Salinas

Fifty-four true murder stories are told in this history of Salinas, a city with a long, violent history. See the cases through the eyes of the detectives who worked them.

An ambitious history of a California city that epitomizes the history of race relations in modern America. Although much has been written about the urban–rural divide in America, the city of Salinas, California, like so many other places in the state and nation whose economies are based on agriculture, is at once rural and urban. For generations, Salinas has been associated with migrant farmworkers from different racial and ethnic groups. This broad-ranging history of "the Salad Bowl of the World" tells a complex story of community-building in a multiracial, multiethnic city where diversity has been both a cornerstone of civic identity and, from the perspective of primarily white landowners and pragmatic agricultural industrialists, essential for maintaining the local workforce. Carol Lynn McKibben draws on extensive original research, including oral histories and never-before-seen archives of local business groups, tracing Salinas's ever-changing demographics and the challenges and triumphs of Chinese, Japanese, Filipino, and Mexican immigrants, as well as Depression-era Dust Bowl migrants and white ethnic Europeans. McKibben takes us from Salinas's nineteenth-century beginnings as the economic engine of California's Central Coast up through the disproportionate impact of Covid-19 on communities of color today, especially farmworkers who already live on the margins. Throughout the century-plus of Salinas history that McKibben explores, she shows how the political and economic stability of Salinas rested on the ability of nonwhite minorities to achieve a measure of middle-class success and inclusion in the cultural life of the city, without overturning a system based in white supremacy. This timely book deepens our understanding of race relations, economic development, and the impact of changing demographics on regional politics in urban California and in the United States as a whole.

When Pedro Salinas’s 1933 collection of love poems, La voz a ti debida, was introduced to American audiences in Willis Barnstone’s 1975 English translation, it was widely regarded as the greatest sequence of love poems written by a man or a woman, in any language, in the twentieth century. Now, seventy-five years after its publication, the reputation of the poems and its multifaceted writer remains untarnished. A portrait of their era, the poems, from a writer in exile from his native civil war–torn Spain, now reemerge in our time. In this new, facing-page bilingual edition, Barnstone has added thirty-six poems written in the form of letters from Salinas to his great love, Katherine Whitmore. Discovered years later, these poems were written during and after the composition of La voz and, though disguised as prose, have all the rhythms and sounds of lineated lyric poetry. Taken together, the poems and letters are a history, a dramatic monologue, and a crushing and inevitable ending to the story of a man consumed by his love and his art. Bolstered by an elegant foreword by Salinas’s contemporary, the poet Jorge Guillén, and a masterly afterword by the Salinas scholar, Enric Bou, that considers the poet and his legacy for twenty-first century world poetry, Love Poems by Pedro Salinas will be cause for celebration throughout the world of verse and beyond.

The Salinas River meanders through the center of a long, lovely valley, sometimes ducking underground in summer, or diverting into canals to water fields that stretch away to the chiseled Santa Lucia Mountains. Memorialized by novelist John Steinbeck, and often called the salad bowl of the nation, Salinas Valley was the site of the Spanish Mission Soledad, founded in 1791. During the rancho era, vast herds of cattle waded though grasslands and later, failed gold miners founded towns like Salinas at well-traveled crossroads. Flourishing grain crops attracted the Southern Pacific Railroad, and as the shining track was laid, Chualar, Gonzales, Soledad, King City, San Lucas, San Ardo, and Bradley sprouted alongside them. Resorts like Paraiso Springs once brought visitors to the foothills, while people of many nationalities came to live and work in settlements like Greenfield, where irrigation soaks the dark, fertile loam by the sinuous river that now supports a mighty $3 billion agricultural industry.

The city of Salinas is named for the broad saltwater slough that once seeped in from Monterey Bay, saturating this plain between the Santa Lucia and Gavilian Mountains. Originally used as range land for cattle, a town developed from a stage stop after the Gold Rush, and the drained land produced grain and other crops. After World War I, immensely profitable large-scale lettuce, broccoli, and artichoke production, known as "green gold," made Salinas one of the wealthiest cities in the United States. Isolated from its neighbors by mountains on both sides, early Salinas seemed a world unto itself, and its residents, both humble and wealthy, and the seemingly infinite green rows that surrounded it, provided similarly endless inspiration to novelist John Steinbeck, who recorded life here in the first half of the 20th century and imbued it with meaning.

Additional title page description: Stratigraphy, structure, and economic geology of parts of Monterey, San Luis Obispo, and San Benito Counties.