Schola Pietatis 1623

In the third volume of this five volume work, Gerhard applies the understanding of 'godliness' which he has explicated in the first two volumes to an examination of the First Table of the Law; that is, the first three of the Ten Commandments.

In the second volume of this great devotional work, Gerhard builds on the foundation established int he first volume: "In the first volume of this treatise I have related in an orderly way the main, important, and motivational reasons which should generally encourage and awaken every person toward godliness. Now, additionally, follows that we provide a sure form and good directions from the Word of God as to how and in what manner a person should and can practice godliness. It is necessary for us to know both, for God has prescribed both for us in His Word." Rev. Dr. Elmer Hohle's translation of the Schola Pietatis (1623) is his latest contribution to the Repristination Press collection of Gerhard's works.

Many scholars and music lovers hold that J.S. Bach is a modern figure, as his music seems to speak directly to the aesthetic, spiritual, or emotional concerns of today's listeners. But, by eighteenth-century standards, Bach and his music in fact reflected and forcefully promoted a premodern world and life view. In Bach against Modernity, author Michael Marissen offers a new look at Bach that considers problems of inattentiveness to historical considerations in academic and popular writing about Bach's relation to the present. He also puts forward interpretive reassessments of key individual works by Bach and examines problems in modern comprehension of the partly archaic German texts that Bach set to music. Lastly, he explores Bach's music in relation to premodern versus enlightened attitudes toward Jews and Judaism and enquires into the theological character of Bach's secular instrumental music. Throughout, the book provides overlooked or misunderstood evidence of Bach's private engagement with religious and social issues that he also addressed in his public vocal compositions. Marissen ultimately argues that, while we are free to make use of Bach and his music in whatever ways we find fitting, we ought also to guard against miscasting Bach in our own ideological image and proclaiming the authenticity of that image, and hence its prestige value, in support of our own agendas.

What does it mean to be called as a husband, a wife, a parent, a child? How does the grace of the gospel impact how we carry out our particular calling? How does God's presence influence the struggles that families face? Gene Veith joins forces with his daughter Mary Moerbe to explore these kinds of questions as well as the roles of calling and vocation in family life. Though we have little control over who is in our family (other than choosing a spouse and deciding to have children), God has placed us with specific people for specific reasons. Veith and Moerbe show how our roles are distinct and important to God's plan for our lives—and that when we have a biblical understanding of those roles in our families, we can move away from common dysfunctions and toward forgiveness and healing. Writing with sensitivity and wisdom, Veith and Moerbe address the common problems facing contemporary families: the crosses, the weaknesses, and the uncertainties. They articulate a compelling, biblical paradigm for creating and sustaining loving and forgiving families who maintain hope in the face of cultural pressure. This book is an important resource for all Christians, including pastors, counselors, and those working in family ministry.

This book—the sixth volume in The Great Cultural Eras of the Western World series—provides information on more than 400 individuals who created and played a role in the era's intellectual and cultural activity. The book's focus is on cultural figures—those whose inventions and discoveries contributed to the scientific revolution, those whose line of reasoning contributed to secularism, groundbreaking artists like Rembrandt, lesser known painters, and contributors to art and music. As the momentum of the Renaissance peaked in 1600, the Western World was poised to move from the Early Modern to the Modern Era. The Thirty Years War ended in 1648 and religion was no longer a cause for military conflict. Europe grew more secularized. Organized scientific research led to groundbreaking discoveries, such as the earth's magnetic field, Kepler's first two laws of motion, and the slide rule. In the arts, Baroque painting, music, and literature evolved. A new Europe was emerging. This book is a useful basic reference for students and laymen, with entries specifically designed for ready reference.

Discover firsthand the Reformers' innovative readings of the Old Testament prophets Ezekiel and Daniel. Familiar passages like Ezekiel's vision of the wheels or Daniel's four beasts are revitalized as they take the stage at this pivotal moment in history.