Scaredy Pants

Two crazy stories and one short play. The author indeed has a wild imagination. I think she never knows what she will write. She just sits down and writes and writes.

Watch out, Junie B., there's a new kid on the block! It's Freddy Thresher, a 1st grader who knows it's a jungle out there. Here's the fifth in a new series by an elementary teacher who's seen it all."I have a problem. A really, really, big problem. My class is having a talent show, and I have no talent!"Everyone's excited about the first grade Grandparents Day talent show--everyone except Freddy. He thinks he has no talent, and bully Max Sellars's teasing is making him feel even worse! But when Freddy's dad teaches him some magic tricks, it just might make Freddy a star, AND get Max off his back. Tricks are tricky though, and when things go awry, Freddy must count on Papa Dave and his sister Suzie to make some extra-special magic happen, both for the talent show, and for Max!

It's Halloween, and the Ant Hill kids are all dressed in costume and visiting a spooky fun house! They see and hear all sorts of creepy things, but once they switch on their flashlight, the house turns out to be not so scary at all!

This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.

The practice of blurring the line between score and sound design has transformed contemporary film soundscape by challenging not only the long-established hierarchical relationships between dialogue, music, and sound effects, but also the modes of perception shaped by classical soundtrack practices. The methods of this new trend rely on the language of contemporary popular and art music, producing soundtracks in which it is difficult to tell the difference between score and ambient sound, where pieces of electroacoustic music are merged with diegetic sound, sound effects are absorbed into the score or treated as music, and diegetic sound is treated as musique concrète. In Sound Design is the New Score, Kulezic-Wilson explores theoretical, aesthetic, and sensuous dimensions of this new trend, providing a multifaceted portrait of a practice which recognizes the interconnectedness of all soundtrack elements and emphasizes their inherent musicality. The aesthetic concerns of this practice are illuminated through the concept of the aesthetics of reticence which rejects classical narrative and scoring conventions and uses integrated soundtrack strategies to create the space for mystery in art and for individuality in the cinematic experience. The book's emphasis on sensuous and musical aspects of this practice, informed by the feminist discourse on the erotics of art, challenges popular notions about sensory cinema, demonstrating that the sensuousness of film form and its soundscapes is more sophisticated than simply being the result of excessive sensory stimulation facilitated by the use of digital technology or the "intensified" aesthetics it inspires. The discussion is supported by a wide range of case studies from American Independent, Asian, Australian, and European cinemas, including films by Shane Carruth, Claire Denis, Hou Hsiao-Hsien, Harmony Korine, David Michôd, Gus Van Sant, and Peter Strickland.

A middle schooler tries to teach a ghost some responsibility—but it doesn’t go as planned—in this tale by the New York Times–bestselling authors! When Billy Broccoli finds out his personal ghost, Hoover Porterhouse, is failing Responsibility, Billy decides it’s his mission to help Hoover turn his grade around. But how? Then inspiration hits. Billy is going to get Hoover a pet. There’s only one catch—the Hoove scares dogs out of their fur, birds out of their wings, and fish out of their gills. If Billy can’t find the perfect pet, how will Hoover ever learn and make the grade? Praise for Ghost Buddy: Zero to Hero “An endearingly uncool hero . . . Readers will root for Billy.” —Publishers Weekly

Readers of all ages love Dr. Seuss's spooky and silly story about facing your fears! Featuring over 50 special glow-in-the-dark bonus stickers and a luxe, gift-worthy cover that glows in the dark and has a matte "soft-touch" finish! I was deep within the woods When, suddenly, I spied them. I saw a pair of pale green pants With nobody inside them! What's a pair of empty green trousers doing by itself in the woods? Or riding a bike through town? The narrator of What Was I Scared Of? does not want to find out. The spooky pants give him the creeps! This Seussian gem from The Sneetches and Other Stories shines on its own as it delivers a timeless message about fear and tolerance. Perfect for slumber parties and perusal by flashlight--it comes with a sheet of spooky glowing stickers bound inside as an added bonus!

4 boys, 3 days, 1 castle. What could possibly go wrong? This is the final book in the 3-book Markree Castle series (and the 4th book in the Li & Lu series). You think that's confusing, wait until you learn how to say Donald Duck's nephews in Chinese. That kind of extremely useful knowledge (and more) awaits you throughout the pages of the Markree Castle series. So jump on in and enjoy!