt as told by its creator (Sacred Story), plus some prayers, holy text, and suggestions for meditation or making your own mandala (Sacred Circles).

The twentieth anniversary edition of a transformative blueprint for ancestral healing—featuring new material and gateways, from the renowned herbalist, natural health expert, and healer of women’s bodies and souls “This book was one of the first that helped me start practices as a young woman that focused on my body and spirit as one.”—Jada Pinkett Smith Through extraordinary meditations, affirmations, holistic healing plant-based medicine, KMT temple teachings, and The Rites of Passage guidance, Queen Afua teaches us how to love and rejoice in our bodies by spiritualizing the words we speak, the foods we eat, the relationships we attract, the spaces we live and work in, and the transcendent woman spirit we manifest. With love, wisdom, and passion, Queen Afua guides us to accept our mission and our mantle as Sacred Women—to heal ourselves, the generations of women in our families, our communities, and our world.

In recent years Yeats scholarship has been, to a large extent, historically-based in emphasis. Much has been gained from this emphasis, if we consider the refinement of critical awareness resulting from a better understanding of the intricate relationship between the poet and his times. However, the present author feels that an exclusive adherence to this approach impacts negatively on our ability to appreciate and understand Yeatsian creativity from within the internally located imperatives of creativity itself, as opposed to our understanding it on the basis of aesthetically constitutive socio-historical forces operative from without. He feels a need to relocate the study of Yeats in the work and thought of the poet himself, to focus again on the poet’s own myth-making. To this end Nicholas Meihuizen examines this myth-making as it relates to certain archetypal figures, places, and structures. The figures in question are the antagonist and goddess, embodiments of conflict and feminine forces in Yeats, and they participate in a lively drama within the places and shapes considered sacred by the poet: places such as the Sligo district and Byzantium; shapes such as the circling gyres of his system. The book should be interesting and valuable to students and scholars of varying degrees of acquaintance with the poet. To long-time Yeatsians it offers fresh perspectives onto important works and preoccupations. To new students it offers a means of exploring wide-ranging material within a few central, interrelated frames, a means that mirrors Yeats’s own commitment to unity in diversity.