Sanskrit Buddhism In Burma

The second part of a trilogy of books by Niharranjan Ray on religion in Burma, this text offers an examination of the influence and development of Mahayana Buddhism, from its Sarvastivadin roots to Tantrayana. This monograph explores the influence of Mahayana, Tantric, and other northern Buddhist schools on early Burmese Buddhist traditions. In completing this important study, distinguished Indian scholar Niharranjan Ray draws not only on Sanskrit literary sources but also on a wide range of archaeological evidence, epigraphical remains, sculptures, and

This pioneering study, still the most comprehensive to date, chronicles the history of Theravada Buddhism in Burma, based on epigraphic, archaeological and literary sources, in particular through examination of Pali and Sanskrit inscriptions. This and the two preceding titles are republished on the one hundredth anniversary of the birth of their author, the distinguished Indian scholar Niharranjan Ray.

The Buddhist monk Upagupta, who preached and taught meditative practices in Northwest India over two thousand years ago, is venerated today by the laity in parts of Burma, Thailand, and Laos as a protective figure endowed with magical powers. In this monumental work John Strong offers a systematic presentation of the Indian and Southeast Asian legends and rituals surrounding this popular saint. Once considered by Buddhist authorities as only marginally important, Upagupta emerges here as a central, ubiquitous figure within the Buddhist world. The author demonstrates the remarkable continuity among traditions focused on Upagupta in ancient Sarvastivadin Sanskrit materials, key Pali texts, medieval Thai and Burmese texts, and contemporary oral traditions and religious rituals in Southeast Asia. In so doing he reflects the orientation of popular Sanskrit Hinayana Buddhism, which allows for new perspectives on such classic questions as the nature of enlightenment, the role of asceticism, the problem of evil, the worship of the Buddha image, the veneration of saints, master-disciple relationships, the treatment of heterodoxy, and the relation of myth and ritual. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.