Sarajevo Survival Guide

A parody of a travel guidebook written during the Siege of Sarajevo from 1992-1993.

This brilliant novel with universal resonance tells the story of three people trying to survive in a city rife with the extreme fear of desperate times, and of the sorrowing cellist who plays undaunted in their midst. One day a shell lands in a bread line and kills twenty-two people as the cellist watches from a window in his flat. He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the twenty-two victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope. Meanwhile, Kenan steels himself for his weekly walk through the dangerous streets to collect water for his family on the other side of town, and Dragan, a man Kenan doesn’t know, tries to make his way towards the source of the free meal he knows is waiting. Both men are almost paralyzed with fear, uncertain when the next shot will land on the bridges or streets they must cross, unwilling to talk to their old friends of what life was once like before divisions were unleashed on their city. Then there is “Arrow,” the pseudonymous name of a gifted female sniper, who is asked to protect the cellist from a hidden shooter who is out to kill him as he plays his memorial to the victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress.

A moving and compelling true story about two sisters fighting for survival in Sarajevo during the Bosnian war

May, 1992. Hana is twelve years old when her older sister Atka puts her on a UN evacuation bus fleeing the besieged city of Sarajevo. Thinking they will be apart for a short time, they make a promise to each other to be brave. But as the Bosnian war escalates and months go by without contact, their promise becomes deeply significant. Hana is forced to cope as a refugee in Croatia, while Atka and their younger siblings battle for survival in a city overwhelmed by crime and destruction. Then, when Atka manages to find work as a translator, events take an unexpected turn, and the remarkable events that follow change her life, and those of her family, forever.

Memory in the Balkans has often been described as binding, authoritative, and non-negotiable, functioning as a banner of war. This book challenges such a one-dimensional representation and offers a more nuanced analysis that accommodates frequently ignored instances of transnational solidarity, dialogue, communal mourning and working through a difficult past. Exploring a broad range of memorial practices, the book focuses on the ways in which cultural memory is mediated, performed and critically reworked by literature and the arts in the former Yugoslavia. Against the methodological nationalism of works that study Serbian, Croatian, or Bosniak culture as self-contained, this book examines post-Yugoslav literature, film, visual culture, and politicized art practices from a supranational angle. Not solely focusing on traumatic memories, but also exploring how post-Yugoslav cultural practices mobilize memory for a politics of hope, this volume moves beyond the trauma paradigm that still dominates memory studies. In its scope and approach, the book shows the relevance of the cultural memory of Eastern European citizens and the contribution they can offer to the building of Europe’s shared cultural memory and transnational identity.

Expert contributors write on the experiences of civilians who lived through occupation and bloodshed in the First World War; the Russians who lived or died during the the devastating civil war in 1917-1922, leading eventually to the terrors of Stalinism; the Spaniards of many factions who fought against each other in bloody civil wars; the ordinary people of France, Germany, Britain, Italy and other countries who faced the hardship and horrors of the Second World War; and the ethnic- and religious-based fighting and atrocities, often targeted at civilians, in the former Yugoslavia from 1991 into the twenty-first century. Carefully selected sources for further research help users find additional information on civilian life during these events. Expert contributors write on the experiences of civilians in the many wars of twentieth-century Europe. Among the events discussed are the Europeans who lived through occupation and bloodshed in the First World War; the Russians who lived and died in the devastating civil war in 1917-1922, leading eventually to the terrors of Stalinism; the Spaniards of many factions who fought against each other in bloody civil wars; the ordinary people of France, Germany, Britain, Italy and other countries who faced the hardship and horrors of the Second World War; and the ethnic- and religious-based fighting and atrocities, often targeted at civilians, in the former Yugoslavia from 1991 into the twenty-first century. Carefully selected sources for further research help users find additonal information on civilian life during these events. Chapters including vivid accounts of civilians' roles and experiences through wars in twentieth-century Europe are supplemented by recommended print and online resources for further study, a glossary defining important terms and concepts, and a timeline putting events into a chronological context.

The Siege of Sarajevo remains the longest siege in modern European history, lasting three times longer than the Battle of Stalingrad and over a year longer than the Siege of Leningrad. Reporting the Siege of Sarajevo provides the first detailed account of the reporting of this siege and the role that journalists played in highlighting both military and non-military aspects of it. The book draws on detailed primary and secondary material in English and Bosnian, as well as extensive interviews with international correspondents who covered events in Sarajevo from within siege lines. It also includes hitherto unpublished images taken by the co-author and award-winning photojournalist, Paul Lowe. Together Morrison and Lowe document a relatively short but crucial period in both the history of Bosnia & Herzegovina, the city of Sarajevo and the profession of journalism. The book provides crucial observations and insights into an under-researched aspect of a critical period in Europe's recent history.