Scheming Women

This book uses post structuralist, psychoanalytic, and feminist theories to read the poetry of Dickinson, Moore, H.D., and Rich.

Scheming Women charts a trajectory of American female poetic speakers from within a heterosexual lyric framework to bisexual and lesbian subjects outside that pervasive frame. In close readings of Dickinson, Moore, H.D., and Rich, the author makes a new argument about the division that permeates their poetic speaking subjects. Postulating a revolutionary female subject, she extends Julia Kristeva's theory of poetic language through an intertextual approach, and shows that these relatively advantaged female poets destructure the very poetic power they are able to assert. Hogue concludes that in not reproducing positions of dominance and privilege indicative of larger cultural trends, these key poets exemplify important alternatives to class, race, and gender hierarchies—persuasively demonstrating the promise of what she terms an ethical feminist poetic practice.

This account examines some of the areas of women's political activity in Britain from the Glorious Revolution to the election of the first female Prime Minister in 1979. It shows how women had worked in a variety of arenas and organizations before the suffrage campaign and explores the directions their political activity took afterwards.

Good, bad or Desperate? We all have been there at some point of our lives. In her first book, My Father In Heaven, My Father On Earth, Sandra openly shared moments of her life when she was bad & desperate and finally declared righteous by the grace of God. Maybe today you are in a good, bad, or desperate situation because of choices that were made by you or someone else. In this study, Sandra, with her warm, genuine style directs our focus not to the women, but to a good God who is faithful in all circumstances of life. Though Bible times have changed, our Eternal God has not, and because of this we learn and grow from the women in the Bible. Do we really differ from these women in the Bible? Will you take the journey with us and find out how we can make a difference today? Sandra Gollihar is a trusted friend, wife and mother of 4 sons, one of which is a pastor in Southern California, the grandmother of 12 and great-grandmother of 2. She has touched many lives with her wit and wisdom from God's word. She has faithfully served in a Fundamental Independent Baptist Church for the last 19 years. She has taught ladies meetings and Sunday school classes of all ages; and is an active part of the visitation and soul-winning ministry.

The wedding was coming, but he couldn't hide his stomach. They had to make arrangements with the quasi-Husband, but why were there so many people fighting over a child? Crown Prince, Prince, who exactly was the child's father? It was with great difficulty that the Handsome Man finally helped him to escape the palace and the Prime Minister's Mansion. He thought that he could live a peaceful life now, but he didn't expect that the old man who helped him flee the palace five years later, would say that the child was his. After giving her a fierce slap, Cangxue refused to accept this' truth '.' If you want to be the next emperor, then I'm going to be a commoner. Get the hell away from me! '

This book addresses east-west understandings of Arab women as portrayed through translated media. The vast majority of media studies on Arab women are western-based. They study the effect of western stereotypes in western media depictions of Arab women. There is a vast scholarly literature tracing western stereotypes of Arab women from medieval times to the present. From 1800, the dominant western stereotype of Arab women depicts them as passive and oppressed. Thirty years of social science media research in the west has shown that media images of Arab women reinforce this two hundred year old stereotype. Much of this research has studied silent "image bites" of Arab women, where women are pictured in veils and their own voices are replaced by western captions or voice-overs. This book sets out to answer this question. To answer it, we contracted with a global news translation service from the Middle East to collect and translate a sample of 22 months of new summaries from 103 Arab media sources belonging to 22 Arab countries. Filtering the summaries that contained one or more female keywords (e.g., woman, mother, aunt, sister, she) yielded 2, 061 summaries between September 2005 and June of 2007. Using the 2,061 summaries as input data, a coding scheme was developed for "active" and "passive" female behaviors based on verb-phrase analysis and conventions of English-language news-reporting.

Game of Thrones, one of the hottest series on television, leaves hundreds of critics divided on how "feminist" the show really is. Certainly the female characters, strong and weak, embody a variety of archetypes--widow queens, warrior women, damsels in distress, career women, priestesses, crones, mothers and maidens. However, the problem is that most of them play a single role without nuance--even the "strong women" have little to do besides strut about as one-note characters. This book analyzes the women and their portrayals one by one, along with their historical inspirations. Accompanying issues in television studies also appear, from the male gaze to depiction of race. How these characters are treated in the series and how they treat themselves becomes central, as many strip for the pleasure of men or are sacrificed as pawns. Some nude scenes or moments of male violence are fetishized and filmed to tantalize, while others show the women's trauma and attempt to identify with the scene's female perspective. The key is whether the characters break out of their traditional roles and become multidimensional.

This extensive collection of English-language essays examines the many strategies of resistance to male domination that women in France from the 16th through the 18th centuries utilized in their lives and their writings. Themes treated include women's views on marriage, religion, education, careers, tradition, and narrative and rhetorical innovation. The 28 essays cover such well-known writers as Marguerite de Navarre and Madame de Charri re, as well as unjustly neglected figures from H lisenne de Crenne to Mme d'Aulnoy. Nearly all genres are discussed: novels, theater, short stories, poetry, textual commentary, letters, autobiography and memoirs. While most essays focus on one writer, some deal with such topics as the development of a women's rhetoric, the association of letter writing with women, or the fairy tale; and all of the studies are informed by the various currents of feminist criticism.