Sailing Without Ahab

Journey through uncharted literary waters and explore Melville’s epic in bold new light Come sail with I. We’re not taking the same trip, though you might recognize the familiar course. This time, the Pequod’s American voyage steers its course across the curvature of the Word Ocean without anyone at the helm. We are leaving one man and his madness on shore. Our ship overflows with glorious plurality—multiracial, visionary, queer, conflicted, polyphonic, playful, violent. But on this voyage something is different. Today we sail headless without any Captain. Instead of binding ourselves to the dismasted tyrant’s rage, the ship’s crew seeks only what we will find: currents teeming with life, a blue-watered alien globe, toothy cetacean smiles from vasty deeps. Treasures await those who sail without. This cycle of one hundred thirty-eight poems—one for each chapter in Moby-Dick, plus the Etymology, Extracts, and Epilogue—launches into oceanic chaos without the stabilizing mad focus of the Nantucket captain. Guided by waywardness and curiosity, these poems seek an alien ecopoetics of marine depths, the refraction of light, the taste of salt on skin. Directionless, these poems reach out to touch oceanic expanse and depth. It’s not an easy voyage, and not a certain one. It lures you forward. It has fixed its barbed hook in I. Sailing without means relinquishing goals, sleeping at the masthead, forgetting obsessions. I welcome you to trace wayward ways through these poems. Read them any way you can—back to front, at random, sideways, following the obscure promptings of your heart. It’s the turning that matters. It’s a blue wonder world that beckons.

Why Captain Ahab is worthy of our fear—and our compassion Herman Melville’s Captain Ahab is perennially seen as the paradigm of a controlling, tyrannical agent. Ahab Unbound leaves his position as a Cold War icon behind, recasting him as a contingent figure, transformed by his environment—by chemistry, electromagnetism, entomology, meteorology, diet, illness, pain, trauma, and neurons firing—in ways that unexpectedly force us to see him as worthy of our empathy and our compassion. In sixteen essays by leading scholars, Ahab Unbound advances an urgent inquiry into Melville’s emergence as a center of gravity for materialist work, reframing his infamous whaling captain in terms of pressing conversations in animal studies, critical race and ethnic studies, disability studies, environmental humanities, medical humanities, political theory, and posthumanism. By taking Ahab as a focal point, we gather and give shape to the multitude of ways that materialism produces criticism in our current moment. Collectively, these readings challenge our thinking about the boundaries of both persons and nations, along with the racist and environmental violence caused by categories like the person and the human. Ahab Unbound makes a compelling case for both the vitality of materialist inquiry and the continued resonance of Melville’s work. Contributors: Branka Arsić, Columbia U; Christopher Castiglia, Pennsylvania State U; Colin Dayan, Vanderbilt U; Christian P. Haines, Pennsylvania State U; Bonnie Honig, Brown U; Jonathan Lamb, Vanderbilt U; Pilar Martínez Benedí, U of L’Aquila, Italy; Steve Mentz, St. John’s College; John Modern, Franklin and Marshall College; Mark D. Noble, Georgia State U; Samuel Otter, U of California, Berkeley; Donald E. Pease, Dartmouth College; Ralph James Savarese, Grinnell College; Russell Sbriglia, Seton Hall U; Michael D. Snediker, U of Houston; Matthew A. Taylor, U of North Carolina at Chapel Hill; Ivy Wilson, Northwestern U.

Before Captain Ahab encountered Moby Dick, he met the woman who would capture his heart--Hannah Oldweiler. This voyage back to 19th Century Nantucket completes the portrait of the man who ruled the sea with an iron will, and introduces to the woman who had a spirit and determination to match. When Ahab becomes obsessed with settling a score with the great whale, Hannah is left alone to raise their son and to oversee her husband's estate. Waiting and praying for his safe return, Hannah is faced with loneliness--a deep longing in her soul that not even her husband can meet. Will Hannah become as independent as Ahab? Will she take her future into her own hands? Who will fill the emptiness in her heart? Click Here to Meet the Author Download the Readers' Guide.

Although Herman Melville’s Moby-Dick is beloved as one of the most profound and enduring works of American fiction, we rarely consider it a work of nature writing—or even a novel of the sea. Yet Pulitzer Prize–winning author Annie Dillard avers Moby-Dick is the “best book ever written about nature,” and nearly the entirety of the story is set on the waves, with scarcely a whiff of land. In fact, Ishmael’s sea yarn is in conversation with the nature writing of Emerson and Thoreau, and Melville himself did much more than live for a year in a cabin beside a pond. He set sail: to the far remote Pacific Ocean, spending more than three years at sea before writing his masterpiece in 1851. A revelation for Moby-Dick devotees and neophytes alike, Ahab’s Rolling Sea is a chronological journey through the natural history of Melville’s novel. From white whales to whale intelligence, giant squids, barnacles, albatross, and sharks, Richard J. King examines what Melville knew from his own experiences and the sources available to a reader in the mid-1800s, exploring how and why Melville might have twisted what was known to serve his fiction. King then climbs to the crow’s nest, setting Melville in the context of the American perception of the ocean in 1851—at the very start of the Industrial Revolution and just before the publication of On the Origin of Species. King compares Ahab’s and Ishmael’s worldviews to how we see the ocean today: an expanse still immortal and sublime, but also in crisis. And although the concept of stewardship of the sea would have been entirely foreign, if not absurd, to Melville, King argues that Melville’s narrator Ishmael reveals his own tendencies toward what we would now call environmentalism. Featuring a coffer of illustrations and an array of interviews with contemporary scientists, fishers, and whale watch operators, Ahab’s Rolling Sea offers new insight not only into a cherished masterwork and its author but also into our evolving relationship with the briny deep—from whale hunters to climate refugees.

During the 1840s and 1850s, the British government financed a world-wide investigation into how the Earth's magnetic phenomena operated, consisting of a network of naval expeditions and colonial observatories. Questions surrounding terrestrial magnetism were not just philosophical, but engendered urgent concerns over accurate navigation, on which Britain's commercial and colonial power relied. The British Magnetic Survey was celebrated at the time as the most extensive state-orchestrated scientific enterprise ever conducted. Yet although it was a fundamentally global endeavour, both in terms of its scale and its impact, the experimental instruments and techniques required were to be found amid Britain's booming local industry, where the harnessing of coal and iron, and use of steam power, shaped a scientific culture prominently concerned with the relationship between heat, pressure, and motion. In particular, it was philosophical apparatus fashioned within the mines of Cornwall that the government was able to conscript within this world-wide magnetic investigation. These locally produced experimental techniques and technologies proved capable of transformation into a system for obtaining magnetic measurements from over great expanses of time and space. As An Empire of Magnetism demonstrates, this not only sustained an immense world-wide scientific investigation, but became inseparable from the proliferation of empire, sustaining colonial expansion and unprecedented multi-cultural exchanges as British naval crews and natural philosophers surveyed previously unknown regions in the search for magnetic data. In so doing, Edward Gillin argues that the British Magnetic Survey had broader implications over the formation of the 'modern state', the expansion of nineteenth-century empire, and the development of global science.

Penguin Readers is an ELT graded reader series. Please note that the eBook edition does NOT include access to the audio edition and digital book. Written for learners of English as a foreign language, each title includes carefully adapted text, new illustrations and language learning exercises. Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content. The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary. Moby Dick, a Level 7 Reader, is B2 in the CEFR framework. The longer text is made up of sentences with up to four clauses, introducing future perfect simple, mixed conditionals, past perfect continuous, mixed conditionals, more complex passive forms and modals for deduction in the past. When the young sailor "Ishmael" decides to sail on the Pequod with the mysterious Captain Ahab, he has no idea about Ahab's plans to get revenge on the great white whale Moby Dick. Ahab wants to find and kill the whale at any cost - even if it means losing his ship and his crew. Visit the Penguin Readers website Register to access online resources including tests, worksheets and answer keys. Exclusively with the print edition, readers can unlock a digital book and audio edition (not available with the eBook).

Over the past several decades, Richard Ellis has produced a remarkable body of work that has been called "magnificent" (Washington Post Book World), "masterful" (Scientific American), "magical" (Men's Journal), and a "dazzling tour de force" (Christian Science Monitor). Ellis's new book-a fascinating tour through the world of the sperm whale-will surely inspire more such praise for the author heralded by Publisher Weekly as "America's foremost writer on marine research." Written with Ellis's deep knowledge and trademark passion, verve, and wit-and illustrated with a wide array of images including his own signature artwork-his study covers the full spectrum of the sperm whale's existence from its prehistoric past to its current endangered existence. Ellis, as no one else can, illuminates the iconic impact of Physeter macrocephalus ("big-headed blower") on our history, environment, and culture, with a substantial nod to Herman Melville and Moby-Dick, the great novel that put the sperm whale (and whaling) on the literary map. Ranging far and wide, Ellis covers the sperm whale's evolution, ecology, biology, anatomy, behavior, social organization, intelligence, communications, migrations, diet, and breeding. He also devotes considerable space to the whale's hunting prowess, including its clashes with the giant squid, and to the history of the whaling industry that decimated its numbers during the last two centuries. He even includes a story about a beached juvenile he helped rescue, an event that provided scientists with one of their first opportunities to observe a sperm whale in the water and up close. Offering a rich tapestry for anyone with an interest in the marvels of ocean life, Ellis's book provides an indispensable guide to the life and times of one of the planet's most intelligent, elusive, and endangered species.

Clear all moorings, one-half impulse power and set course for a mare incognitum... A popular culture artifact of the New Frontier/Space Race era, Star Trek is often mistakenly viewed as a Space Western. However, the Western format is not what governs the worldbuilding of Star Trek, which was, after all, also pitched as "Hornblower in space." Star Trek is modeled on the world of the "British Golden Age of Sail" as it is commonly found in the genre of sea fiction. This book re-historicizes and remaps the origins of the franchise and subsequently the entirety of its fictional world--the Star Trek continuum--on an as yet uncharted transatlantic bearing.