Scales For Jazz Improvisation

Haerle presents the scales used in improvisation and explains applications. Scales shown in all keys and treble and bass clefs include blues, ionian, dorian, phrygian, locrian as well as whole tone, chromatic, augmented and many more. Great aid to memorizing.

Scales, chords, and exercises to help improve jazz improvisation and theory. This book is designed for students who know how to read music and want to improve their knowledge of jazz technique and theory. FAQ: What scales does this book include? All seven modal scales, five of the seven melodic minor modal scales, all whole tone scales, diminished scales, pentatonic and blues scales. Transcribed in every key! The full list is: Lydian, Ionian, Mixolydian, Dorian, Aeolian, Phrygian, Locrian, Lydian Augmented, Lydian Dominant, Ascending Melodic Minor, Half Diminished, Altered Dominant, Whole Tone, Diminished (Whole Step-Half Step and Half Step-Whole Step), Pentatonic and Blues Scales. Just the scales? Absolutely not! Each scale family includes exercises for practicing the melodies and harmonies produced by that scale. Are there exercises for each scale? Each exercise is written in one key, e.g. F Lydian, C Ionian, etc. You are strongly encouraged to learn the exercises in every key, but transcribing them in every key would require a book forty times longer! I know how to read music, but I'm new to jazz. Is this a good book for me? This is the perfect book for you! The essential melodic and harmonic tools for jazz improvisation are all here. This is a great way to increase your knowledge of jazz improvisation and theory. I am completely new to music. Is this a good book for me? Unfortunately, you need to know how to read music before using this book. Please come back to it when you know the basics and are ready to begin playing jazz!

More than a pattern book, this lays out the theory behind the use of pentatonic scales in jazz, and follows with transcribed solos and exercises. Still a favorite after 14 years, this book has become a standard in the field.

More than a pattern book, this 80-page spiral-bound book lays out the theory behind the use of pentatonic scales in jazz, and follows with 12 pages of transcribed solos and 40 pages of exercises. Still a favorite after 14 years, this book has become a standard in the field.

Patterns for Jazz stands as a monument among jazz educational materials. Condensed charts and pertinent explanations are conveniently inserted throughout the book to give greater clarity to the application of more than 400 patterns built on chords and scales---from simple (major) to complex (lydian augmented scales).

Much ink has been spilled on the study of symmetrical scales, producing many method books which at best offer a superficial examination of this broad subject. Regrettably, the few studies that do exist focus on the more familiar symmetrical scales such as the diminished and whole-tone scales. Olivier Messiaen, a distinguished French composer, penned The Technique of My Musical Language, which outlined his own system of symmetrical scale organization as it related to his compositional approach, and thus this system is limited in its usage for more general application. My book is the first of its kind, to my knowledge, to institute a complete system whereby one can examine all the possible symmetrical scales, and hence serves as a companion volume to my former book, The Complete Thesaurus of Musical Scales. This book is intended for musicians, composers and music teachers (and their students), to stimulate their creative impulses towards the exploration of symmetrical scales, as a reference guide and/or a source of inspiration. Although this study focuses on the application of symmetrical scales as they correspond to jazz improvisation, the concepts introduced in my book can be applied to many styles of music and realized on any instrument. I hope that this publication will act as a catalyst to your individual development as a musician. Bon Voyage!

" ... Written to organize, codify, and demonstrate useful information which has proven to be helpful in learning to play improvised solos in the jazz idiom ... [for] the prepared player with some experience, who is looking for a deeper and more complete understanding of chord progressions and tune structures ... intended to provide information and insight to the serious player for the purpose of helping him of her develop more consistency in accomplishing the ability to play interesting, convincing jazz solos."--Preface