Sardarji And Other Stories

The lyrical prose of writer, journalist and film director Khwaja Ahmad Abbas (1914-1987) easily lends itself to short stories. In Sardarji and Other Stories, a captivating collection, the protagonists of each tale are portrayed grappling with realities imposed upon them by an unrelenting historical churning that compels them to revisit their relationships with their cultural, spatial and psychological moorings. Communal riots, poverty, abjection, love and longing or renewed hopes and nascent dreams make this collection an incisive and moving portrayal of the human condition. This Khwaja Ahmad Abbas collection includes some of the best short stories ever penned down by the author, journalist and film directorEach of the stories selected for this volume gives a glimpse into the mind and works of this legendary writerEncompasses a variety of themes that readers can easily identify with.Includes the last interview with Abbas about his last film, Ek Aadmi.

Widely known for his humanistic outlook and social realism, Khwaja Ahmad Abbas invariably drew inspiration from real-life situations and characters. In An Evening in Paris And Other Stories, the storyteller charms the reader with aspirational tales of ordinary men and women, guided forward by a lifelong dream. With dabs of magic realism and tales of wishful travel to faraway lands coursing through the stories, this is a fascinating collection. Khwaja Ahmad Abbas, born in Panipat, Haryana, wrote stories and novels in Urdu, Hindi and English, which have been translated into several Indian and foreign languages. As a screenwriter, his most famous films have been Naya Sansaar, Saat Hindustani, Jagte Raho, the Palme d’Or winner Neecha Nagar, and well-known Raj Kapoor movies like Awara, Shree 420, Mera Naam Joker and Bobby. His column ‘Last Page’, holds the distinction of being one of the longest-running columns in the history of Indian journalism. Begun in 1935, in Bombay Chronicle, it was published by the Blitz after the Chronicle’s closure, until his death in 1987. In 1969, Abbas was awarded the Padma Shri by Government of India. Talking Points Includes some of the finest short stories by the author, journalist and film director Each story provides a glimpse into the humanistic outlook of the writer Encompasses a variety of socially relevant themes that were close to the writer’s heart Includes a milestone interview with Abbas about his views on cinema and filmmaking Worldwide readership/market Students of Literature, schools and colleges, libraries, journalism schools, story/screenplay writers, vintage book collectors and general trade

Today, Indian writing in English is a fi eld of study that cannot be overlooked. Whereas at the turn of the 20th century, writers from India who chose to write in English were either unheeded or underrated, with time the literary world has been forced to recognize and accept their contribution to the corpus of world literatures in English. Showcasing the burgeoning field of Indian English writing, this encyclopedia documents the poets, novelists, essayists, and dramatists of Indian origin since the pre-independence era and their dedicated works. Written by internationally recognized scholars, this comprehensive reference book explores the history and development of Indian writers, their major contributions, and the critical reception accorded to them. The Routledge Encyclopedia of Indian Writing in English will be a valuable resource to students, teachers, and academics navigating the vast area of contemporary world literature.

Dasu Krishanmoorty, in his ninety fourth year, has immense faith in the power of memories to bring back days already lived for a re-evaluation, a leveling of highs and lows. Eventually, every man searches his past for clues, seeking to solve the enigma of being and the negotiation of a life not of his making. Dasu's personal tales are spun from four significant migrations that defined his life, tracing his lineage to an ancestor who was also a migrant. He takes the reader to places with different histories, geographies, and cultures. Three of these locations, once ruled by Muslim dynasties, are open-air museums of royal tombs and homes to awe-inspiring Islamic marvels of architecture: Hyderabad, Ahmedabad, and New Delhi. In contrast, the setting of the first story in Dasu's collection, ?Cracking Infinity, ? epitomizes modern minimalism in the United States, the location of his last migration.

This book argues that the changing character of Muslim community and their living space in Delhi is a product of historical processes. The discourse of homeland and the realities of Partition established the notion of 'Muslim-dominated areas' as 'exclusionary' and 'contested' zones. These localities turned out to be those pockets where the dominant ideas of nation had to be engineered, materialized and practiced. The book makes an attempt to revisit these complexities by investigating community-space relationship in colonial and postcolonial Delhi. It raises two fundamental questions: · How did community and space relation come to be defined on religious lines? · In what ways were 'Muslim-dominated' areas perceived as contested zones? Invoking the ideas of homeland as a useful vantage point to enter into the wider discourse around the conceptualization of space, the book suggests that the relation between Muslim communities and their living spaces has evolved out of a long process of politicization and communalization of space in Delhi.