Salome S Embrace

C. G. Jung, a man who accomplished a revolution in analytical psychology and made an impact both directly and indirectly on a great number of people, also took women seriously. The release of The Red Book has greatly added to our knowledge of Jung’s relationship with the feminine: from his mother, his wife and his extramarital affairs to the effect these had on the formulation of his psychology and on the women who had the courage to explore the need for a spiritual link to Jung and who became known as the Valkyries. In this revised and expanded study of the many women in Jung’s close circle, Anthony explores the women who followed Jung during his lifetime, his need for their company, and their contributions to his work. The book includes studies of Emma Jung, Sabina Spielrein and Toni Wolff, as well as Jung’s mother Emilie, and many other collaborators and followers. It also includes chapters on The Red Book, the Zurich Psychological Club and Dadaism. Including never-before published primary material, including interviews with the women themselves, Salome’s Embrace assesses their work and its value for the generations of Jungian analysts that have followed, including women who practice depth psychology today. The book will be of great interest to analytical psychologists and Jungian psychotherapists in practice and in training, academics and students of Jungian and post-Jungian studies, gender, and women’s history.

In this revised and expanded study of the many women in Jung's close circle, Anthony explores the women who followed Jung during his lifetime, his need for their company, and their contributions to his work.

Richard Strauss turned his genius to opera at the turn of the twentieth century, and this guide contains the texts and introductions to his first two masterpieces in what was, for him, a new genre. Despite obvious similarities - both operas consisting of one act, centred upon one female title role - the works are quite different in subject and treatment.Salome, based on Oscar Wilde's notorious play, has a kaleidoscopic range of orchestral colour and a lurid climax. Elektra, derived from the myths of the ancient Greeks and the first collaboration between Strauss and Hofmannsthal, is a study in neurosis, ripe for Jungian comparative analysis.Contents: Richard Strauss and the Unveiling of 'Salome', Paul Banks; Salome: Libretto by Hedwig Lachmann; Salome: English translation by Tom Hammond; Hofmannsthal's 'Elektra': from Drama to Libretto, Kenneth Segar; Elektra and the 'Elektra Complex', Christopher Wintle; Elektra: Libretto by Hugo von Hofmannsthal; Elektra: English translation by Anthony Hose; Strauss's Orchestra in 'Salome' and 'Elektra', Jonathan Burton

Whether it's physical, psychological, social, historical, or ongoing, trauma is a universal experience, and this book provides professionals with the approaches necessary for successful and empowering interventions across the trauma spectrum. Part one examines the steps individuals take to heal their traumas. Nicolas survives an attack by his own dog; Tay rebuilds her life after years of incest; Claire speaks out about being molested by a program participant at her mental health clinic; and Erma copes with the shattering memories of childhood abuse. Part two focuses on interpersonal dynamics. Frank is held accountable for his violence toward his wife; Erin and her mother confront the reality of bullying and victimization in schools; Beth faces discrimination because of her sexual orientation; and staff members at a transitional housing shelter deal with the death of a client. Part three recounts stories of resilience and healing at the social and community level. Salome and her family process the historical trauma of the massacre of her American Indian ancestors. A group of boys who became fatherless after 9/11 respond to experiential ways of coping with their grief. Jennifer and Kim live daily with the social trauma of poverty. Three Liberian families survive torture, flight, refugee camps, and resettlement. Amory struggles to find meaning and move on from his experience as a combat veteran, and the story of Angelina Batiste epitomizes the loss and resilience of those who lived through Hurricane Katrina. Trauma Transformed provides insight into the psychological and spiritual resources practitioners need to help victims move forward and improve upon their circumstances. Readers will also learn to strengthen their sense of self to prevent secondary trauma.

"It is a remarkably interesting idea to present the pageant of the world as it unfolded before the yes of the same man during two thousand years. Also, to keep him a young man instead of a doddering gray-beard. It is like reading a series of entrancing short stories with the added interest of logical sequence. Your erudition is amazing, and it is presented in a manner that lures one on and on, as well as inducing the pleasant belief that one is learning something really worth while." -- Gertrude Atherton

While female performers in the early 20th century were regularly advertised as dancers, mimics, singers, or actresses, they wove together techniques and elements drawn from a wide variety of genres and media. Onstage and onscreen, performers borrowed from musical scores and narratives, referred to contemporary shows, films, and events, and mimicked fellow performers. Behind the scenes, they experimented with cross-promotion and new advertising techniques and technologies to broadcast images and tales of their performances and lives well beyond the walls of American theaters, cabarets, and halls. The performances and conceptions of art that emerged were innovative, compelling, and deeply meaningful. Body Knowledge examines these performances and the performers behind them, highlighting the Ziegfeld Follies and The Passing Show revues, Salome dancers, Isadora Duncan's Wagner dances, Adeline Genée and Bessie Clayton's danced histories, Hazel Mackaye and Ruth St. Denis's pageants, and Anna Pavlova's opera and film projects. As a whole, it re-imagines early twentieth-century art and entertainment as both fluid and convergent.

The story introduces courageous women who believed that, because the first contacts of the Messiah were with women, Jesus liberated women from brutal submissiveness in the first century. Yet, this viewpoint could still be applicable for religious women in our twenty-first century. This theory could be also acceptable to women involved in Christian communities and churches who believe they deserve to be elevated to be men's equals. "Paul Petrus is the pseudonym of the writer who retired as an Editor at Large and columnist for international media. The position and views of women during the first century and the life of Jesus enthused the writing of this novel."