Sangeet Kaksh

This is translated from English book The Music Room written by Namita Devidayal. When Namita is ten, her mother takes her to Dhondutai, a respected Mumbai music teacher from the great Jaipur Gharana. Dhondutai has dedicated herself to music and her antecedents are rich. She is the only remaining student of the legendary Alladiya Khan, the founder of the gharana and of its most famous singer, the tempestuous songbird, Kesarbai Kerkar. Namita begins to learn singing from Dhondutai, at first reluctantly and then, as the years pass, with growing passion. Dhondutai sees in her a second Kesar, but does Namita have the dedication to give herself up completely to music—or will there always be too many late nights and cigarettes? Beautifully written, full of anecdotes, gossip and legend, The Music Room is perhaps the most intimate book to be written about Indian classical music yet.

The Work Takes Us On A Journey Through The Famous Bagore-Ki-Haveli, Which Typifies The Best Of Mewari Architecture, To Show Us The Splendour And Magnificence Of A Rajasthani Royal Household. With Many Colour Photographs, It Reconstructs The Royal Lifestyle And Practices Its Customs, Religious Undertakings And Costumes, And Discusses The Artistic Beauty Of The Haveli.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 27 NOVEMBER, 1977 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XLII, No.48 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 17-65 ARTICLE: 1. Indian Radio Drama 2. Tribal Administration 3. Promotion of Scientific Temper 4. The Problem of Squint Eye 5. The Wonders of Bionics 6. Conflict And Harmony Between Generations 7. To Be or Not to Be ( Short Story) 8. Autumnal Gold of Himachal AUTHOR: 1. Chiranjit 2. Prof. C.P. Bhambri 3. Dr. V.C. Kulandhaiswamy 4. Dr. G. C. Sood 5. Dr. H.V. Ganganna 6. Dr. S.T. Kallapur 7. Translation- T.N. Vishwanathan, Tamil- Indira Parthasarthy 8. Chitra Narain KEYWORDS : 1. Visual Art, Radiogenic Play, Not Stage Play 2. Sensitive People, Regulatory Administration, Integrated Development 3. Socio Cultural Change, Advantages, Literacy Gone up 4. Amblyopia,Eccentric Fixation,Short Squint 5. Radar and Sonar, Echolocation, Memory Devices 6. unavoidable Conflict, Dream of Better World 7. Self Pity, Will to Succeed, Desire to Grow 8. Stokes Revolution, Government Efforts, Horticulture Department Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Sangeet loves music, and she's good at composing it, too. Her favourite instruments are the tablay. One day, Sangeet hears all kinds of noises everywhere and together, they have the most incredible beat. But when she tries to play it on her tablay-- something is missing! Will Sangeet be able to find her Missing Beat? Teacher resources available on publisher website: rebelmountainpress.com/sangeet-and-the-missing-beat-teacher-resources

Theory -book of Classical Hindustani Music for Madhyama Poorna Examination or All Equivalent Examinations

"WHEN THE LAND OF MINDHAAS IS PLAGUED BY THE MONSTERS OF THE SANDS AND A WAR FOR SUPREMACY... HE IS THE ONLY HOPE... Three thousand years ago, a man devastated by the loss of his daughter builds a city and creates the kingdom of Mindhaas. Two centuries later, when the same realm is plagued by the “beasts of the sands” who know none of the ways of civilised living, the king of Mindhaas calls upon his best warrior to rid the world of their entire race. The leader of the Mindh forces, and the one true love of the princess of Manuforpur, is their only hope. But little do the protectors of Mindhaas know that their land is soon about to be shaken by the mighty forces of another kingdom as well. Pirouetting through a time of grand cities boasting gates of gold and when the might of kingdoms was measured by the number of war elephants kept, an epic love story between two souls from different cities creates a stir and provokes a war. And thus a fellowship of men robed in love and determined to form a sovereign nation from a land known for its splendour and justice rises. A tale of determination, survival, war, love and... Angad.