Saving Dancer

Jacob "Dancer" Blake never saw Carrie as more than his kid sister's best friend. But the night he killed the scum who had been trying to rape her put him into a hell he'll never escape. Now he's out of the slammer, there's trouble in the club, and Dancer has to get his head straight. He's so trapped in the darkness-- and Carrie is light. She wants to save him. But when a man's been broke in so many pieces, can he ever be mended back together?

A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.

Mark tells the story of his life through his strong memories of the ups and downs in his life from poverty to the glittering stages where he performed, surviving sexual abuse and overcoming a stutter. An aunt who made his life unbearable and a woman who believed in his talent as a dancer. Against all adversity he had to believe in himself and conquer the world and his fears and finding the ultimate, goal in life. Happiness, love and fulfillment with his partner in London.

Olivia Beckford is a successful and dynamic dancer from Manchester who has gone on to make her mark on the world’s stage. She has toured the world as a professional dancer, going to all the far-flung corners of the globe, and at the very young age of twenty-seven has now produced this very interesting and handy book. In it, she describes her journey to the top of her game and gives useful and on-point advice to any would-be professional dancer. She covers topics ranging from how to present yourself in auditions, to how to navigate the often choppy waters of the world of professional dance, how to stay on top of and ahead of your game, and how to do it with people still liking you in the end. And calling you back to give you more work! This young author is savvy about life and is a driven, motivated go-getter who shows in this book what it means to achieve success – that it’s not just money and bookings but about a deeper appreciation of life, about strict discipline, emotional intelligence, and having a versatile approach to everything you do. She knows how to use her energy to achieve all she has achieved, and that same energy and drive bounces off the pages of this fascinating book that is both a study of a person in place and time and a very motivational educational piece.

At the beginning of the 20th century Morris dancing had all but died out in much of England. It was militant suffragettes and slum girls who kick-started the revival that returned the forgotten dances of the countryside to towns and villages across the nation. As a result of their commitment to preserve and pass on the dances, the Morris survived as a living tradition that is still performed to this day. And the impetus to do so came from the women’s aspiration to change society for the better, the same impetus that drove them to militant action and to prison. The Morris revival and the militant suffrage movement were inextricably linked. The leader of the dance revival, Mary Neal, was a life-long radical campaigner for the rights of women and children. With her friend Emmeline Pethick she ran the Esperance Girls’ Club in one of London’s most deprived areas. She and Emmeline both sat on the national committee of Mrs Pankhurst’s militant Women’s Social and Political Union, the most notorious of the groups campaigning for the vote for women. The women’s embrace of traditional dance was rooted in Mary’s aspirations for equality and her commitment to social and political reform. The beginning of the dance revival and the launch of the militant suffragette campaign in London coincided almost exactly. Launched by a rather forlorn band of rebels, the WSPU grew into a movement capable of inspiring loyalty and loathing in equal measure. The Morris revival developed from an entertainment in a club for impoverished girls into a nationwide initiative. Mary and Emmeline’s associates in the dance revival ranged from young girls who worked in the militant campaign’s offices to hunger-striking daughters of the aristocracy. Mary and Emmeline provided the leadership and commitment that enabled two radical movements to flourish in the early years of the 20th century, but both found themselves marginalised after policy disagreements – with the folklorist Cecil Sharp and Mrs Pankhurst respectively - led to devastating splits in their respective organisations. Both then found themselves misrepresented and written out of the histories of movements which might never have got off the ground without them. Only in recent decades have women begun to reclaim their place in the Morris dance movement, the very existence of which is a legacy of the militant campaign for the vote.

The fate of the world lies in their hands... Discover the magic, adventure and romance in award-winning author Christie Golden's The Final Dance Trilogy. Now, you can get all three books in one handy bundle: On Fire's Wings, In Stone's Clasp, and exclusively in eBook format, Under Sea's Shadow.

The dancer went through several lifetimes of reincarnation, looking for the experience of true love. Among all living things, everyone wished to remember their past and present lives, but who could understand the pain within?