Sargent Whistler And Venetian Glass

Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.

A biography of the American painter Ralph W. Curtis (1854-1922), of the Boston family who bought the Palazzo Barbaro on the Grand Canal in Venice in 1885. After graduating at Harvard, Curtis moved to Paris to study art with Carolus Duran, where he met his distant cousin John S. Sargent, with whom he travelled to Holland to see Franz Hals’s paintings. He exhibited at the Paris salons, at the Royal Academy of Arts in London, at the Venice Biennale in the 1880s. At Palazzo Barbaro he met Robert Browning, Henry James, but also Venetian painters such as Ettore Tito and Antonio Mancini. He travelled widely, even to Japan and India. His works are in American Museums and private collections.

The Salviati Collection of Venetian glass was presented to the Leland Stanford Junior Museum, California, at the end of the 19th century by Maurizio Camerino and Silvio Salviati. The gift, which encompasses virtually all the colors, styles and techniques marketed under the celebrated name, has been for the most part under wraps since the 1906 San Francisco earthquake and is to be displayed for the first time. This collection forms the basis of this lavish book which accompanies its exhibition at the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, California. 245 pieces are illustrated and described in this the most comprehensive publication on Salviati glass yet published. An introductory essay explores the art of Venetian glass blowing, a tradition that goes back more than a thousand years.

The islands of Murano, in the lagoon of Venice, have been a sheltered community of glass artists for at least 700 years. With 250 stunning color photographs of Murano glass art and a detailed text that includes historical informaltion and family trees, this book is original in its comprehensive presentation of the artists, both past and present.

"A journey into the art of fire through more than 250 pieces of art glass from the 20th century Murano glass collection that Nancy Olnick and Giorgio Spanu have assembled over years of study. This book offers the reader an excursion into the history of Venetian glass from 1900 until today: the most significant period of Muranese glass." "The essays in the book are written by Marino Barovier, David Revere McFadden and Suzanne K. Frantz. World class experts in the field of glass and decorative arts, each explains various aspects of Venetian Glass, from its history to a discussion on collectors and collecting to the remarkable relationship between the glassblower and the designer. Renown artists/designers share their personal insights: Alfredo Barbini, Cristiano Bianchin, Laura Diaz de Santillana, Benjamin Moore, Yoichi Ovhira, Tobia Scarpa, Thomas Stearns, Lino Tagliapietra, Massimo Vignelli and Toots Zynsky."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Masculinities in nineteenth-century art through the lens of gender and queer history Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the contributing authors present case studies of men’s relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siècle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.

Jointly published by the National Gallery of Victoria and Macmillan Publishers Australia this book is the first publication to document in depth the nature, extent and history of the National Gallery of Victorias celebrated glass collection. Its author, and expert on the art of glass, Geoffrey Edwards, has selected the most magnificent works from the collection, each reproduced in colour, as the basis for a broader discussion of the history of glassmaking in the worlds leading production centres, from the ancient Mediterranean to the present day. With fine photographs by Garry Sommerfeld, this book provides a most spectacular visual array.