Samuel Beckett S Endgame The Continuation Of Waiting For Godot
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Samuel Beckett s Endgame
Author | : Patrizia Demleitner |
Publsiher | : GRIN Verlag |
Total Pages | : 46 |
Release | : 2007-11 |
Genre | : Electronic Book |
ISBN | : 9783638766364 |
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Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: Proseminar: From Modernism to Postmodernism, 10 entries in the bibliography, language: English, abstract: This peace of work deals with the question, whether Beckett's "Endgame" is a continuation of "Waiting for Godot". In order to answer it, both plays will be compared to work out similarities as well as differences. Godot will function as a basis and startingpoint for interpretation, that will then turn towards Endgame for comparison to come to a conclusion. Main features of the drama such as plot, setting, characters, action, language and time will be involved in this procedure of analysis. To a certain extent, this approach towards the two plays will also be related to the historical context of Postmodernism and the philosophical background of Existentialism, as well as to characteristics of the Theatre of the Absurd or the Expressionist Theatre.
Samuel Beckett s Endgame The continuation of Waiting for Godot
Author | : Patrizia Demleitner |
Publsiher | : GRIN Verlag |
Total Pages | : 17 |
Release | : 2006-07-29 |
Genre | : Literary Criticism |
ISBN | : 9783638528146 |
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Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: Proseminar: From Modernism to Postmodernism, 10 entries in the bibliography, language: English, abstract: This peace of work deals with the question, whether Beckett’s "Endgame" is a continuation of "Waiting for Godot". In order to answer it, both plays will be compared to work out similarities as well as differences. Godot will function as a basis and startingpoint for interpretation, that will then turn towards Endgame for comparison to come to a conclusion. Main features of the drama such as plot, setting, characters, action, language and time will be involved in this procedure of analysis. To a certain extent, this approach towards the two plays will also be related to the historical context of Postmodernism and the philosophical background of Existentialism, as well as to characteristics of the Theatre of the Absurd or the Expressionist Theatre.
Endgame
Author | : Samuel Beckett |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 2009 |
Genre | : Fiction |
ISBN | : 0571243738 |
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Originally written in French and translated into English by Beckett, 'Endgame' was given its first London performance at the Royal Court Theatre in 1957.
Endgame
Author | : Samuel Beckett |
Publsiher | : New York : Grove Press |
Total Pages | : 91 |
Release | : 1958 |
Genre | : Drama |
ISBN | : 0802141749 |
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Contains the text to two of Nobel Prize-winning author Samuel Beckett's greatest works, a single-act play and a single-person mime sketch.
Samuel Beckett
Author | : Samuel Beckett |
Publsiher | : Grove Press |
Total Pages | : 135 |
Release | : 1987 |
Genre | : Electronic Book |
ISBN | : 0394170547 |
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Endgame
Author | : Samuel Beckett |
Publsiher | : Unknown |
Total Pages | : 91 |
Release | : 1958 |
Genre | : Drama |
ISBN | : 0802150241 |
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Four characters play a game of life, concluding with the exit of one character and the immobility of the remaining three, in a study of man's relationship to his fellows
Ends and Odds
Author | : Samuel Beckett |
Publsiher | : Grove/Atlantic, Inc. |
Total Pages | : 128 |
Release | : 2007-12-01 |
Genre | : Drama |
ISBN | : 0802198414 |
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Ends and Odds brings together nine short dramatic works by the Nobel Prize-winning author of Waiting for Godot.
Samuel Beckett s Endgame
Author | : Mark S. Byron |
Publsiher | : Rodopi |
Total Pages | : 305 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9789042022881 |
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This collection of essays the first volume in the Dialogue series brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.