Saints Of Big Harbour Proof

"A true grit coming-of-age novel" (Seattle Post-Intelligencer), Saints of Big Harbour is a funny, brutal, and vivid story about small-town life and the inescapable power of gossip. Lynn Coady gives us the unforgettable Guy Boucher, a fatherless teenager and recluse, who finds himself at the center of an ugly rumor. Several versions of truth emerge and collide through Guy's eyes and the stories of those who surround him -- his overbearing uncle, a girl idealized by her town, a quietly wise young woman wrestling with demons of her own, his draft-dodger English teacher, and a pair of golden boys trapped in emotional adolescence as well as Big Harbour itself.

Guy Boucher, a fatherless teenager oppressed by the boredom and poverty of rural Nova Scotia, is dominated by his monstrous uncle, Isadore - alcoholic, capriciously violent and preternaturally vital. Isadore, who is permitted to board with Guy and his mother in exchange for the use of his red pick-up truck, is determined to make a man of Guy by forcing him to drink and play hockey. Guy dreams that access to the truck will be enough to attract a girlfriend from nearby Big Harbour. But when an awkward courtship turns sour, Guy touches off a sluggish tumult of violence fuelled by malice, booze and suffocating ennui. Told from the perspectives of several of the central characters, Saints of BIG HARBOUR brilliantly unravels the stories of each from the web that ensnares Guy.

Guy Boucher is a fatherless teenager oppressed by his small-town existence and dominated by his uncle, Isadore. Together with poverty and self-hatred, violence has been bred into Guy's very bones - and violence is one thing he can't shake off.

According to its licence plates, tourist brochures, and commercials, Nova Scotia is Canada's Ocean Playground – an idyllic vacation spot brimming with traditional cultural experiences. Yet this picturesque and welcoming ad-friendly façade overlooks the province's history of industrial development, the impact of resource extraction on its landscape, and the effects of its painful and still unfinished period of deindustrialization. Recounting Nova Scotia's struggle to come to terms with its extractive and industrial past, Nights below Foord Street focuses on the spaces ignored by the province's annual Doers and Dreamers tourist guide. Drawing on literary texts by Lynn Coady, Leo McKay, Sarah Mian, and Jonathan Campbell, popular television shows such as Trailer Park Boys, and films including Blackbird, Cottonland, and Poor Boy's Game, Peter Thompson examines the ways in which contemporary authors, filmmakers, and artists explore the lingering consequences of the boom-and-bust cycles of mining and manufacturing. As he demonstrates, these narratives depict a legacy of environmental exploitation, pollution, intermittent disasters, and labour violence left behind by the industrial era, all of which contrast starkly with the romantic and nostalgic portrait of Nova Scotia's industrial heritage promoted in museums, monuments, and tourist sites. As Donald Trump and other populist politicians appeal to working-class nostalgia and international attention converges on environmental racism in northern Nova Scotia, Nights below Foord Street intervenes into debates over the cultural and social effects of the post-industrial economy.

The first regional dictionary devoted to the island s linguistic and cultural history, the Dictionary of Cape Breton English is a fascinating record of the island s rich vocabulary. "