Sam Dhi

Naked holy men denying sexuality and feeling; elderly people basking in the warmth and security provided by devoted and attentive family members; fastidious priests concerned solely with rules of purity and the minutiae of ritual practice; puritanical moralists concealing women and sexuality behind purdah's veils—these are familiar Western stereotypes of India. The essays in Divine Passions, however, paint other, more colorful and emotionally alive pictures of India: ecstatic religious devotees rolling in temple dust; gray-haired elders worrying about neglect and mistreatment by family members; priests pursuing a lusty, carefree ideal of the good life; and jokers reviling one another with bawdy, sexual insults at marriages. Drawing on rich ethnographic data from emotion-charged scenarios, these essays question Western academic theories of emotion, particularly those that reduce emotions to physiological sensations or to an individual's private feelings. Presenting an alternative view of emotions as culturally constructed and morally evaluative concepts grounded in the bodily self, the contributors to Divine Passions help dispel some of the West's persistent misconceptions of Indian emotional experience. Moreover, the edition as a whole argues for a new and different understanding of India based on field research and an understanding of the devotional (bhakti) tradition. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

Mahamudra is the basic meditation practice for many Tibetan Buddhists, particularly of the Kagyu tradition. It is particularly adaptable for modern people, since it involves no rituals and can be incorporated into all daily activities. Saraha's "Song for the King" is a short verse text from classical India that is a basis for the tradition and is widely known in Tibetan Buddhist circles. It is often the basis for teachings given in the West, but there is only one outdated translation of it in print, first published in 1969. Michele Martin has produced a stellar new translation, which is accompanied by a commentary from the well-known teacher Khenchen Thrangu Rinpoche, who is uniquely skilled and concerned with making this method of meditation available to Westerners. While pithy and accessible, the book easily stands up to academic scrutiny, and includes the original Tibetan as well - making it ideal for the popular, scholarly, and Tibetan audiences all at once.

Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag , or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertoriesnullincluding that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).

The writings of Zen master Dogen are among the highest achievements not only of Japanese literature but of world literature. Dogen's writings are a near-perfect expression of truth, beautifully expressing the best of which the human race is capable. In this volume, Francis Cook presents ten selections from Dogen's masterwork, the Shobogenzo, as well as six of his own essays brilliantly illuminating the mind of this peerless master.

Sanskrit is the primary culture-bearing language of India, with a continuous production of literature in all ?elds of human endeavor over the course of four millennia. Precededbyastrongoraltraditionofknowledgetransmission,records of written Sanskrit remain in the form of inscriptions dating back to the ?rst centuryB. C. E. Extantmanuscriptsin Sanskritnumber over30million,one h- dred times those in Greek and Latin combined, constituting the largest cultural heritage that any civilization has produced prior to the invention of the printing press. Sanskrit works include extensive epics; subtle and intricate philosophical, mathematical, medical, legal, and scienti?c treatises; and imaginative and rich literary,poetic,anddramatictexts. WhiletheSanskritlanguageisofpreeminent importance to the intellectual and cultural heritage of India, the importance of the intellectual and cultural heritage of India to the rest of the world during the pastfewmillennia andinthe presenteracanhardlybe overestimated. The int- lectualandculturalheritageofIndia hasbeen amajorfactor inthedevelopment of the world's religions, languages, literature, arts, sciences, and history. Sanskritdocumentsaremovingintothedigitalmedium. Recentdecadeshave witnessed the growth of machine-readable Sanskrit texts in archives such as 1 the Thesaurus Indogermanischer Text- und Sprachmaterialien (TITUS), Ky- 2 3 oto University, Indology, the Gottingen ¨ Register of Electronic Texts in In- 4 dian Languages. The last few years have witnessed a burgeoning of digital images of Sanskrit manuscripts and books hosted on-line.

This important text analyzes the moral theory of the seventh century Indian Mahayana master, Santideva, author of the well-known religious poem, the Bodhicaryavatara (Entering the Path of Enlightenment) as well as the significant, but relatively overlooked, Siksasamuccaya (Compendium of Teachings). With particular focus on the Siksasamuccaya, this book uses original translations and critical analysis in order to answer the question: How would Santideva’s ethics be understood in terms of Western moral theory? Santideva’s ethical presuppositions and moral reasoning are illuminated by analyzing his key moral terms and comparing them to other Buddhist principles. By focusing on a neglected Buddhist Sanskrit text by a major Mahayana figure, Barbra R. Clayton helps to redress a significant imbalance in the scholarship on Buddhist ethics, which has - up to now - focused primarily on the ethics of the Pali literature as interpreted in the Theravada tradition.